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AI sucks balls
- Thread starter Fedorgasm
- Start date
- Joined
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hollywood is fucked. this is amazing but also horrifying.
I was just looking at search results for "2026 allen ginter" where this series of baseball cards usually is released at year end and a sneak peek at the design shortly before pre-order date. This website looked like AI made it for who knows what reason and had pics of some fake looking card design with generic player photo, fake team name. I can only guess it's to spread malware.
I just noticed this youtuber seems to take these old baseball cards and I suspect he gets AI to take the original photo as starting point and then make it like the player and background come to life and the photo becomes a video of the player in motion. Crazy how they do that. It even captures the likeness and rotates the player's head like the AI can calculate what the other side of the head looks like.
I know something like this doesn't really benefit future mankind or warrants crazy electricity usage.
I have a feeling someone somewhere got AI to do the same with hot celeb photo turned video stripping buck naked.
I know something like this doesn't really benefit future mankind or warrants crazy electricity usage.
I have a feeling someone somewhere got AI to do the same with hot celeb photo turned video stripping buck naked.
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Plenty more lawsuits to come. The second anyone makes money off of someone's likeness without their consent.. lawsuit. There already have been by some celebrities regarding book they've written and what not.
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I've been using AI to make outlines for slasher horror movies with lots of gore and sex. It does a great job. It can take my general ideas and make them even better and more flushed out. I realize it's probably stealing a lot of that good stuff from other horror movies/scripts/books/etc. but I don't care. It can turn it all into a script (though I've only had it do certain scenes and text descriptions of a storyboard so far while testing it).
It comes up with just the kind of horror flick I would enjoy watching so, once the technology is good enough and then cheap enough, I would definitely be willing to pay a few hundred dollars to make my own personalized movies.
It comes up with just the kind of horror flick I would enjoy watching so, once the technology is good enough and then cheap enough, I would definitely be willing to pay a few hundred dollars to make my own personalized movies.
Storyboard Panels (Riley & Nora – Guest Room Sex/Murder Scene)
Panel 1 – Wide establishing shot
Camera: Low angle from the bed looking up.
Riley stands by the door (backlit by hallway light leaking under), shirt half-unbuttoned. Nora approaches in oversized tee + panties, hair messy. Fairy lights glow softly behind them.
Action/Emotion: Hesitant eye contact. Nora says “I’ve wanted this forever.”
Sketch note: Shadows on faces for vulnerability; faint lake reflection in glass wall.
Panel 2 – Medium two-shot
Close-up on faces as they kiss for the first time—slow, lips barely touching. Hands on cheeks/neck.
Emotion: Eyes half-closed, relief + hunger.
Sketch note: Soft lines for lips, blue fairy-light highlights on skin.
Panel 3 – Over-the-shoulder (Riley’s POV)
Nora pulls Riley down onto the bed. Tee rides up, bare thighs visible. Riley straddles her lap.
Action: Clothes starting to come off—Riley yanks her shirt over head.
Emotion: Nora’s hands on Riley’s waist, pulling closer. Breaths heavy.
Panel 4 – Close-up intimate
Bare chests press together—nipples brushing, skin on skin. Riley kisses down Nora’s neck.
Sketch note: Focus on curves, sweat beads, fairy lights casting blue patterns across breasts.
Panel 5 – Medium low angle
Riley pushes Nora flat. Nora’s legs part; panties being slid down slowly. Nora lifts hips.
Emotion: Nora looking down with parted lips, eyes locked on Riley.
Sketch note: Emphasis on thighs, glistening skin, reverent undressing.
Panel 6 – Overhead or high angle
Riley between Nora’s legs—first long lick along slit. Nora’s back arches slightly, hand in Riley’s hair.
Action: Riley’s tongue flat, eyes up meeting Nora’s.
Emotion: Nora’s gasp, thighs trembling.
Sketch note: Dynamic lines for motion, shadows between legs for sensuality.
Panel 7 – Close-up on faces
Riley’s fingers inside Nora (two, curling), tongue on clit. Nora’s head thrown back, mouth open in moan.
Emotion: Intense eye contact—Riley looking up, Nora staring down.
Sketch note: Sweat on foreheads, parted lips, raw vulnerability.
Panel 8 – Reverse angle (Nora’s turn)
Nora rolls them; now between Riley’s legs. Tongue tracing down, fingers sliding in. Riley grips sheets.
Action: Nora’s eyes locked upward on Riley’s face.
Emotion: “Look at me” moment—pure connection.
Panel 9 – Tight two-shot embrace
Post-orgasm: Tangled naked bodies, foreheads together, tears on cheeks. Whispered “I love you.”
Emotion: Tender, quiet promise. Hands cupping faces.
Sketch note: Soft shading, fairy lights haloing them like a brief safe haven.
Panel 10 – Wide horror transition
Riley freezes mid-kiss. Both look toward the door—shadow under it, floorboard creak implied. Distant scream off-panel.
Emotion: Sudden terror. Eyes wide, bodies still nude and exposed.
Sketch note: Shift to harsher lines, darker shadows creeping in from edges. Door rattle in next implied frame.
Panel 11 – Kill scene (dynamic split/composite panel)
Medium-wide, angled from side/behind. Riley and Nora still embracing naked on bed (foreheads touching, arms around each other). Killer’s black-gloved arm bursts into frame from behind Nora—kitchen knife plunging upward into her lower back/abdomen.
Blood sprays in arc across Riley’s chest/face. Nora’s eyes widen in shock/betrayal, mouth open in silent gasp. Entails begin to spill (looping ropes of intestine) over Riley’s lap in warm, wet rush—steaming slightly in dim light.
Riley’s face: frozen horror, eyes locked on Nora’s dying gaze. Fairy lights cast eerie blue-red glow on blood/skin.
Action/Emotion: Abrupt violence; Nora whispers “Riley…” as she slumps forward onto Riley, blood pooling on sheets.
Sketch note: Harsh red splatter lines, dynamic knife motion blur, shadows creeping heavier, contrast between tender embrace and gore.
It's good at describing the panels but really bad at drawing them. It won't draw nudity so you have to specify that and the panels it does draw are mostly wrong. It'll get better though.
Panel 1 – Wide establishing shot
Camera: Low angle from the bed looking up.
Riley stands by the door (backlit by hallway light leaking under), shirt half-unbuttoned. Nora approaches in oversized tee + panties, hair messy. Fairy lights glow softly behind them.
Action/Emotion: Hesitant eye contact. Nora says “I’ve wanted this forever.”
Sketch note: Shadows on faces for vulnerability; faint lake reflection in glass wall.
Panel 2 – Medium two-shot
Close-up on faces as they kiss for the first time—slow, lips barely touching. Hands on cheeks/neck.
Emotion: Eyes half-closed, relief + hunger.
Sketch note: Soft lines for lips, blue fairy-light highlights on skin.
Panel 3 – Over-the-shoulder (Riley’s POV)
Nora pulls Riley down onto the bed. Tee rides up, bare thighs visible. Riley straddles her lap.
Action: Clothes starting to come off—Riley yanks her shirt over head.
Emotion: Nora’s hands on Riley’s waist, pulling closer. Breaths heavy.
Panel 4 – Close-up intimate
Bare chests press together—nipples brushing, skin on skin. Riley kisses down Nora’s neck.
Sketch note: Focus on curves, sweat beads, fairy lights casting blue patterns across breasts.
Panel 5 – Medium low angle
Riley pushes Nora flat. Nora’s legs part; panties being slid down slowly. Nora lifts hips.
Emotion: Nora looking down with parted lips, eyes locked on Riley.
Sketch note: Emphasis on thighs, glistening skin, reverent undressing.
Panel 6 – Overhead or high angle
Riley between Nora’s legs—first long lick along slit. Nora’s back arches slightly, hand in Riley’s hair.
Action: Riley’s tongue flat, eyes up meeting Nora’s.
Emotion: Nora’s gasp, thighs trembling.
Sketch note: Dynamic lines for motion, shadows between legs for sensuality.
Panel 7 – Close-up on faces
Riley’s fingers inside Nora (two, curling), tongue on clit. Nora’s head thrown back, mouth open in moan.
Emotion: Intense eye contact—Riley looking up, Nora staring down.
Sketch note: Sweat on foreheads, parted lips, raw vulnerability.
Panel 8 – Reverse angle (Nora’s turn)
Nora rolls them; now between Riley’s legs. Tongue tracing down, fingers sliding in. Riley grips sheets.
Action: Nora’s eyes locked upward on Riley’s face.
Emotion: “Look at me” moment—pure connection.
Panel 9 – Tight two-shot embrace
Post-orgasm: Tangled naked bodies, foreheads together, tears on cheeks. Whispered “I love you.”
Emotion: Tender, quiet promise. Hands cupping faces.
Sketch note: Soft shading, fairy lights haloing them like a brief safe haven.
Panel 10 – Wide horror transition
Riley freezes mid-kiss. Both look toward the door—shadow under it, floorboard creak implied. Distant scream off-panel.
Emotion: Sudden terror. Eyes wide, bodies still nude and exposed.
Sketch note: Shift to harsher lines, darker shadows creeping in from edges. Door rattle in next implied frame.
Panel 11 – Kill scene (dynamic split/composite panel)
Medium-wide, angled from side/behind. Riley and Nora still embracing naked on bed (foreheads touching, arms around each other). Killer’s black-gloved arm bursts into frame from behind Nora—kitchen knife plunging upward into her lower back/abdomen.
Blood sprays in arc across Riley’s chest/face. Nora’s eyes widen in shock/betrayal, mouth open in silent gasp. Entails begin to spill (looping ropes of intestine) over Riley’s lap in warm, wet rush—steaming slightly in dim light.
Riley’s face: frozen horror, eyes locked on Nora’s dying gaze. Fairy lights cast eerie blue-red glow on blood/skin.
Action/Emotion: Abrupt violence; Nora whispers “Riley…” as she slumps forward onto Riley, blood pooling on sheets.
Sketch note: Harsh red splatter lines, dynamic knife motion blur, shadows creeping heavier, contrast between tender embrace and gore.
It's good at describing the panels but really bad at drawing them. It won't draw nudity so you have to specify that and the panels it does draw are mostly wrong. It'll get better though.
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