Shoop Shoop our Sherbro @Dead Kennedy

Do you like York Peppermint Patties?


  • Total voters
    95
  • Poll closed .
Here ya go bro
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Brother Aj with the shoops

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I need more idea bro. :confused:

hows that?
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Perfect!!










Thanks to all, especially @bigwaverider and @Arqueto, for doing this. I have always loved Shoop threads, and this one has delivered. Things are not ideal at the moment, but I’m taking it all in stride and just doing what I can. Like I said, thanks to all and here’s my own submissions...
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Dayum.. We may have a new guy for our band. @HughPhug @Arqueto @Myrddin Wild @Ottawaguy @Clippy.. What do you all say?


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I would have to get into a full tutorial on how to use it. not that it's hard but its just not easy to explain, but if you can understand Opacity, you can understand Flow. Well let me try. I sometimes use a low setting on flow - under 10% A LOT, and even down to 1%. Lets say you had it set to 10% and made a paint stroke. It would be similar to a 10% Opacity. Then if you made another 10% Flow on top of that, it would be like 20% opacity. Of course you don't have to do 10% and 10%. You can do 10% and then a 3%. This gives you MUCH MUCH MUCH better control on how a brush behaves. If you are brushing a mask, lets say you are masking someone's face in (and leaving the source image's hair), you would have higher flow in the middle and just a little bit of flow on the edges where you would be doing a lot more brushing to smooth it in. That's kinda the key to masking in the template's face when leaving the source image's hair.

I haven't used flow much at all. I remember it, but I abandoned it early on, so maybe I need to start messing with it more. One of the key features that made me choose Opacity is that I can hold the brush down, & it will not overlap at all in the entire area I scribble out. Where-as the way I understand flow works is that you hold it down & scribble & it overlaps everything you scribble over multiple times.

So in the case of me wanting to shade in half the head as if it's a singular solid shadow... I wouldn't want any of my overlaping strokes to actually cause a 2nd pass to be shown. That would create some wierd lines.

iow... To do that shading, I had to have my brush small so that I could get it into the nooks & crannies around his nose & stach, so I did like a little swipe from the nose under the eye & then back to the stach & so on until I got to the chin... but it only registered it as if I had dun it all with one single pass. Had I dun that with Flow... it would've had lines all over the place everywhere my brush overlapped.

Hope that makes sense.

Okay, that said... I'd like to see how you use it so effectively like you're talking aboot. I understand the concept, I've just never gravitated toward that. Perhaps we should move this discussion to a PM though as we don't want to hijack this thread.
 
Thank you bro!! Your Angus Young shoop had me rolling! <45>



Dr. Strange really stood out of the pack as well!


You're killing it all around bro!
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You’re too generous bruddeh. Thank you.
 
I lost my father many years ago. He was only 33. My condolences to you and your family.
 
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