You didn't know it was an indirect insult at David and Dan.
I'm proud to have informed you of that.
I didn't include this because she's jerking off her story group with such brilliant members such as Pablo Hidaglo and a bunch of no-namers that have written nothing of note.
And she trusts such people like Rian Johnson (ep8), the Kasdan brothers (Solo), and four people who wrote Ep9... yep, that couldn't have possibly have fucked it up worse.
All of which said to pretty much ignore everything in a previous comic or novel that they could borrow from... except two things they actually did borrow from the EU... Han and Leia's son falling to the dark side and Palpatine's 'resurrection' but royally fucking up both worse than anyone could possibly imagine.
By saying 'we don't have source material, we have a story group' she's saying that whatever the story group and scriptwriters write is automatically better than whatever source material she doesn't acknowledge its existance, because she's never bothered to look into it.
No, Kathleen Kennedy has lost all benefit of the doubt to take anything she says at face value.
Do I need to post highlights of the interview she did with George Lucas after the Disney buyout about how she was going to honor his characters? Then she approved Han Solo being a divorced husband who went back to smuggling and was notoriously bad at it. And she approved Luke being a cowardly hermit that abandons his family, friends, and entire galaxy so he can go to an island planet to die... oh but he left a map in R2D2 so he could be found one day.
That's 'honoring George Lucas's characters?' Oh sure... but of course they made Leia the leader of the alliance because...
I can't believe you need this explained to you.
"We don't have source material" she whines.
Yes, because she de-canonized it, and can re-canonize it or certain aspects or characters like Thrawn.
If she ever wants source material, all she and that story group of hers has to do is open a Star Wars EU book, or at least summaries of them, and propose 'this plot point/character/twist/etc is very good, how can we make it work into a script?
And the Kathleen Kennedy-approved new stories suck dick.