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These asshole writers BETTER not pull some stunt at the end where they try to claim that Deb and Dex actually died in that crash.
These asshole writers BETTER not pull some stunt at the end where they try to claim that Deb and Dex actually died in that crash.
I don't expect that. One of my biggest gripes with the show is the narration of what Dexter is thinking to explain to the viewer EXACTLY what's going on. For example, when he was running the prints off of the shoes, they have the narration saying something like "these are the girls from the finger prints, meaning he kidnapped them". Another example was when he saw the cameras in the basement and says "this means he was watching me the whole time". It always comes off as really cheesy, but it goes to shows that the writers rarely like to throw in something thought provoking. Everything is so deliberate and never subtle.
Yeah, that annoys me too.
Also, as has been discussed several times...I know it's a fictional, unrealistic TV show but I wish everything wasn't SO easy for Dexter. Every time he spends 2 minutes in some murderer's house, he finds exactly what he needs immediately...finds the secret trap door easily, etc. I know it's sort of necessary I guess...they can't show him spending 2 hours searching, and these events move the plot forward etc but still it's eye roll inducing.
Also...WHAT was his plan if he injected the guy in the hospital!!??? How did he plan to get him out of there, exactly? I was expecting him to get him, then cut to a shot of him in a surgeon's outfit with mask on running this guy out on a stretcher or something cheesy like that.
Cut off the episode there prior to showing her get Dexter out. The ending just seemed rushed.
I do see what you are saying, but I'm actually talking more about the emotion, or lack thereof, conveyed in that scene. The show seems to lack that quite a bit with me.
Good television will leave you talking about the scene afterwards and evoke emotions. I didn't get this from that scene.
One of my biggest gripes with the show is the narration of what Dexter is thinking to explain to the viewer EXACTLY what's going on.
Another example was when he saw the cameras in the basement and says "this means he was watching me the whole time". It always comes off as really cheesy, but it goes to shows that the writers rarely like to throw in something thought provoking. Everything is so deliberate and never subtle.
There's a difference between what a scene conveys and what you experience. It may not have resonated with you, but it did for me. I love both the writing and the acting of this storyline this season, and that whole thing from the station to the car was great. The pain on Dexter's face when Vogel pushed him out of the house when he showed up while Deb was there was very moving, as was the relief when she finally (seemed like she) wanted to bury the hatchet. Everything's been clicking with the two of them.
Again, there's a difference between what the scene evokes and what you experience. That was a great gut punch when she jerked the wheel, and while the preview for next week's episode took some of the wind out of the sails, the moment itself was perfectly realized, IMO.
That's one of my favorite parts. It's fun watching Hannibal and trying to guess how his mind is working and what he's going to do next, but it's also fun hearing it straight from the psycho horse's mouth :icon_twis
This doesn't make sense. First off, how would the scene have been thought-provoking sans voice-over? We already knew he'd been spying on Dexter. The point of that voice-over wasn't to offer any new information nor was there anything thought-provoking to be gained without it. The point was to experience with Dexter the terrifying realization that he'd been outsmarted.
If anything, that sequence is an example of very strong writing in the Hitchcockian mold, milking a reveal for double the effect. In Notorious, you get the suspense upon learning they're poisoning Ingrid Bergman, and then you get another dose once Cary Grant learns they're poisoning her. No new information has been attained as we knew that before the character, but it's still an intense moment once they catch-up to your knowledge of the narrative goings-on.
Same thing with that scene. You get the suspense when Dexter is getting the fingerprints when you see him watching and you know he knows everything, then you get another dose once it dawns on Dexter.
That's good stuff, man. Hitchcock 101
Again, there's a difference between what the scene evokes and what you experience. That was a great gut punch when she jerked the wheel, and while the preview for next week's episode took some of the wind out of the sails, the moment itself was perfectly realized, IMO.
This doesn't make sense. First off, how would the scene have been thought-provoking sans voice-over? We already knew he'd been spying on Dexter. The point of that voice-over wasn't to offer any new information nor was there anything thought-provoking to be gained without it. The point was to experience with Dexter the terrifying realization that he'd been outsmarted.
If anything, that sequence is an example of very strong writing in the Hitchcockian mold, milking a reveal for double the effect. In Notorious, you get the suspense upon learning they're poisoning Ingrid Bergman, and then you get another dose once Cary Grant learns they're poisoning her. No new information has been attained as we knew that before the character, but it's still an intense moment once they catch-up to your knowledge of the narrative goings-on.
Same thing with that scene. You get the suspense when Dexter is getting the fingerprints when you see him watching and you know he knows everything, then you get another dose once it dawns on Dexter.
That's good stuff, man. Hitchcock 101
Holy multiquote.
The voice over narration has been a consistent theme in the show. Whenever Dexter is doing something, you've got the voice over saying exactly why he's doing it. It's almost like they give the viewer zero credit to understand what is going on and they hold your hand the entire way through it.
I'm surprised you find this show to be so well written. There are so many holes in it that it's laughable.
It wasn't a bad scene, but the forshadowing was a bit too obvious(a big problem with the recent seasons). As soon as Deb watched the tape and put the pieces together about Harry's death, I knew she was going to do something drastic.
What really killed the scene for me, was Deb going back to rescue Dexter. What the fuck was the point then? The episode should've ended with Deb watching the car sink.
His voiceovers are redundant.
You don't need Dexter to tell you that he realized the guy was watching him.
it comes off like that.
It's like being told the same thing three times. That voiceover was like saying "Just incase you slower audience members haven't figured it out, Dexter has indeed just realized he was being watched the whole time"
Let the audience discover it, along with Dexter. Then we'd all get that "oh shit!" moment.
No, we don't need it in the sense of it filling in leftover blanks. It's about character, it's not about plot, and for the character, I want it, as being in Dexter's head is the point of the entire series and has been from day one.
Again, try looking at it from a glass half full perspective.
Hitchcock 101: A bomb exploding under the table is a surprise. A bomb being placed under the table for the audience but not the character to see is suspense. The writers handled the suspense very well IMO.
Dexter could think "I'll turn on that light" two seconds before he turns on a light.
I would, if it was possible.
Sure, but we don't need the viillain who planted the bomb under the table, telling us he just planted a bomb under that table.
I do see what you are saying, but I'm actually talking more about the emotion, or lack thereof, conveyed in that scene. The show seems to lack that quite a bit with me. I actually thought one of the better scenes in the show was prior to Deb and Dexter getting in the car. Obviously Deb had taken a turning point, and the eeriness was conveyed fairly well by her. I thought it was a powerful scene.
The actual crash and rescue did nothing for me. It was random, quick, and anticlimatic. Good television will leave you talking about the scene afterwards and evoke emotions. I didn't get this from that scene. We really gained very little insight. Deb isn't happy with herself. Nothing new there. Deb is having a hard time accepting Dexter. Nothing new there. Deb thought the best course of action was to kill them both. Somewhat intriguing, but obviously she couldn't pull through. We're back to square one.
Edit: Even a simple fix to that would be to show a bit of struggle with Deb trying to get Dexter out. Deb really panicking while trying to rescue him and it not working. The worry in her face, etc. Cut off the episode there prior to showing her get Dexter out. The ending just seemed rushed.
Well, there goes my hopes for season 8. Had me fooled for three episodes. Just a mediocre ghost of its former self.
Deb is ruining the fucking season. Her acting is terrible.
Well, there goes my hopes for season 8. Had me fooled for three episodes. Just a mediocre ghost of its former self.
Holy all, I loved it. I saw Deb doing something more conniving that would span a few episodes, not suddenly running off the road. Oh well, its one scene, the shows still good.
Plus theres the new girl in 4B.