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For any fellow guitar players here. This is a weird esoteric post but I figured the Music section of an MMA forum is the best possible demographic for it. Disclaimer: The comparisons below are ultimately pointless.. it’s just a fun thought experiment. As a fan of both guitar and combat sports, sometimes I can’t help but notice parallels. And the more I thought about it the more it seems like guitar styles and fighting styles can be classified in similar ways.
Rock/Metal Guitar = Traditional Asian Martial Arts
For the layman, this style is typically the first one that comes to mind when thinking of guitar music/martial arts. Its advanced techniques require exceptional dexterity and are some of the most flashy and stunning of all when properly executed. Due to popular media, expertise in this particular style is sometimes believed to be the pinnacle of guitar/fighting competency, but those in the know understand that it’s far from the be-all and end-all. This style can be subdivided into many subcategories, each one idolized by a separate fan base.
Blues Guitar = Boxing
This style is defined by a limited toolset - i.e. playing using only pentatonic notes and a limited selection of scales and chords is analogous to fighting using only punches. Its narrow scope makes it popular among beginners as an introduction to guitar/fighting as a whole. At the same time this limitation also necessitates creativity, which imparts certain qualities to this style and gives it a distinctive appeal. In the past this style was more popular in the mainstream, but its relative lack of modern household names has diminished its cultural presence in recent years. It has a predominantly American heritage.
Classical/Folk Guitar = Kickboxing
In a broad sense, the same tools used in the previous style plus the remainder of the available toolset. This style is loosely defined and often used as an umbrella term to refer to its many variants around the world. It is a reputable style and in a way its toolset may be “intuitive” to us, and probably always existed in some form since antiquity - i.e. the intuitive appeal of complete diatonic (heptatonic) scales and chords of conventional music theory is analogous to the intuitive appeal of fighting with all available limbs. (The first style listed at the top also draws from this comprehensive toolset but generally with a greater emphasis on “flashiness” than on theoretical considerations.)
Flamenco Guitar = Capoeira
Also has a comprehensive toolset. This style is much less prominent in most of the world than in its country of origin. Its characteristic techniques also emphasize “flashiness” and dexterity, but in a unique way that makes it distinctly extravagant and exotic. The authentic performance of this style is integrated with dance, and may incorporate other traditions as well depending on the formality of the event. Today it remains largely rooted in its history and is not primarily seen outside the context of its culture.
Jazz Guitar = BJJ
Also has a comprehensive toolset, but applied to a completely different aesthetic. This style is very technical and knowledge oriented. Learning the basics is crucial in order to begin a sophisticated understanding of music/fighting in general, and additional learning introduces increasingly complex new elements to the basics. Many of its high level performances are not easily grasped or appreciated by the average person. But those in the know, especially advanced practitioners, see virtually endless possibilities in it with many layers of subtle but significant intricacies.
Funk Guitar = Wrestling
Shares some clear overlap with the previous style, but is defined by narrower parameters and a different overall focus. This style is less about complex knowledge and more about a strong “driving” energy and pace. It is usually not the first style that comes to mind when thinking of guitar music/martial arts, despite being one of the most useful for developing a key part of the essentials. Rhythm fundamentals (e.g. 16th note counting) / grappling fundamentals (e.g. TDD) should be part of every practitioner’s personal style but are all too often lacking.
Reggae Guitar = Judo
Practices similar fundamentals as the previous style and shares some overlap in technique. It is known as a “gentle” style, due to its minimalistic and subdued nature, but as a result it is sometimes also perceived as somewhat monotonous. The exclusive use of this style alone can leave a lot to be desired, although traditional practitioners prefer it this way. The rhythm/grappling focus with the relatively low prevalence of this style can make it uniquely effective when used selectively and set up properly.
Rock/Metal Guitar = Traditional Asian Martial Arts
For the layman, this style is typically the first one that comes to mind when thinking of guitar music/martial arts. Its advanced techniques require exceptional dexterity and are some of the most flashy and stunning of all when properly executed. Due to popular media, expertise in this particular style is sometimes believed to be the pinnacle of guitar/fighting competency, but those in the know understand that it’s far from the be-all and end-all. This style can be subdivided into many subcategories, each one idolized by a separate fan base.
Blues Guitar = Boxing
This style is defined by a limited toolset - i.e. playing using only pentatonic notes and a limited selection of scales and chords is analogous to fighting using only punches. Its narrow scope makes it popular among beginners as an introduction to guitar/fighting as a whole. At the same time this limitation also necessitates creativity, which imparts certain qualities to this style and gives it a distinctive appeal. In the past this style was more popular in the mainstream, but its relative lack of modern household names has diminished its cultural presence in recent years. It has a predominantly American heritage.
Classical/Folk Guitar = Kickboxing
In a broad sense, the same tools used in the previous style plus the remainder of the available toolset. This style is loosely defined and often used as an umbrella term to refer to its many variants around the world. It is a reputable style and in a way its toolset may be “intuitive” to us, and probably always existed in some form since antiquity - i.e. the intuitive appeal of complete diatonic (heptatonic) scales and chords of conventional music theory is analogous to the intuitive appeal of fighting with all available limbs. (The first style listed at the top also draws from this comprehensive toolset but generally with a greater emphasis on “flashiness” than on theoretical considerations.)
Flamenco Guitar = Capoeira
Also has a comprehensive toolset. This style is much less prominent in most of the world than in its country of origin. Its characteristic techniques also emphasize “flashiness” and dexterity, but in a unique way that makes it distinctly extravagant and exotic. The authentic performance of this style is integrated with dance, and may incorporate other traditions as well depending on the formality of the event. Today it remains largely rooted in its history and is not primarily seen outside the context of its culture.
Jazz Guitar = BJJ
Also has a comprehensive toolset, but applied to a completely different aesthetic. This style is very technical and knowledge oriented. Learning the basics is crucial in order to begin a sophisticated understanding of music/fighting in general, and additional learning introduces increasingly complex new elements to the basics. Many of its high level performances are not easily grasped or appreciated by the average person. But those in the know, especially advanced practitioners, see virtually endless possibilities in it with many layers of subtle but significant intricacies.
Funk Guitar = Wrestling
Shares some clear overlap with the previous style, but is defined by narrower parameters and a different overall focus. This style is less about complex knowledge and more about a strong “driving” energy and pace. It is usually not the first style that comes to mind when thinking of guitar music/martial arts, despite being one of the most useful for developing a key part of the essentials. Rhythm fundamentals (e.g. 16th note counting) / grappling fundamentals (e.g. TDD) should be part of every practitioner’s personal style but are all too often lacking.
Reggae Guitar = Judo
Practices similar fundamentals as the previous style and shares some overlap in technique. It is known as a “gentle” style, due to its minimalistic and subdued nature, but as a result it is sometimes also perceived as somewhat monotonous. The exclusive use of this style alone can leave a lot to be desired, although traditional practitioners prefer it this way. The rhythm/grappling focus with the relatively low prevalence of this style can make it uniquely effective when used selectively and set up properly.
Thanks for humoring me, nerds
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