- Joined
- Oct 30, 2007
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Remember Sammy Jankis
Remember Sammy Jankis
Really? Insertion is always my first choiceThe prestige for sure. Blew me away the first time i saw it, and i can rewatch it every couple years and enjoy it every time.
Insertion would probably be my second choice
those movies are amazing but have you recently watched insomnia and Memento? those 2 films are fucking fantastic.TDK for me, closely followed by Begins. TDK is one of three movies I actually went to see in the theater twice.
TDK for me, closely followed by Begins. TDK is one of three movies I actually went to see in the theater twice.
Most of him films kinda scream "look how epic and clever this is".. Without being it.
But batman begins is solid even after rewatched many times .
Haven't seen either tbh. Haven't seen many Nolan films, although I've liked every one I've watched.those movies are amazing but have you recently watched insomnia and Memento? those 2 films are fucking fantastic.
watch them they are great plus they have quite different feel than his later films.Haven't seen either tbh. Haven't seen many Nolan films, although I've liked every one I've watched.
Just the Batman trilogy and inception
Style often is the antithesis of clarity, which Nolan cannot abide although he sometimes comes up short or veers too far afield. Especially when saddling exposition inside the mouths of mumblers. For the most part he's too insistent in making things plainly obvious.His more recent stuff I think the problem is he brings the drama to the high concept stuff but less so to the smaller scale scenes. Such scenes don't need to be filmed in such a straight forward manner, there should still be room to let the actors give more subtle performances. I think the comparison to recent high concept genre films like Under The Skin, Moon or Black Swan shows you the difference, those films don't slip into the mundane at all, almost every moment is looking to push things somehow.
Again I suspect part of this is that his massive budgets mean he's aiming at a wider audience who are potentially less receptive to a more ambitious style.
Style often is the antithesis of clarity, which Nolan cannot abide although he sometimes comes up short or veers too far afield. Especially when saddling exposition inside the mouths of mumblers. For the most part he's too insistent in making things plainly obvious.