Update: May 31, 2023
Dragonlord’s Review of SPIDER-MAN: ACROSS THE SPIDER-VERSE (No Spoilers)
Bottom Line: A solid sophomore outing for the Miles Morales-centered pic, Spider-Man: Across the Spider-Verse takes a while to get going but it steadily gets better and finishes with a spectacular third act.
With a run time of 2 hours and 20 minutes,
Spider-Man: Across the Spider-Verse is the longest Hollywood animated movie ever made. With a frenetic storytelling pacing, lightning-fast action sequences, complex multiverse story, quick character cameos and tons of Easter eggs from comic books, movies, TV shows and gaming, it’s a lot to digest and will probably need a second viewing to grasp everything or to fully appreciate it more.
Miles Morales continues to be a great character. His good natured personality coupled with his tenacity and inner struggles make him extremely likable. I really liked Miles' interactions with his parents in which their relationship is explored further in the sequel and gives the film its emotional anchor. Spider-Gwen is the co-lead of the film as she has been given a significant amount of screen time especially with an extended prologue which does pay off at the end. Peter B. Parker, one of the reasons why the first film was so good, is also back and he’s brought with him his adorable baby daughter. Miguel O’Hara is a pretty good antagonist but I do agree with him on the main conflict, he just has a belligerent way of delivering his message across.
Spider-Punk and Spider-Man India are two of the best new characters. Spider-Punk is like a cool 1960s anarchist rock star who also gives me a Lenny Kravitz vibe. Spider-Man India is charming and funny, and wields some sort of Chinese Yo-Yo that is so cool to watch. Ben Reilly as the Scarlet Spider is hilarious. He literally looks he was cut out of the comic pages. Comic book fans will get a laugh with his woe-is-me monologue. Other funny moments include Spider-Man from the 1967 cartoons and the meme pointing. The Spot was a good villain. He starts out as a lame villain of the week but transforms into something more sinister as the film progresses.
The animation is still gorgeous and the sequel gets bolder, experimenting with different types of art styles. Art is subjective, so enjoyment will differ for each viewer. But I do feel that they went overboard with the expressionist style and I would have preferred a more detailed artwork in some of the background, hence my appreciation of Miles Morales’ universes where it looks more grounded and particularized compared to the other worlds.
The action for the most part was amazing but there are some action scenes that kinda went too long and should have been cut short, specifically the Vulture and Spot fight sequences. Some of the action were too fast to follow and could have been slowed down a tad to fully appreciate it. Though the live-action cameos were amusing but it was too jarring for me and seemed out of place.
Daniel Pemberton’s music is magnificent. The Tron-like synth score in the later parts were just glorious. The reveal at the end is nothing new if you are an avid fan of sci-fi stories but the execution and build-up in the last ten minutes of the movie is just top-notch and the accompanying suspenseful music just elevates everything to greatness. Similar to T
he Empire Strikes Back,
Across the Spider-Verse is darker, grander and ends in a cliffhanger.
PRELIMINARY RATING: 8/10 or
8.5/10