Just got back from the theater.
First: it feels good to say that.
I’m lucky, I didn’t know hardly shit about this movie before seeing it. Just finally got around to it tonight. Nolan, black guy, something about time. That’s literally all I knew. Well, maybe it’s not really lucky: it’s really all by design. I always stay away from all info about a movie, once I already know I’m gonna see it. Looking through this thread now, it’s wild seeing all the drips & drabs of info you guys take in over months, sometimes years, forming opinions, all before you ever get to see the actual movie. Fuck is wrong with you people? Word of advice: Stop that shit, kids. It only detracts. I know ya won’t listen though.
So, the movie: I really enjoyed it. Keep in mind, my expectations were measured, because Nolan is almost always a mixed bag for me. What I expect from him: High concept ideas, highly jumbled execution, mesmerizing atmosphere, messy action sequences. TENET did not disappoint on any of those fronts. Watching his films, one thing I always wonder: Can Nolan ever direct a truly great fight scene, or gunfight scene? So far, the answer is still a resounding no. As bad as he wants to be Michael Mann, Nolan can’t seem to get anywhere near it. His gun scenes are always a total mess, 80s TV cop show level incompetent. His set pieces are often good — though he fails in being Mann, he often succeeds beautifully in being Brian DePalma — however, his action scenes, as soon as they involve machine guns & explosions, are downright tedious. On the fistfight side though, he did make some progress here — the protagonist’s kitchen fight against the Russians was good, not great but good — and that’s a step up for Nolan. Also, the one exception to this rule is that Nolan can sometimes make a fight scene work if it’s mixed with his high-conceptyness, ala the zero-gravity hallway fight in INCEPTION — and he pulls that off here, with the backwards fight of protagonist vs. protagonist in the vault. It’s inventive, it has a purpose, & most of all — it’s fun! And fun in cinema is magic.
The performances are a high point in this movie — James David Washington Anderson is quite good in the lead role, never seen this guy before, and for some reason I was expecting dull, or cardboard; but he was made out of real wood, a high-quality performance making what could have been kind of a shallow, one-note role feel real, compelling, & lived in. Twilight the Twinky-Dink Batman is fucking solid here in the wingman role, but I’ve already been wise to his secret awesomeness since his revelation in THE LIGHTHOUSE last year. They make a great team here, these two; it’s charming & exudes wonderful mystery & bromance throughout. Skinny giraffe neck blonde lady does a fine job, elevating an awkwardly written role. Sir Kenneth Braughnaughegh Knightingale the Fourth takes the hacky, way overly done to fucking death at this point Russian villain guy role, & somehow captures the room with it every time he’s onscreen. Props to the chops.
I left the theater after this film tonight full of thoughts & feels, and that’s something to be grateful for. As usual with Nolan, the mood is better than the story, the ideas are better than what he does with them, & the ride is better than the destination; I often feel like his movies are a first draft, that could have used a lot more working out. He’s like a 16 year old who just discovered philosophy or quantum physics, and tries to instantly own it & show it off to someone else, before he even really understands it himself; however the enthusiasm is charming, because it’s genuine. Time, Mortality, Memories... he Loves this shit, & it shows. It’s all in his wheelhouse, and while he doesn’t nail any of it, he often comes close to hitting the mark, & it’s damn fun to watch him try.