Dustin Nguyen doin' some thangs.
I burn with jealousy.
What kills me is that's not even "genuine" Warren Ellis, whose work I find very anti-climactic.
Ellis translated Bayhem, what he called the widescreen approach. Bay's ultra dense hyper kinetic framework works better with the static image, where we've got time to soak in all the detail. I think what changed things was the brilliant re-introduction of the fun kick'n'splode that we had lost in the grim and gritty era.
Plus they were purer versions of their inspirations. What I like about analogues is they carry no baggage nor continuity restrictions. They boil straight down to the essence of Character more than the particular character they emulate. The idea of a rapist Captain America tears such a fucking hole in the fabric of satire it would be TOO on-the-nose if Millar didn't score bigtime with some choice one-liners. Although, and this is no surprise, I much prefer Ellis' subtlety. It feels like he has more respect for the suspension of disbelief, whereas Millar must deliver the porn straight into your eyeballs.
Prime Hitch was WASTED!! Girl, you know it's true!