Just ask yourself how you would like to be treated.
This is the best point here. I only own 3 actual DVDs, and each person outlines the criteria under which I myself would sell DVDs.
Reilly Bodycomb's set:
This guy puts hours of free stuff on youtube, answers questions in internet forums, and chatted with me on facebook the night before a tournament on technique planning and what not. He didn't do it for a 300$. He did it for free. His DVD was priced VERY cheap, to boot. 30$ is reasonable, and you know what? I've learned more from his DVDs than any other DVD I've ever seen.
Bjorn Friedrich's Position Brabo:
This is another similar case. This guy had FORTY MINUTES worth of youtube instruction on the brabo choke. Everyone wanted him to update his youtube stuff with a DVD (also because watching stuff on youtube gets tiring). Once again, it was SUPER cheap. Also his accent is ADORABLE.
Andreh's Closed Guard Sweeps:
Hell, I don't even like the Gi that much, but I still bought this. Why? Cheap, and the guy was sending it to people who couldn't afford it. He's trying to help the grappling community rather than make a buck. Quite frankly, I don't give a shit if you're poor if you're just after my cash. I'm poor too. Let's eat shoes together. However, if you genuinely give a damn about the grappling community, if you go out of your way to help others out, by posting a bunch of free stuff on youtube, or sending your DVD out for free (!!!), then you deserve my money. I mean, it helps that these three are cheap, but I think that's again because the people who made them give a damn.
That's just one lonely scallywags opinion.
Here's how they get harmed.
1. Intellectual property dilution. After a while, the information becomes public knowledge if it gets into too many hands. When that happens, even people that would buy it don't need to, because it's already too diluted.
....What? This sounds more like a patent defense of obviousness than a copyright defense. Assuming you're arguing from a non legal standpoint, it still doesn't make a lot of sense. Who are you going to want to learn tornado guard from; the fat whitebelt who downloads torrents, or Cyborg? How many people know X-guard, but still sign up to MGinaction/Marcelo's Books/Dvd's/Seminars? It's a nice idea, but especially in such a skill oriented sport as BJJ, it's a silly issue.
3. Failure to protect their trademark/copyright. If they take no action, meaning trying to enforce the laws, reporting violations, etc. they literally lose the right after a time because their enforcement appears selective, which it isn't supposed to be.
This is just simply not true. For most, the next few paragraphs are going to be very boring.
You're either talking abandonment or estoppel.
To establish abandonment, an infringer must demonstrate: (1) an intent by the copyright holder to surrender rights in its work; and (2) an overt act evidencing that intent. (National Comics Publications, Inc. v. Fawcett Publications, Inc., 191 F.2d 594, 598 (2d Cir. 1951); Schatt v. Curtis Management Group. Inc., 764 F. Supp. 902, 907 (S.D.N.Y. 1991)). Even if the publisher's of these pirated materials did not expend substantial resources in enforcing its copyrights, the second factor is usually super easy to prove. The presence of a copyright notice, (as exists in all of the DVD's I've ever watched), has been held to be evidence of an intent not to abandon one's copyrights. See Marvin Worth Prods, v. Superior Films Corp., 319 F. Supp. 1269, 1273 (S.D.N.Y. 1970); Paramount Pictures Corporation v. Carol Publishing Group.
Recognizing the deficiencies in a traditional abandonment defense, one may attempt to use the doctrine of limited abandonment. Most courts will agree with Metro-Goldwyn-Mayer Inc. v. Showcase Atlanta Cooperative Productions, Inc., where the court stated "no pertinent authority has been cited for the proposition [of limited abandonment] and the Court knows of none. Further, the evidence before the Court falls far short of that required to show that Plaintiffs have abandoned their copyrights. Even if the other [allegedly infringing works] cited by defendants are not [fair use],
the fact that an occasional infringement slips through a copyright holder's surveillance not is insufficient to establish the intent required to find abandonment." 217 U.S.P.Q. (BNA) 857, 858 (N.D. Ga. 1981). Accordingly, this abandonment defense is ineffectual.
Of course, by your above point you may mean estoppel rather than abandonment. Failure to commence litigation against other potentially infringing acts estops them from bringing this action. Extending the doctrine of estoppel so that a defendant may rely on a plaintiff's conduct toward another party is both unsupported by law and pernicious as a matter of policy.
The elements of estoppel in a copyright case are: (1) the plaintiff knew about defendant's wrongful conduct; (2) the plaintiff intended, or acted in such a way that the defendant had a right to believe plaintiff intended, to permit defendant's wrongful conduct, (iii) the defendant was ignorant of the true facts, and (iv) the defendant relied on the plaintiff's conduct to his detriment. Lottie Joplin Thomas Trust v. Crown Publishers, Inc., 456 F. Supp. 531, 535 (S.D.N.Y. 1977) aff'd, 592 F.2d 651 (2d Cir. 1978).
The mere fact that Defendants heard from third parties that no one had complained about their arguable infringing productions does not in any way estop Plaintiffs from enforcing their rights against Defendants." Showcase Atlanta, 271 U.S.P.Q. (BNA) at 859. Allowing such a defense would compel courts to examine all the other allegedly infringing works on which defendant's reliance was based in order to ascertain whether these works were in fact infringing, thereby creating a number of smaller infringement hearings within a single copyright action.
Moreover, there is no legal duty to instigate legal proceedings. It matters not. Provided it does not violate any other provision of law, a video publisher is free to instigate legal action against whomever it wishes. For these reasons, the Court generally refuses to recognize a doctrine of estoppel by transitivity.
Reliance on National business Lists, Inc. v. Dun & Bradstreet, Inc., 552 F. Supp. 89 (N.D. Ill. 1982) is unavailing. In that case, the plaintiff expressly permitted the allegedly wrongful conduct of both the defendant as well as other parties. The defendant's reliance, therefore, was based, at least in part, on plaintiff's acquiescence to the defendant's own conduct. In the instant hypothetical, you are relying entirely on the publisher's conduct toward others. Defendants have therefore failed to document a prima facie case, and accordingly, there is no estoppel.
That's not the same thing. You can't really copyright an idea....that's trade mark.
....WHAT?!?!? You can't copyright an idea, that's right. Copyright law only protects the expression of ideas (Idea Group Puzzle case). I hope you aren't saying protection of an idea is trademark, because that makes literally 0 sense. A trademark is a brand used in interstate commerce. I hope it's just your sentence structure playing tricks on my eyes.
Guys, I'm not a lawyer or anything but I really don't think there's ever been a legal argument against downloading copyrighted materials.
A copyright is literally that, an exclusive right to make copies of something.
Yes you silly goose, and when you download something you're making a copy of the information on the other person's computer/server/whatever.
Wait couldn't you actually be making the grappling world worse. What if you steal the instructionals and then the guy making it can't eat and it forced to get a different job and stops making the videos.
Non-issue, because I wouldn't have bought them anyway. Thus I'm not taking any money from him, because he wasn't going to get any to begin with.
Then since people see that you can't make money making videos because people like you steal them
Infringe! I don't steal!
and they also stop making instructionals.
Marcelo's DVD sets are probably the most pirated DVD set on the interwebs. Did that stop him from making the brilliant MGinaction website? Hell, that website is 100x better than instructionals. Getting to see the moves in live sparring? Related webs of techniques? Feedback from people training with him/the same moves? A FREE WEEK OF TRAINING WITH THE MAN HIMSELF?!?!?!?!?! Arguably, pirating that led to this was a fucking brilliant move!
Fuck, I can feel my grappling powers ALREADY declining!! stop the pirating!! before I start taking aikido!!!
Friend, for whatever reason, people already pirate aikido.
Ultimately though it doesn't matter, because not only am I becoming a better grappler/making grappling community better, my piracy has led to better products! I'm 2x as good, and this means even LESS lonely masturbating in the dark (because I don't torrent porn, that's just wrong guys, those ladies need the money, and if you take the bread from their mouth you know what else is going to go in there instead)!