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I don't think it was abuse.The seat of your argument is that race-washing characters is okay.
That's fine by me, but of course this is going to favor the majority population, especially when they're the ones who are race-washing ethnic characters they created (i.e. Stan Lee and Steve Ditko are both white), or by virtue of the fact telling the story is their own venture in a mission to promulgate it (i.e. using one of the most popular actresses in the world at the time, Angelina Jolie, to help spread the story of Daniel Pearl). You realize Brad Pitt and Angelina Jolie produced that movie with their Plan B Entertainment studio, right? Indeed, while you point to that movie as justification for "cultural appropriation", you fail to realize that if it wasn't for white people that lady and her husband's story wouldn't have been told at all. It's impossible to "appropriate" what doesn't exist, so your attempt to hold this up as some example of past abuse isn't symmetrical at all.
I think Jolie in the role and her company and fame being used were all OK. That has been my point.
Again I don't deny your point. It just entirely misses my point.Per "The Ancient One", Stan Lee created that character, while Ian Fleming is dead. Stan Lee still makes cameos in every MCU movie, and has specifically said that Spider-Man should remain a white, heterosexual man. He created Falcon himself to add more diversity to that comic, and to acknowledge African-American contributions. Nevertheless, they didn't whitewash that character for white people.
‘Doctor Strange’ Writer Says The Ancient One Is White Because Of China
Isn't that ironic? This safe space wasn't built for white westerners. They rarely are. After all, the publisher of Ghost in the Shell dispensed permission for Scarlett to play that role, and while apparently this is noteworthy to you, are you hawking the Japanese market, and how it is treating the races of characters it draws from western literature or culture? I have a feeling Japanese actors are playing historical/fictional white characters, routinely. That's your other foot, not internal race divisions within our own culture.
Not on this forum, I call complete BS as all the caterwauling is done when a character is ethnic washed and far less the other way around.Theater demands this suspension of disbelief. It's the essence of theater.
Of course, historically, this was terrible for minorities, from business and cultural marginalization points of view, which is why minorities and liberals undertook to caterwaul it. Yes, we absolutely have seen a disproportionate push back to this practice, but contrary to your earlier claims in this thread, that push back has been overwhelmingly anti-white and anti-majority.
Idris IS british. Also long running media is ALWAYS subject to change. ALWAYS if it runs long enough and PARTICULARLY if the originator dies and the source material ends up in successive generations hands looking to find a new audience to milk it.There are entire documentaries about Charlie Chan and this topic. Hundreds. Now that liberals realize liberals control Hollywood so completely and unabashedly, and will race-wash to favor minorities, suddenly we're seeing arguments like yours manifest. Apparently there never a problem with this all along! Fancy that.
Indeed, you can't have it both ways. I'm with you. Cultural appropriation is necessary, and good. The thing is...James Bond already belongs to this culture. He isn't Dracula synthesized and forged from a millenia of Eastern European folklore and myths for a British audience. He's already British. He has his own history, his own definitions, and his own production engine (Broccoli family productions). He doesn't require more appropriation. His personal biography is concrete.
because... money.Modernization? Why?
M'eh. You name characters that have been modernized via ethnic washing and then name characters that have NOT been white washed as the counter. I have little desire to play that bullshit game when you could have countered your own point by naming far more characters who HAVE been white washed.A white Bond still resembles the predominant British face. Othello has still been black every single time I have seen him played. As I've said in the past, when I see a white Shaft, in a production funded principally or wholly by African-Americans, I'll believe I've discovered sincere reciprocity. Until then, I will not be persuaded by arguments that it makes sense to "modernize" a character. Nobody felt the need to "modernize" the races of Uhura or Sulu. Fury gets modernized, but nobody talks about "modernizing" Storm. I don't see anyone jumping down Ice Cube's throat to "modernize" the XXX blockbuster franchise. Rich Wilkes, who happens to be white, did what whiners for modernity themselves seem unable to do.
Write a new character-- instantly modern.
Sorry but your argument rings hollow when you play that game. I can name all sorts of white characters who have not been changed to prove a point if that is the bar.
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Anyway none of that is my point to begin with. My point is ALL characters are subject to change if the owners of the medium want to allow and Hollywood thinks it will sell. This is not some UNIQUE SJW thing that is only impacting whites as their characters get ethnic-washed despite their cries of unique victimhood.