- Joined
- Jul 30, 2006
- Messages
- 170
- Reaction score
- 16
Tony Wolf can answer a lot of these questions better, since he has experience sparring with the style and has been reconstructing it for Bartitsu.
It's hard to explain it without more specific criticism, since older boxing -- like modern boxing -- was pretty intricate. With that being said a few points:
First, it's built around very different principles than modern boxing. A lot of it looks weird as a result, and it doesn't match modern ideas about what punching fundamentals should look like.
Second, it's built for a longer range than modern boxing. Our approach has a jab and straight right for long range, but it's built as a mid-range system for combination punching. Under London Prize Ring Rules, though, you wouldn't separate the fighters when they clinched. You could clinch and throw (or headlock and hit) the other guy as long as you didn't grab his legs. So boxers in the 19th century focused on mobility -- which partly explains the narrow stance -- and staying away from the opponent. This longer-range approach meant that you needed to cover more distance for entry, so they had a sort of fencing lunge left lead-off rather than a jab.
The same thing explains Corbett's longer-range looping punches. They're a bit like front and rear casting punches -- long range hooks that strike with a different part of the fist than modern hooks. They don't have much of a left hook because the fight under LPR rules didn't stay there long enough to make it matter. Instead, you would get, at most, second or two of shoeshining up close (see the exaggerated version in the Corbett-McCoy clip) until somebody grabbed the other guy. Most of the time, you didn't even get that. The lunge punches would bridge the gap, and put a boxer's hands into position to grab the other guy's head and either: (1) initiate a headlock and start punching, or (2) use a throw like a back-heel (o soto gari), cross-buttock (hip throw), or side-fall (similar to the side trip Machida uses).
You can see some vestiges of the bareknuckle approach to clinch fighting in the way Corbett manipulates Tunney and Courtney so that he can hold and hit them.
Courtney, the completely incompetent guy facing Corbett in the Edison clip, was, well, incompetent. They found him so that Corbett could KO him basically on cue. Which he did.
Some of the other stuff comes from the need to fight opponents without gloves. The gloves couldn't block, so they did it with the ridge of their forearms, a bit like a karate block. The fists are vertical rather than horizontal (and avoid hooks) to reduce the risk of hand breakage. The hands are lower partly because they could rely more on slipping, which becomes harder when you're dodging larger gloves in headgear.
Fair enough, but the difference between this and McDojo slap fighting is that these guys sparred often, and pressure-tested their art frequently against resisting (and professional) opponents.
It's hard to explain it without more specific criticism, since older boxing -- like modern boxing -- was pretty intricate. With that being said a few points:
First, it's built around very different principles than modern boxing. A lot of it looks weird as a result, and it doesn't match modern ideas about what punching fundamentals should look like.
Second, it's built for a longer range than modern boxing. Our approach has a jab and straight right for long range, but it's built as a mid-range system for combination punching. Under London Prize Ring Rules, though, you wouldn't separate the fighters when they clinched. You could clinch and throw (or headlock and hit) the other guy as long as you didn't grab his legs. So boxers in the 19th century focused on mobility -- which partly explains the narrow stance -- and staying away from the opponent. This longer-range approach meant that you needed to cover more distance for entry, so they had a sort of fencing lunge left lead-off rather than a jab.
The same thing explains Corbett's longer-range looping punches. They're a bit like front and rear casting punches -- long range hooks that strike with a different part of the fist than modern hooks. They don't have much of a left hook because the fight under LPR rules didn't stay there long enough to make it matter. Instead, you would get, at most, second or two of shoeshining up close (see the exaggerated version in the Corbett-McCoy clip) until somebody grabbed the other guy. Most of the time, you didn't even get that. The lunge punches would bridge the gap, and put a boxer's hands into position to grab the other guy's head and either: (1) initiate a headlock and start punching, or (2) use a throw like a back-heel (o soto gari), cross-buttock (hip throw), or side-fall (similar to the side trip Machida uses).
You can see some vestiges of the bareknuckle approach to clinch fighting in the way Corbett manipulates Tunney and Courtney so that he can hold and hit them.
Courtney, the completely incompetent guy facing Corbett in the Edison clip, was, well, incompetent. They found him so that Corbett could KO him basically on cue. Which he did.
Some of the other stuff comes from the need to fight opponents without gloves. The gloves couldn't block, so they did it with the ridge of their forearms, a bit like a karate block. The fists are vertical rather than horizontal (and avoid hooks) to reduce the risk of hand breakage. The hands are lower partly because they could rely more on slipping, which becomes harder when you're dodging larger gloves in headgear.
I was thinking the same thing. If you saw two guys doing that stuff nowadays, you'd call it slap happy McDojo stuff.
Fair enough, but the difference between this and McDojo slap fighting is that these guys sparred often, and pressure-tested their art frequently against resisting (and professional) opponents.