Looking good in those short shorts man, Vale Tudo tighty whiteys next?
Only major point i notice was your tempo. You fell into maintaing the same beat all the way through. You may or may not have the fastest of hands, but it would have been nice to see you mix up the speed now and again. I had the video on in the back ground and you can hear the beat being tapped out on the bag, pop,pops,shuffle,pop pop,pop,pause,pop.
Good stuff though man
I'm thinking bikini bottoms will be my next step. Maybe neon green.
That's a great tip with the tempo. I think the limited space I was working in contributed somewhat to my rather repetitive pace, but I know I also have a tendency to just do the same thing over and over, and then throw out one wacky technique or something when I think of it. Overall, I think I need to improve my ability to imagine the bag as an opponent, and then practice trying to throw that opponent off with feints, defense, and a more varied attack.
First, congratulations for losing all that weight, I was at 270 once as a teenager so I know what kind of a change that is, and what is required to make such a change.
As for the bag work, I like how you initiate all your movement with your hips. Also, I like how you pivot to the left and shoot all of the lead hand punches while pivoting. I especially like the lead hook, short, compact, sneaky. I also like that rear UP with hip switching (cuban UP from the other thread), especially when you follow it with the left hook. I watched that video of Sinister working with Arni on the pads, it was great breakdown of the moves, will begin to incorporate it my own training. One thing I really didn't like (and it is because I do the same mistake sometimes), is the step to the right with the lead hand extended and controlling the bag/opponent. I like that move but IMO your step is too big and kinda lazy, and is leaving your body open for too long. But if it is intentionally done like that (exaggerated) for the purpose of learning, I understand it. Other thing that was on my mind was that you said you are a pressure fighter, but being a smaller heavyweight I would like to see more defense variation (high guard, ducking...) and attacking off of those defensive moves. I understand that you weren't focusing on that, but me being a heavyweight, I would like to see a video of you punching the heavybag like you would fight in the ring. Anyway, nice work, you should share more videos!
Thanks for the kind words, man. I'm pretty proud of my hook; that's a punch that I've put a lot of effort into, and one that suits my body's natural tendencies quite well. It's very satisfying to sit back onto the rear hip and feel the weight of your body slam into the bag.
As for that right pivot, it's something I'm working on now. Being externally rotated, like yourself, I have trouble stepping in the right direction to that side, so I end up taking too big of a step and putting myself too far away from the bag. I do a round or two of shadowboxing with just movement at the start of every training session, so hopefully that will start to improve in practice.
I've already addressed the high guard thing, but I definitely need more variety of defense. I think I look my best when I get low, especially when I move forward off of those slips and rolls, so I'm going to try to incorporate that more as a means of closing the distance.
I can't really describe it, but like... my ears pricked up or my eyebrows raised or my mouth started watering in a really non gay way when I saw that right hand. I'm like, "THERE! NOW!"
This sounds crazy, but you're over committing your hips. The last time I saw you, your hand was just hanging out and I remember I made a little graphic about how much your hand dropped while you were waiting for your hips to come back around. That was part of what I saw good, was that this time your hand was coming much more straight back.
***I know we just had a Naudi thread on the T spine that we all groaned about, but some MORE t spine twist could get you to where you need to be without AS MUCH hip movement****
Although you're very balanced unto yourself, being as far back as you are, you're not ready to take a punch without a compensatory step afterwards.... assuming you've got the wits to know where to put your foot after eating such a flat punch. It's really accentuated by the fact that your left hand is not up. If there was one point in time in which people can't reactive put their hands up... it's while they're punching. I would try to draw that right hand out constantly and ideally throw a dead straight right down your right just because the blow would be so telling, and if it did in fact force you to step... you now have no counter punch. It's a free pass.
Your punch could be done WAY before that, you're actually slowing your punch down to give your hips time to come around.
And I woud draw out your counter right and drop a hook over the top. :wink:
I don't think I'm as directly over my right foot as you think I am when I throw that right hand. It's generally under me, which is good the way I see it, but I'm not so directly over it that I'd have to step back to absorb a counter. In fact, I think it's in more or less the perfect position to be close enough to throw the hook after the right hand, or slip a counter right to the left and move forward to counter.
There is definitely room for a greater variety of right hands, though. Quick ones to set up the left, as well as the heavier ones I was throwing.
for gods sake put those hands up!!!
No matter what I can't seem to keep these things at my damn eyebrows! Maybe... maybe you could... show me how?