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(*tho tbh the twist isn't really very "realistic" imo. That clean-up seemed way too quick and easy - I mean, they had alien monsters there bigger than houses and plenty of very nasty mid-sized and small ones...)
I can feel you on that, actually. Logistically I don't see how the Army could be right behind them like that. I suppose the detour to Tom Jane's house to visit his wife makes it a little more plausible, but I agree it's questionable.
The shock and emotional punch of the scene goes a long way toward making up for it though.
I don't mind the tentacle scene. Actually I think it looks pretty good, even by today standards I'd still consider it ok.
Ugh. It looked way too cartoony for me. The creature just didn't feel like a solid, living entity.
This I don't really have a problem with. People tend to turn to religion in extreme situations. And this was not only an extreme situation that developed very quickly, but also one that seemed a lot like it had supernatural causes. This wasn't a plague or an earthquake or any other "normal" disaster, where you can still try to explain it rationally. This were monsters that looked like they crawled out of the pits of hell. Ideal conditions for religious fanatics.
People turn to religion, sure, but would you really expect so many of them them to turn to it so suddenly in that violent, mania-filled kind of way? I mean, these weren't people having a quiet Bible study.
The weirdest moment was that it was revealed that the creatures were the result of a military project this somehow makes them MORE convinced it was a plague from God. Shouldn't it be the other way around?
How about Pleasantville? There the B&W is even essential to the story.
Pleasantville used B&W effectively but the thing about that film is that I just didn't enjoy it much.