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It took me a while to love his dialogue, but now I do appreciate the short clipped poetry of it. He uses a metronome to time out not only the delivery but the pauses between deliveries, between actors. Hemingway is a good analogy for his muscular, masculine writing -- but Hemingway is also easier to read than Mamet is to hear, just like most concepts are easier sold in books than in film.I've noticed the dialog style in all of his works. I haven't thought through exactly what it is but one of the features is that short lines are directly repeated back to back. One actor says something and another repeats the line and adds something to it or the same character says the same line back to back. I think, in general, the style stands out because I've never heard real life conversations done that way. It just hit me, maybe I'm wrong, but it might be like the Hemingway short story Hills Like White Elephants. Anyway, I don't like the dialog style but I like his movies.
What makes both Mamet and Hemingway so effective is not one word is wasted. Everything means something vital to the story, character, or theme. Their words are pregnant with purpose in a way few other writers are.