Movies Movie News and Notes

They’ve done some real good ones. Marriage Story and Two Popes were really solid this year. I really liked The Irishman too but can see why many didn’t.

That said, there seems to be a wide gap between their prestige pics and the standard action or comedy movies they make.

This one gives me a Triple Frontier vibe based on the trailer. Don’t know if you saw that one but it was like a B-movie with A-level production values and A-level cast.

Essentially, it was nothing special. Not bad but mediocre.

One buddy of mine really disliked Extraction which kind of surprised me since he’s a big action genre guy. I still want to see it because of the Russos/Hemsworth aspect.

I havent seen marriage story or two popes so I'm ignorant there but I've seen a good amount of their original movies and have been unimpressed. Obviously some will be good but it's too much of throw shit at a wall and see what sticks for me. They have some really quality shows though.
 
Has anyone watched Blood Quantum yet?

Its an Indigenous / Canadian zombie movie. Going to rent it this weekend.

 
The green knight was supposed to come out may 29th. Now that's not happening. Damn
 
I gotta admit I watched Scoob! And enjoyed the hell out of it, I used to wake up early as a kid before school to watch Scooby Doo and this one was done well.
 
Haven't seen a good Vietnam movie in a while, this looks pretty damn good, great cast! Comes out June 12th


Makes me want to play Battlefield Vietnam. I'd like to see another bad company-like game, but set in the Vietnam timeline, for SP and MP. I don't have much faith in EA/Dice these days though, but hopefully they're learning from their recent mistakes.
 
JUSTICE LEAGUE Snyder Cut with $20 Million+ Budget Coming to HBO Max in 2021

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It was very early on a Monday morning in November when director Zack Snyder and his wife and producing partner, Deborah Snyder, received a call from their agent. Let’s be a bit more precise. It was 7 a.m. But more importantly, it was the day after the second anniversary of the release of Justice League, the DC superhero movie that Snyder was forced to exit due to a family emergency, which was then substantially reshot and retooled by replacement director Joss Whedon.

In the time since its release, something unusual happened: A growing movement of fans, rallied by the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned — even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con — for Snyder’s version to be released. And on the film's second anniversary, the hashtag had its biggest day ever — with even the movie's stars Gal Gadot and Ben Affleck adding their voices on Twitter.

So here, the morning after, was their agent saying that Toby Emmerich, chairman of Warner Bros. Pictures, was acknowledging the movement, and more importantly, was willing to accede. "This is real. People out there want it. Would you guys ever consider doing something?" was what Emmerich was asking, Zack Snyder recalls.

The answer to Emmerich's question, a whispered-about secret for months, was revealed Wednesday when Zack Snyder confirmed, at the end of an online screening of his 2013 movie, Man of Steel, that his version of Justice League was indeed real. And that it will be coming to HBO Max, the WarnerMedia digital streaming service launching May 27, and is expected to debut in 2021.

It is currently unclear what form Snyder’s Justice League will take. Whether it will be released as an almost four-hour director’s cut or split into six "chapters" has yet to be decided, but the Snyders are now in the midst of reassembling much of their original postproduction crew to score, cut, add new and finish old visual effects, and, yes, maybe bring back many of the actors to record additional dialogue.

Also unclear is the cost of the endeavor. One source has pegged the effort in the $20 million range, although another source says that figure could be closer to $30 million. The parties involved had no comment.

"It will be an entirely new thing, and, especially talking to those who have seen the released movie, a new experience apart from that movie," Zack Snyder tells The Hollywood Reporter, noting that, to this day, he has not watched the version released in theaters.

"You probably saw one-fourth of what I did," the director notes, basing his judgment on what has been shared with him of Whedon's version.

Before Emmerich came calling, adds Snyder, "I always thought it was a thing that in 20 years, maybe somebody would do a documentary and I could lend them the footage, little snippets of a cut no one has ever seen."

But, adds Deborah Snyder, "With the new platform and streaming services, you can have something like this. You can’t release something like this theatrically, but you could with a streaming service. It’s an opportunity that wasn’t there two years ago, to be honest."

It is a very unlikely development, and the latest twist for a movie that has, like the Man of Steel himself, seen death and rebirth.

Snyder was in a unique position when he shot Justice League in 2016. Warner Bros. had entrusted its universe of DC characters to one filmmaker — him — and he had been building toward a great onscreen team-up, though not without some bumps in the road. He began with Man of Steel, which grossed $668 million worldwide, then followed up with Batman v Superman: Dawn of Justice, the 2016 blockbuster that polarized fans with its dark take on the iconic titular heroes and took in $873 million globally.

In January 2017, he had what he considered his optimal version of Justice League, almost four hours long, although he knew it was something the studio would not release. Warners wanted a cut in the two-hour range, and he delivered a rough version with an approximate two-hour, 20-minute running time. That was the first cut the studio saw. Both sides agreed that there was much work still to be done before the November release, but tragedy struck the Snyders when their daughter, Autumn, died by suicide. A month and a half later, Zack officially stepped away and Whedon was brought in.

League opened Nov. 17 to weak reviews and sluggish box office, eventually taking in $658 million worldwide. However, almost immediately a movement was born. Fans unhappy with the film created the now-infamous hashtag. A Change.org petition for Warners to release Snyder’s version had already garnered over 100,000 signatures less than five days after the movie’s release.

Forget that the version that fans wanted technically didn’t exist. What did exist was a semi-unfinished work, with no visual effects, no postproduction. One person who had seen that version described it like a car with no panels, just a drivetrain and some seats. And it sat on a hard drive in the Snyders' house. "When we left the movie, I just took the drive of the cut on it," says Zack Snyder. "I honestly never thought it would be anything."

It was on the two-year anniversary, however, that the zenith hit and the hashtag became a top worldwide trend. "#ReleasetheSnyderCut is the most-tweeted hashtag about a movie that WB has ever made, but it’s a movie they’ve never released," says Snyder. "It’s a weird stat but it’s cool."

https://www.hollywoodreporter.com/h...lans-revealed-it-will-be-an-new-thing-1295102
 
Charlize Theron is an Immortal Warrior in THE OLD GUARD Trailer

Forever is harder than it looks. Led by a warrior named Andy (Charlize Theron), a covert group of tight-knit mercenaries with a mysterious inability to die have fought to protect the mortal world for centuries. But when the team is recruited to take on an emergency mission and their extraordinary abilities are suddenly exposed, it’s up to Andy and Nile (Kiki Layne), the newest soldier to join their ranks, to help the group eliminate the threat of those who seek to replicate and monetize their power by any means necessary.

 
Charlize Theron is an Immortal Warrior in THE OLD GUARD Trailer

Forever is harder than it looks. Led by a warrior named Andy (Charlize Theron), a covert group of tight-knit mercenaries with a mysterious inability to die have fought to protect the mortal world for centuries. But when the team is recruited to take on an emergency mission and their extraordinary abilities are suddenly exposed, it’s up to Andy and Nile (Kiki Layne), the newest soldier to join their ranks, to help the group eliminate the threat of those who seek to replicate and monetize their power by any means necessary.



Reminds me of the Einherjar from The Dresden Files:cool:
 
Haven't seen a good Vietnam movie in a while, this looks pretty damn good, great cast! Comes out June 12th


Makes me want to play Battlefield Vietnam. I'd like to see another bad company-like game, but set in the Vietnam timeline, for SP and MP. I don't have much faith in EA/Dice these days though, but hopefully they're learning from their recent mistakes.


I can't tell on this one but I'll probably give it a shot. Hard to get a feel of the tone.
 
Sony Pictures Developing Spider-Man Spinoff JACKPOT with Writer Marc Guggenheim

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Sony Pictures is determined to expand its Marvel Spider-Man universe headlined by a female superhero. The studio has Marc Guggenheim writing the script for Jackpot, a feature about a crime fighting mom in the comics. Guggenheim has written episodes of that comic series, with Brian Reed.

Jackpot is a superheroine with exceptional strength, and her history in the comics is a complicated one. First incarnation was Sara Ehret, a scientist, who, while pregnant, is doing gene therapy research and is exposed to “Lot 777,” a virus that rewrote the DNA in her cells. Her baby is born healthy but she realizes in addition to being a new mom she has superhuman strength after she is forced to save her family.

Eventually, she tired of the crime fighting burden and hands the suit to Alana Jobson, an ambitious pal who takes over the character but must ingest a Mutant Growth Hormone to live up to Jackpot’s superhuman abilities. Long story short, she is killed when teaming with Spider-Man to track down the villain Menace and is killed in action. A guilt-ridden Ehret returns to the job, keeping her identity secret as she raises a family while fighting crime.

Guggenheim has such comic book credits as Aquaman, Amazing Spider-Man and Superman/Batman, and videogame credits including Call of Duty 3. On the film/TV front, his work includes Law & Order, Jack & Bobby, CSI: Miami and most recently he was set by Jeff Robinov’s Studio 8 to adapt Prophet, the Image Comics character hatched by Deadpool creator Rob Liefeld. His work also includes Arrow, Trollhunters: Tales of Arcadia, and he’s making his directorial debut on DC’s Legends of Tomorrow, a crossover from CW’s The Flash. He’s already in business with Sony Pictures adapting the graphic novel Gantz.

Sony scored a huge hit with Spider-Man spinoff Venom with a sequel percolating, and also has Jared Leto playing Morbius, and The Equalizer scribe Richard Wenk writing Kraven the Hunter. There are also pics in development on the characters Silk and Nightwatch, and our sister pub Variety revealed yesterday that TV director S.J. Clarkson is developing a film on another female superhero in the Spider-Man universe, Madame Web.

https://deadline.com/2020/05/marc-g...e-jackpot-movie-for-sony-pictures-1202940719/
 
2nd Trailer for Christopher Nolan's International Espionage Thriller TENET

 
JUSTICE LEAGUE Snyder Cut with $20 Million+ Budget Coming to HBO Max in 2021

gAscsJB.jpg


It was very early on a Monday morning in November when director Zack Snyder and his wife and producing partner, Deborah Snyder, received a call from their agent. Let’s be a bit more precise. It was 7 a.m. But more importantly, it was the day after the second anniversary of the release of Justice League, the DC superhero movie that Snyder was forced to exit due to a family emergency, which was then substantially reshot and retooled by replacement director Joss Whedon.

In the time since its release, something unusual happened: A growing movement of fans, rallied by the hashtag #ReleasetheSnyderCut, had called, agitated, petitioned — even bought a Times Square billboard and chartered a plane to fly a banner over Comic-Con — for Snyder’s version to be released. And on the film's second anniversary, the hashtag had its biggest day ever — with even the movie's stars Gal Gadot and Ben Affleck adding their voices on Twitter.

So here, the morning after, was their agent saying that Toby Emmerich, chairman of Warner Bros. Pictures, was acknowledging the movement, and more importantly, was willing to accede. "This is real. People out there want it. Would you guys ever consider doing something?" was what Emmerich was asking, Zack Snyder recalls.

The answer to Emmerich's question, a whispered-about secret for months, was revealed Wednesday when Zack Snyder confirmed, at the end of an online screening of his 2013 movie, Man of Steel, that his version of Justice League was indeed real. And that it will be coming to HBO Max, the WarnerMedia digital streaming service launching May 27, and is expected to debut in 2021.

It is currently unclear what form Snyder’s Justice League will take. Whether it will be released as an almost four-hour director’s cut or split into six "chapters" has yet to be decided, but the Snyders are now in the midst of reassembling much of their original postproduction crew to score, cut, add new and finish old visual effects, and, yes, maybe bring back many of the actors to record additional dialogue.

Also unclear is the cost of the endeavor. One source has pegged the effort in the $20 million range, although another source says that figure could be closer to $30 million. The parties involved had no comment.

"It will be an entirely new thing, and, especially talking to those who have seen the released movie, a new experience apart from that movie," Zack Snyder tells The Hollywood Reporter, noting that, to this day, he has not watched the version released in theaters.

"You probably saw one-fourth of what I did," the director notes, basing his judgment on what has been shared with him of Whedon's version.

Before Emmerich came calling, adds Snyder, "I always thought it was a thing that in 20 years, maybe somebody would do a documentary and I could lend them the footage, little snippets of a cut no one has ever seen."

But, adds Deborah Snyder, "With the new platform and streaming services, you can have something like this. You can’t release something like this theatrically, but you could with a streaming service. It’s an opportunity that wasn’t there two years ago, to be honest."

It is a very unlikely development, and the latest twist for a movie that has, like the Man of Steel himself, seen death and rebirth.

Snyder was in a unique position when he shot Justice League in 2016. Warner Bros. had entrusted its universe of DC characters to one filmmaker — him — and he had been building toward a great onscreen team-up, though not without some bumps in the road. He began with Man of Steel, which grossed $668 million worldwide, then followed up with Batman v Superman: Dawn of Justice, the 2016 blockbuster that polarized fans with its dark take on the iconic titular heroes and took in $873 million globally.

In January 2017, he had what he considered his optimal version of Justice League, almost four hours long, although he knew it was something the studio would not release. Warners wanted a cut in the two-hour range, and he delivered a rough version with an approximate two-hour, 20-minute running time. That was the first cut the studio saw. Both sides agreed that there was much work still to be done before the November release, but tragedy struck the Snyders when their daughter, Autumn, died by suicide. A month and a half later, Zack officially stepped away and Whedon was brought in.

League opened Nov. 17 to weak reviews and sluggish box office, eventually taking in $658 million worldwide. However, almost immediately a movement was born. Fans unhappy with the film created the now-infamous hashtag. A Change.org petition for Warners to release Snyder’s version had already garnered over 100,000 signatures less than five days after the movie’s release.

Forget that the version that fans wanted technically didn’t exist. What did exist was a semi-unfinished work, with no visual effects, no postproduction. One person who had seen that version described it like a car with no panels, just a drivetrain and some seats. And it sat on a hard drive in the Snyders' house. "When we left the movie, I just took the drive of the cut on it," says Zack Snyder. "I honestly never thought it would be anything."

It was on the two-year anniversary, however, that the zenith hit and the hashtag became a top worldwide trend. "#ReleasetheSnyderCut is the most-tweeted hashtag about a movie that WB has ever made, but it’s a movie they’ve never released," says Snyder. "It’s a weird stat but it’s cool."

https://www.hollywoodreporter.com/h...lans-revealed-it-will-be-an-new-thing-1295102

I haven't watched the theatrical version so I'll probably wait until I hear if this is any good then maybe I'll just hop on this.
 
Doug Liman to Direct Tom Cruise in Outer Space-Shot Movie Collaboration with Elon Musk and NASA

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Doug Liman will boldly go where no film director has gone before. Liman plans to accompany Tom Cruise on the action adventure film to be shot in outer space that is being mounted independently (for now) and involves Elon Musk’s Space X and NASA. Liman, who directed Cruise on the movies American Made andEdge of Tomorrow, and who separately directed such hits as Mr. & Mrs. Smith, The Bourne Identity, Go and Swingers, is eager to re-team on this first of its kind project, I’m told.

This is not some loose attachment. Liman and Cruise hatched this whole thing together, with Liman writing the first draft of the screenplay and producing along with Cruise. Deadline revealed on May 4 that Cruise was planning this feat, to actually travel to space in a craft to shoot the film, and the scoop hung out there until NASA confirmed its participation a day later.

Elon Musk, in partnership with NASA, will tomorrow launch the SpaceX Falcon 9 rocket from Florida carrying two American astronauts at the Kennedy Space Center, an historic rocket born from a groundbreaking public-private partnership that will put the U.S. back in the business of human spaceflight for the first time in a long time.

Liman and Cruise are collaborators and pals who are both pilots and bonded over an adventurous spirit. Each guy has work to finish before heading into space. Liman is in postproduction in the Lionsgate/BRON film Chaos Walking, with Daisy Ridley starring alongside Tom Holland, Mads Mikkelsen, Cynthia Erivo and Nick Jonas. Cruise had Top Gun: Maverick pushed from summer to December 23, and he and Christopher McQuarrie are eagerly waiting to get back to work in Mission: Impossible 7 after the film’s imminent start was delayed when the coronavirus pandemic shut down all Hollywood productions in March. The Paramount/Skydance film just hired Esai Morales to play a key villain, after Nicholas Hoult was knocked out due to a scheduling conflict and production is expected to start late summer or early fall.

Clearly the space film will have an unprecedented pre-production that will involve training to be able to withstand an outer space flight, but Deadline is told in no uncertain terms these guys are serious and hopeful this can happen in the very near future.

Cruise has shown he is the most daring movie star around, and his preparation is becoming as legendary as the stunts themselves. Despite that, Cruise broke his ankle in a leap from one rooftop to the other and he also hung from a helicopter in Mission Impossible: Fallout; he hung from the side of a jet plane during takeoff in Mission: Impossible Rogue Nation, and in Mission: Impossible: Ghost Protocol he scaled the Burj Khalifa, the Dubai skyscraper, and executed stunts 123 floors up.

https://deadline.com/2020/05/doug-liman-tom-cruise-outer-space-movie-elon-musk-nasa-1202943591/
 
Doctor Strange Filmmaker Scott Derrickson to Direct LABYRINTH Sequel

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Scott Derrickson is stepping into the world of Labyrinth. The filmmaker is in talks to direct a sequel to the 1986 Jim Henson fantasy film, The Hollywood Reporter has confirmed. Maggie Levin will write the script for the TriStar Pictures film.

Labyrinth told of a teenager (Jennifer Connelly) who has to navigate a fantastical maze in order to save her young brother, kidnapped by a goblin king (David Bowie). Though the film was a box office disappointment, it became a cult hit and has remained in the public consciousness via comic books, video games and more. A sequel has been in the works for several years, with Don't Breathe's Fede Álvarez previously attached to direct.

Derrickson made a name for himself in the horror genre with The Exorcism of Emily Rose (2005) and went on to direct The Day the Earth Stood Still (2008), Sinister (2012) and Doctor Strange (2016). He is also attached to direct Chris Evans in the upcoming Skydance thriller Bermuda, which he joined after exiting Marvel Studios' Doctor Strangesequel over creative differences.

Levin recently wrote and directed "My Valentine," a chapter of Hulu and Blumhouse's horror anthology series Into the Dark.

https://www.hollywoodreporter.com/heat-vision/labyrinth-sequel-works-scott-derrickson-1295924
 
First Look at Adult, Bearded Kong from GODZILLA VS. KONG Prequel Comic Book

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