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Hated almost the entire cast. He was always one of the worst though.
I only had a problem with Kes and Neelix. The rest was fine to me.
Hated almost the entire cast. He was always one of the worst though.
I saw a buddy on facebook whos watching DS9 for the first time, post about it, so I had to give it a rewatch tonight. Chilling. Star Trek has been pretty accurate at predicting the future. If its right we have WW3 and then the Eugenics wars to look forward too, before the Vulcans come....
Our time lines are slightly off, due to corona virusThe Eugenics Wars were in 1996. Don’t you remember?
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That woulda been so great. I enjoyed Voyager but it was very hit-and-miss, I see why meow, Berman was cancer to ST. A full season of that story would have been amazing. I like when a series veers into a different direction for a little while, it breaks up the show so it doesn't get stale.How the Brannon Braga and the Voyager writers planned to make "Year in Hell" a season-long arc, only to be shut down by Rick Berman
Often considered the highlight of the series, the “Year of Hell” two-parter in Star Trek: Voyager’s fourth season injects messy timeline shenanigans and high drama into the series, which typically focused on less serialized, less intense stories than its immediate forebear, Deep Space Nine. According to Bryan Fuller, who talked about working on Voyager in a recent episode of the Inglorious Treksperts podcast, the initial concept was for the story in these two episodes to comprise a full season arc.
“The ‘Year of Hell’ and the behind-the-scenes drama not only to craft episode, but that season, was fascinating because we wanted ‘Year of Hell’ to last the entire season,” Fuller said (as transcribed by Trek Movie). “We wanted to see Voyager get its ass kicked every episode and through that season was going to be marbled the story of Annorax and the time ship that was changing things. So, we would go back to it every once in a while to remind the audience that is the larger story. But [it was rejected] because Deep Space Nine made [Voyager co-creator and executive producer] Rick Berman allergic to serialized storytelling, violently so.”
While Berman would eventually nix the idea, Fuller said that it was animating, one of the most exciting concepts to move through the Voyager writer’s room.
“We are really going to be on the outskirts of the galaxy and we are going to be fighting enemies that are kicking us when we are down. The crew is going to have to separate and we are going to be following episodes that are going to deal with people on shuttlecrafts with escape pods that are electrically buoyed together,” Fuller explained. “There would be an episode where you never saw Janeway and never saw Voyager because you are with the people who are on the escape pods trying to find a new source of power or safety. It was like creative crack for the writers’ room, because all of a sudden there were so many opportunities.”
“I remember [showrunner Brannon Baga] going over to Rick’s office with all of this enthusiasm and coming back broken and his head hanging low and having to break it to the writing staff. We all felt like we were doing it, we are making great Star Trek. For him to come back and say we can’t and we can only do two episodes as opposed to twenty-two, it was heartbreaking,” Fuller said.
That tension, between writerly ambition and Berman’s strong opinions, was a significant source of the unique and not always successful vibe of Voyager, according to Fuller. While the show did find its footing, it’s disappointing to know that such a neat arc could have been a whole lot more.
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Clearly the best episode of Star Trek. Discuss......
What are we talking about againNever seen that, horrible
How the Brannon Braga and the Voyager writers planned to make "Year in Hell" a season-long arc, only to be shut down by Rick Berman
Often considered the highlight of the series, the “Year of Hell” two-parter in Star Trek: Voyager’s fourth season injects messy timeline shenanigans and high drama into the series, which typically focused on less serialized, less intense stories than its immediate forebear, Deep Space Nine. According to Bryan Fuller, who talked about working on Voyager in a recent episode of the Inglorious Treksperts podcast, the initial concept was for the story in these two episodes to comprise a full season arc.
“The ‘Year of Hell’ and the behind-the-scenes drama not only to craft episode, but that season, was fascinating because we wanted ‘Year of Hell’ to last the entire season,” Fuller said (as transcribed by Trek Movie). “We wanted to see Voyager get its ass kicked every episode and through that season was going to be marbled the story of Annorax and the time ship that was changing things. So, we would go back to it every once in a while to remind the audience that is the larger story. But [it was rejected] because Deep Space Nine made [Voyager co-creator and executive producer] Rick Berman allergic to serialized storytelling, violently so.”
While Berman would eventually nix the idea, Fuller said that it was animating, one of the most exciting concepts to move through the Voyager writer’s room.
“We are really going to be on the outskirts of the galaxy and we are going to be fighting enemies that are kicking us when we are down. The crew is going to have to separate and we are going to be following episodes that are going to deal with people on shuttlecrafts with escape pods that are electrically buoyed together,” Fuller explained. “There would be an episode where you never saw Janeway and never saw Voyager because you are with the people who are on the escape pods trying to find a new source of power or safety. It was like creative crack for the writers’ room, because all of a sudden there were so many opportunities.”
“I remember [showrunner Brannon Baga] going over to Rick’s office with all of this enthusiasm and coming back broken and his head hanging low and having to break it to the writing staff. We all felt like we were doing it, we are making great Star Trek. For him to come back and say we can’t and we can only do two episodes as opposed to twenty-two, it was heartbreaking,” Fuller said.
That tension, between writerly ambition and Berman’s strong opinions, was a significant source of the unique and not always successful vibe of Voyager, according to Fuller. While the show did find its footing, it’s disappointing to know that such a neat arc could have been a whole lot more.
I like Year of Hell, but I have to say I’m kind of glad that they didn’t do that idea. The reason I say that is because they tried that with season 3 of Enterprise and I didn’t really care for that one at all, I thought it was the worst season of the four that the series had. I could see Year of Hell going the same way.
The other reason it would have sucked is because of the way it ended, with everything being completely undone when they destroyed the time ship. It would have been too much like Dallas. All the drama and destruction only for it to be like it never happened. Might as well end it with Janeway waking up to find Patrick Duffy in her shower.
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I thought Red Forman character arch in Year of Hell was the best part
I know that Miles shows up on Deep Space Nine and while I've never seen that show, I
Dude.
Change that