I'm not saying record companies should promote music that they know will lose money, I am saying they should go back to the system of the 50's 60's and 70's where bands pushing the envelope would get funded. Under the modern system so many of the classic bands we all love would not even exist. There is a reason why so many people gravitate to music made decades before they were even born. This was not the case back then. Today at the highest levels many artists are promoted as a brand, not a musical identity that comes second and that causes so many problems. That would be unthinkable back in the day.
I said in my last post that there are more great records made today than ever before so I don't know why you are bringing up the youtube, patreon funding argument. Yes it is cheaper to record now, but that also means way more competition, getting funding is nice, but unless you are already established at a certain level you aren't getting shit. People don't crowd fund on potential projects like record companies used to, although similar it's not exactly the same thing. It's like comparing charity to investment.
Never said I was the arbiter of what music is, but artificially constricting what music is and can be to only fit inside one box and only that box is anti musical. I am making the argument against radio music being the only form of music, not arguing for that idea. I don't understand how you came up with that based on anything I said.
When was the last time you sat down and listened to an entire record from to back while doing nothing else ? I would assume never, it absolutely does take a certain kind of person to do that, it's not looking down my nose at people to say that. I said it was a dying breed because it used to be quite common and is now almost unheard of. It has nothing to do with some kind of superiority complex you are trying to project onto me. I have spent more than half my life in the industry in one way or another, tech jobs, being in a band, promoting shows, recording bands. I think I have more insight into how the industry that I worked in operates and has negative effects on the art itself as I see it every day of my life as opposed to someone whose only connection is being a fan or consumer. Music is subjective, but the fact that the system is totally flawed is not.