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Captain America wielding Mjolnir
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Just as Thor was about to be killed, Mjolnir struck Thanos and goes back to the hands of Captain America. Comic book and movie fans have been waiting for this awesome moment for a long time. Cap handled Mjolnir like a pro, seamlessly incorporating the hammer into his fighting style. At one point Cap ricocheted Mjolnir off of his shield mid-air so it would hit Thanos’ back. Cap even summons some lightning attack which was very cool. The scene drew the most applause in my theater and probably all around the world as well. Another great mini-moment was when Thor happily shouted, “I knew it!” upon seeing Cap wielding Mjolnir.







Avengers... Assemble!
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The elongated set-up was epic with a battered Cap valiantly standing alone against Thanos’ forces when the vanished heroes appear just in time. Moviegoers went wild for the whole sequence with each returning hero getting an ovation. To cap it off (pun intended), Cap finally said the legendary battle cry – “Avengers Assemble!”





I am Iron Man
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In the exciting edge-of-your-seat climax of the final battle, Thanos has the gauntlet and is about to snap his fingers when Iron Man shows up. Literally snatches victory from the jaws of defeat when he managed to seize the Infinity Stones from Thanos thanks to nanotech. Countering Thanos’ boastful declaration, Tony fires back one of his own – “I am Iron Man” - which is fitting throwback line to the original movie that started the MCU. With a snap of his fingers, Tony saves the universe by disintegrating Thanos and his army.






Tony’s death
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One of the most heartbreaking death scenes in the MCU, Tony is mortally wounded after using the Infinity Stones and saving the universe. In his dying moments, Tony is surrounded by his best friend (Rhodey), the son he imagines having (Peter) and the love of his life (Pepper). The stirring moment was particularly special due to how dignified it was presented. Tony didn’t have any long-winded dramatic monologue before dying, he was mostly quiet with his eyes staring off into the next beyond. The icing on the cake was the last words Tony hear is Pepper saying that they are all going to be okay, assuring him that he saved all of them and he can now rest. Many manly tears were shed all over the world.







Natasha sacrificing herself
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In retrospect, it was obvious who would die in Vormir. But watching it unfold the first time, I was not really sure who would die because the back-and-forth action was well-executed as the two longtime friends were fighting each other on who would sacrifice their life for the greater good. In the end, Natasha falls to her death in the heartrending scene and wipes out the red in her ledger.
 
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Steve finally gets his dance with Peggy
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One of the sad realizations at the end of Captain America: The First Avenger was that Steve and Peggy didn’t get to have their dance. After returning the Infinity Stones back in time in Endgame, Steve goes back to the past and settles down with his WWII sweetheart Peggy Carter. With the song “It’s Been a Long, Long Time” appropriately playing, the film closes with a sentimental, intimate moment with Steve and Peggy dancing in their suburban home in the 1940s.







Hulk holding a mountain of debris
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One of the coolest and iconic moments from 1984’s Secret Wars limited series was Hulk holding up a 150 billion ton mountain and saving all the heroes after it was dropped by Molecule Man. In a homage to that monumental feat of strength displayed in Secret Wars, Endgame’s Professor Hulk holds up a ton of Avengers HQ debris to prevent Rhodes and Rocket from being crushed.








Spider-Man Instant Kill mode
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The Spidey suit’s instant kill mode was jokingly teased during Spider-Man: Homecoming. During a critical moment in Endgame where Spidey is about to be swarmed by Thanos’ soldiers, Spidey greenlights the instant kill mode and the suit’s spider-legs sprout and swiftly disposes of all the enemies in the vicinity.








Peter reuniting with Mr. Stark
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In the craziness of the climactic battle, a resurrected Peter reunites with his father figure and Tony emotionally hugs Peter signifying Tony’s fondness for the kid. Got a little misty-eyed for this scene. It’s also a great call back to Spider-Man: Homecoming where Tony rebuffs Peter’s hug, saying, “"That's not a hug, I'm just grabbing the door for you. Were not, we're not there yet.”







New Asgard
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In a nod to J. Michael Straczynski’s Thor run where Asgard was now situated in Oklahoma, the MCU’s New Asgard is fittingly located in Tønsberg, Norway where Odin and the Asgardians battled the Frost Giants in 965 A.D. Tønsberg is also the location where the Red Skull found the Tesseract in WWII. What makes the New Asgard segment memorable was not only the shocking but hilarious unveiling of fat Thor a.k.a. the Big Thorbowski but the revelation that Ragnarok fan-favorites Valkyrie, Korg and Miek are still alive and living in New Asgard.
 
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Hail Hydra


During the time heist, it looked like they were going to recreate the popular elevator scene from The Winter Soldier when Cap was surrounded by Jasper Sitwell, Brock Rumlow and a handful of Hydra agents. But they subverted expectations in a humorous fashion when Cap whispers to Sitwell, “Hail, Hydra.” For sure this is going to mess up the continuity but what the heck, it’s still a great funny moment.







Thanos punching Captain Marvel into outer space


Carol Danvers is probably the most disliked MCU superhero by the fans. Months prior to Endgame’s release, the detractors were already worried that Carol would be the one to defeat Thanos. And it looked like it was headed that way when Thanos and Carol were grabbing the gauntlet and Carol no-sold Thanos’ headbutt. Showing his resourcefulness and quick-thinking, Thanos grabbed the Power Stone with his free hand and used it to punch Carol out of orbit.










Tony’s funeral
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It’s fitting that almost everybody from the MCU main roster pay was at Tony’s funeral to pay their respect to the character that started it all. It’s a poignant scene where we see the Tony’s family, Avengers, the Guardians, the Wakandans, Asgardians, Peter Parker, Nick Fury and even a grown up Harley Keener (the kid from Iron Man 3).










Scott Lang returning home


Normally known as the silly comic relief, Scott Lang played a pivotal but unheralded role as he just brings a fun, lighthearted mood to the team dynamics. But his dramatic reunion with his daughter, who Scott hardly recognize anymore because 5 years have passed, was a touching scene. (No mention of Maggie Lang?)



Tony and Nebula stranded in space


One of my favorite scenes is the small moments between Tony and Nebula stranded in space. It’s cute how Tony teaches Nebula about sportsmanship and having fun. It was also nice to see a softer side to Nebula as she gives Tony the last of the rations and puts a dying Tony in a seat. Captain Marvel had to ruin everything by showing up.









The Ancient One in the Battle of New York 2012


Probably my favorite major cameo in Endgame, Tilda Swinton reprise her role as the Ancient One and shown to be kicking Chitauri butt during the invasion in 2012. There’s just something regal about Tilda’s Ancient One and her surprise cameo just makes us all realize how much we miss her in the MCU.
 
Update: July 30, 2021

Dragonlord’s Review of MASTERS OF THE UNIVERSE: REVELATION – PART 1 (Spoilers)

Bottom Line: Similar to what The Last Jedi did to Star Wars, Masters of the Universe: Revelation - Part 1 subverts expectations but does so in a negative way that gives the middle finger to longtime fans.

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Fans were excited when Kevin Smith announced in 2019 that he was going to make a more adult-oriented He-Man series for Netflix and that this was going to be sequel to the original Filmation series. When the action-packed first trailer dropped featuring the 80s song “Holding Out for a Hero”, fans were even more pumped. Unfortunately it was all a bait-and-switch scheme by Smith and Netflix.

He-Man is killed off in the first half of episode one and it clearly became apparent that this revival was going to be centered on the character Teela. There are two major failures that Smith did. The first major failure is he should have just been upfront that this was going to be the Teela show months prior to the trailer’s release. There would still have been blowback but it would not have been as catastrophic as it is currently right now in the nerd community. The second biggest failure was making the new star of the show – Teela – an unlikable bitch.

Episode One – “The Power of Grayskull"

Episode one started off well with a prologue utilizing some cool promotional artwork from the 80s. The royal palace is celebrating Teela’s promotion as the new Man-at-Arms. We are re-introduced to the cast of characters and everybody is faithfully depicted like how they were back in the 80s. So far so good. But it doesn’t take long for something idiotic to happen. Skeletor and his crew manage to infiltrate Castle Grayskull by disguising themselves and fooling the all-wise Sorceress. The Sorceress sees through Skeletor’s deception but couldn’t discern Evil-Lyn and fake He-Man’s disguises?? Worst of all, she needlessly opened the castle’s gates just to greet them. This scene is just stupidly written and not well thought-out.

He-Man and the gang arrive at Castle Grayskull to stop Skeletor. We see some vintage action of the good guys versus the bad guys. Then the show gets dark (which is a good thing) as Skeletor kills Moss Man by incinerating him to ashes. He-Man uncharacteristically impales Skeletor with a sword. This is so out of character for He-Man. It would be at least understandable for He-Man driven to kill if his parents or Teela died. But for fucking Moss Man??

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Skeletor goes into a monologue about how Castle Grayskull is just an illusion for the Hall of Wisdom and how all the magic in Eternia are contained in a mystical orb. Skeletor smashes the orb while He-Man, who is just a few feet away from Skeletor, is too dumbstruck to act for the longest time. This is another poorly thought-out scene. Sorceress stops time to tell the heroes that energy released from the orb will destroy the entire universe. Skeletor seems to know everything there is to know about the secrets of Castle Grayskull but doesn’t know cracking the orb will also destroy everything as well??

To save the world, He-Man sacrifices himself by containing the energy blast with his Sword of Power. He-Man reverts back to Prince Adam as Teela finally learns the truth of He-Man’s secret identity. He-Man and Skeletor are seemingly killed in the small energy explosion. King Randor angrily banishes Man-at-Arms from the palace when he learns that Duncan didn’t tell him about Prince Adam’s double life. I’m kinda 50/50 with Randor’s emotional outburst. On one side, it seemed too extreme to banish your most loyal servant. On the flip side, I can understand at the King feeling betrayed from his most trusted servant. The subject’s loyalty to their king should be top priority over others.

While everyone is grieving, out of nowhere, Teela makes a dramatic scene by saying screw you to everybody and angrily declaring she quits the palace because she is so butthurt that nobody told her that Adam was He-Man. As I mentioned earlier, this was one of the biggest mistakes Kevin Smith made as it made viewers instantly dislike Teela. This is just pure CW trash when characters annoyingly go emo and just cry over their entitled feelings. I feel that The CW had a negative influence on Smith who directed several episodes of The Flash and Supergirl from 2016 to 2018 and caught some bad habits along the way. There are several ways to still move the plot point of Teela quitting the royal guard and becoming a mercenary in the future without making her into a detestable character but Smith just went with the CW crap route.

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Episode Two – “The Poisoned Chalice”

After a time jump, Teela is re-introduced working as a mercenary, sporting a side-shaved hair, looking very buffed and accompanied with a black woman named Andra whom she exhibits multiple displays of public affection. Despite Smith denying this, it’s clear Teela is now a lesbian and Andra is her lover. Teela also has an absurd staff that can literally transform into anything from a sword, a grappling hook, a shovel and to anything what the scene requires it to be.

Evil-Lyn, disguising herself as an old woman, hires Teela to retrieve a magical goblet from Snake Mountain which is now the home base for Tri-Klops who leads a techno cult. After retrieving the goblet, Teela agrees to accompany disguised Evil-Lyn to Castle Grayskull. In another stupid moment, Teela knew all along that it was Evil-Lyn underneath the disguise but allows Evil-Lyn to stand so close to the Sorceress while Teela is like 10-20 yards away. Like daughter, like mother.

The Sorceress reveals that she is working with Evil-Lyn (who looks like she failed multiple USADA testing) to bring back magic to Eternia because the entire universe is going to be destroyed without that magic and they need to retrieve the two halves of the Sword of Power, one is in Subternia and one is in Preternia. Knowing that the entire world is going to be destroyed, Teela refuses to help due to her feelings being hurt. Teela is just the shittiest character. After some persuading from the not-so-scared Cringer, Teela agrees to help. They go to the former Man-at-Arms Duncan asking his help to forge the two swords back into one.

Episode Three – “The Most Dangerous Man in Eternia”

The heroes find Duncan and stupidity seems to be contagious as Duncan refuses to help save the universe citing that he needs to be take care of his newfound family consisting of Orko and Roboto, not once thinking if the world dies so does his family. The dying Orko volunteers to join the party, hoping for one last adventure. Roboto, who shares the same memories as Duncan, steps up to forge the Sword of Power. Later on, Duncan redeems himself by being a bad-ass and saves the party singlehandedly from the forces of Mer-Man.

I’m tired and so will be skipping the rest of the breakdown for the other episodes. But I will take note that there are some irritating moments whenever the Sorceress or Duncan tries to tell Teela a big secret (that she is the Sorceress’ daughter) but the writers find some lame excuses not to reveal it. There’s another dumb moment in Subternia when Scareglow shows Teela’s her innermost fear and what she fears the most is that… she might be more extraordinary than what she is. Oh wow. Lastly, Orko and Roboto's noble deaths were done very well.

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In Summary

The voice talent is impressive with a lot of recognizable stars assembled. Mark Hamill as Skeletor was just sublime. The voice acting from the cast was terrific but Sarah Michelle Gellar was a terrible choice as the voice of Teela. Her voice does not fit with the character. In the first episode when she yells the war charge, “For Eternia!,” it was so cringey. On the flip side, Lena Headey as Evil-Lyn was my favorite. She’s just born to play the character. It also helped that Evil-Lyn was written very well and had a lot of great scenes.

The animation, from Powerhouse Studios, looks gorgeous to look at with its utilization of vibrant colors. But being an animation connoisseur for many decades, Revelation’s animation is far from top tier even for television standards. Revelation has the usual American clunkiness in the action, lack of fluidity, bad frame rates and poor character poses. Studio Mir (Legend of Korra, Voltron: Legendary Defender, Dota: Dragon's Blood) still holds the title of greatest current animation studio for U.S. animated shows.

The story is pretty good in all honestly. If they just didn’t make Teela into a whiny spoiled brat, this would have been more enjoyable for me. The script just needed a few tweaking. Removing the CW emo drama crap, remove the dumb character actions and it would have been all good. There are a lot of Easter eggs that I liked and how the series utilized a lot of He-Man lore from the toys, comic books and even the previous reboot series. The score from Bear McCreary is excellent.

So what’s In store for Revelation – Part 2? I think they’re setting up Teela to be the new Sorceress, Andra will be the new Man-at-Arms, Evil-Lyn will turn against Skeletor and Prince Adam will still be He-Man at the end. I also believe that Orko is not dead dead. Despite hate-watching most of the first half of Revelation, I’m intrigued with how it will all play out. But the better reboot still remains 2002's He-Man and the Masters of the Universe.

RATING: 4/10


[For those that felt burned and betrayed by Masters of the Universe: Revelation – Part 1, I’d like to take time to introduce to you another sword and sorcery animated series that will rinse off the bad taste in your mouth. I recommend watching RISING OF THE SHIELD HERO. It’s a great anime series with great animation, a terrific story and an underdog main character that you can’t help but root for. The whole season one is available and just in time because season 2 is coming in October 2021.]

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@Kforcer @armbarforhire @Amerikuracana @Rob Battisti @method115 @HeLLMuTT @KnightTemplar @raty tat tat @Fox by the Sea @GtehMVP @SmilinDesperado @Senzo Tanaka @GearSolidMetal @milliniar @IamStryker @chickenluver @Clippy @El_Dyablo619 @EvilDDS @heavyarms21 @Halge @irish_thug @Loiosh @LilMountain @Magooglie @Marfa @One MMA Fan @PRIDEWASBETTER @SheetsMMAfan @taurus @VIP1349 @Zookeeper Gabe @lordsai @CutStryker @Ikuza @Left Hook Lacy
 
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Update: February 22, 2021

New Details on the Snyder Cut; Will Include an Ending with Hero Cameo "That Will Blow Hardcore Fans' Minds"

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Here's the full article:
https://www.vanityfair.com/hollywood/2021/02/the-true-story-of-justice-league-snyder-cut

Here's a selected summary:

Reshot the ending with a hero cameo
[Snyder] has put Superman in a sleek black suit instead of the iconic blue and red. He’s added the Joker (Jared Leto). He has reshot the ending with a hero cameo that will blow hard-core fans’ minds. In what may be a divisive move, he’s also presenting the movie in the boxy 4:3 format rather than wide-screen so that one day it can be watched on IMAX screens.

On some of the toxic Snyder fans
For years, DC fans and Snyder enthusiasts beat a drum on social media demanding, demanding, demanding that Warner Bros. return Justice League to its original filmmaker and allow him to share his version of the movie. They dubbed it the #SnyderCut. The fans could be clever, but many were horrifically toxic. All of them were relentless, and they grew more numerous over time.

A noxious contingent of followers, though, didn’t just advocate for the movie, but also used social media to attack people who were critical of Snyder or their cause. Maybe they hoped to silence dissenters, or maybe they were just trolls being trolls. In any case, film journalists with negative takes reported getting swarmed with insults and even threats. “Unfortunately, I think a lot of online fandom and fandom culture is headed in this very toxic direction,” says Kayleigh Donaldson, who writes for Pajiba.com. It is especially strong from Snyder cut acolytes, she adds, perhaps because they respond misguidedly to the director’s tales of loner heroes in a hostile world. “I don’t get this from the Birds of Prey fans or the Shazam fans,” says Donaldson. “I got a little bit from Joker fans but nowhere near the same level.”

Snyder cringes at descriptions of the abusive tactics. “I 100 percent think it’s wrong,” he says. “I don’t think that anyone should be calling anyone anything. I’ve always tried to give people in the fandom attention who do good things.”

Snyder originally wanted a Bruce Wayne and Lois Lane romance
But Warner Bros. did nix some of his more sweeping notions for Justice League, like adding a romance between Ben Affleck’s Bruce Wayne and Amy Adams’s Lois Lane, who was mourning Superman’s death in the previous film. “The intention was that Bruce fell in love with Lois and then realized that the only way to save the world was to bring Superman back to life,” says Snyder. “So he had this insane conflict, because Lois, of course, was still in love with Superman. We had this beautiful speech where [Bruce] said to Alfred: ‘I never had a life outside the cave. I never imagined a world for me beyond this. But this woman makes me think that if I can get this group of gods together, then my job is done. I can quit. I can stop.’ And of course that doesn’t work out for him.”

It didn’t work out for Snyder either. The studio said no.

Snyder says Whedon rewrote and reshot three quarters of the film
Reports that Snyder himself asked Whedon for help were false. [Geoff] Johns, one of the studio-appointed babysitters, had been planning a Batgirl movie with Whedon, and Snyder and others say Johns recruited him to do rewrites for Justice League.

Soon, it became clear that Warner Bros. was giving Whedon more and more power. He would not just advise during reshoots, but also do some directing himself. Snyder says he only had one conversation with Whedon, about the studio’s notes.

Whedon rewrote and reshot about three quarters of Justice League, from what Snyder can gather. When fans ask him about details of the movie that bears his name, he usually has no idea what they are talking about. Worst of all, for Warner Bros., Whedon didn’t exactly save the movie. “When we got to see what Joss actually did, it was stupefying,” says a studio executive, who requested anonymity. “The robber on the rooftop—so goofy and awful. The Russian family—so useless and pointless. Everyone knew it. It was so awkward because nobody wanted to admit what a piece of shit it was.”

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Update: March 17, 2021

Dragonlord’s Review of ZACK SNYDER’S JUSTICE LEAGUE
(Spoilers)

Bottom Line: Overlong, overstuffed and occasionally pretentious, Zack Snyder’s Justice League is more or less the same underneath all its upgraded glossy, superficial makeover.

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(Warning: Spoilers ahead. Also, I'm watching the movie as I write this, so this will feel a bit like a play by play.)

We start with the end of Batman v Superman with Superman’s death scream. Oh my God, the scream is too drawn out. Have some dignity, Superman. His bitch scream is so loud and encompassing that it reaches Lex Luthor, Cyborg, an Atlantean, the Amazons and other parts of the world.

That silly scene where Aquaman says Bruce is Batman within the townspeople’s earshot is still here. Villagers singing as Aquaman departs is so cringey. Holy shit, no wonder a lot of these ended up on the cutting room floor.

Now to the London scene, the terrorists’ plan still does not make sense. How would destroying the Old Bailey courthouse and several city blocks turn the modern world back to the dark ages? And if they have a bomb that could level four city blocks, why kill themselves in the process? Why not just plant it in a car and let it explode while the terrorists live to go on and terrorize another day? These are the dumbest terrorists seen in cinema history.

Wonder Woman’s vocal new age music does not work and outdated. Combined it with some slow mo and the vocal new age music and it’s just so pretentious and annoying. The bad news is that this is now Wonder Woman’s theme and will constantly hear it throughout the movie. The London action is still good though and more brutal. Wonder Woman’s reckless use of her ultimate move against the head terrorist Is still here. The explosion destroys a large portion of a wall and sends several deadly debris to the ground which could have killed a lot of people.

Steppenwolf’s fight against the Amazonians, which was one of the highlights of the theatrical film, is even better in this extended version with more action and brutality. Though Hippolyta’s running wall jump action was stupid because her target was initially just within her reach and she didn’t need to do that extra acrobatics.

Steppenwolf’s new design looks way better and his movement/actions are done superbly. Unfortunately he’s still a generic villain/henchmen spouting off generic lines with even less charm than before. Wish his eyes were meaner. Right now they look kinda cute.

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There’s a lot of scenes here that are needed for a two hour plus movie and were rightfully cut out on the editing room. We didn't really need the scenes of Dr. Ryan Choi and Iris West.

Another pretentious slow mo music video starring Aquaman that’s absolutely pointless. What’s the deal with talking underwater? It seems they can communicate on some basic level in water but does every Atlantean have to create an air pocket just to communicate properly? The new scene of Mera using her powers to suck out Steppenwolf’s liquids was cool. Same with the theatrical version, the underwater scenes looks dreary. Thankfully director James Wan found a way to make it better in his Aquaman film.

The theatrical version made the right decision to not feature Darkseid in the ancient battle because he was utterly defeated and became a jobber in the Snyder Cut. Not a good look for the DCEU’s ultimate Big Bad and not a good move if you’re building him up for future movies.

The infamous Flash deleted scene where he saves Iris West did not serve any purpose and was rightfully cut. But it did show that Snyder’s car physics is much worse than the Fast & Furious films as Iris West and her car are both sent flying through the air despite the car was just parked 30 to 40 feet away from the traffic light where she hits a truck thereby making it impossible for her to be accelerating at a high speed during impact. Oh great another Flash music video which just comes off as pretentious.

It would have been more meaningful if Batman, the world’s greatest detective, were the one who discovered the team members instead of having to rely on Lex Luthor’s research and logo marketing department.

We’re now introduced to Commissioner Gordon who received note messages many people left for him and he just threw them all in the trash without reading them. Good thing I got a scoop on what was written on them. One was, “Jim, your mother is in her last breath. Pls come to the hospital.” Another one was, “Gordon, I know the identity of the serial killer who has killed at least 50 people.” But this last one stings the most, “I picked your number out of random. I’m horny. Come to the Marriott Hotel, room 450. Signed, Alexandra Daddario.”

There seems to be a secret villain in the Snyder Cut – truck drivers! They just killed Cyborg’s mom and almost killed Iris West. Oh and Cyborg killed her mom because of his whininess which distracted her from the road.

In the Steppenwolf battle scene beneath Gotham Harbor, Flash is better represented in the theatrical version as he saved the prisoners by carrying them one at a time. In this version, he is just cheerleading them on a flight of stairs. I was hoping Snyder would replace jobber Batman fight scene with the Parademon in here but it’s still intact. There was no point in Flash saving Diana’s sword in this version because there was no Parademon behind her like in the theatrical version.

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Martian Manhunter makes a pointless cameo and outright robs a tender scene between Lois and the real Martha Kent. J’onn’s deception does not make sense because sooner or later Lois will know that it was not Martha in her apartment when she finally talks to the real Martha. Shocking to say but The CW Martian Manhunter looks a bit better than the Harry Lennix version.

The theatrical version did it better by placing the Lois Lane scene at the beginning and not like in the Snyder Cut where it’s in the midway mark where it’s interrupting the flow and urgency of the story.

I like the graveyard scene where each of the characters interact and have little moments between them. I’m still undecided if it was better that there was no big philosophical debate on whether to resurrect Superman or not.

Batman’s “do you bleed?” confrontation with Superman is the better version than the Snyder Cut where Superman just heat rays Batman to submission. Batman’s back-up plan of having Lois around is better than the random luck that Lois was around in the Snyder Cut. Plus it’s a credit to Batman on having a back-up plan.

People calling Superman “Clark” in front of law enforcement. “Hey, Batman and this Lois Lane chick just called Superman “’Clark.’ By golly, that must be his real name.”

The final battle was much better in this one, it had an epic feel to it. Gone are the dumb Russian family subplot. Flash’s heroic run at the end was very cool. The Steppenwolf action was much better choreographed in this one. The only bad part was that Aquaman could have just stabbed Steppenwolf while his back was turn to him at the beginning.

In the theatrical version, I did not like how Superman easily and singlehandedly beat up Steppenwolf but I do miss that version because it was finally fans have to come to expect out of Superman – charming, easygoing and affable.

We are treated to a 10-minute epilogue where Lex tells Deathstroke Batman’s secret identity of Bruce Wayne and we see the post-apocalyptic Knightmare future in which Superman turns evil and works for Darkseid. Future Batman has assembled his ragtag crew to enact his plan to undo everything that has happened. His team is composed of Cyborg, Flash, Mera, Deathstroke and Jared Leto’s Joker. If you want to read the complete plot outline for Justice League 2 and 3, click HERE. The proposed sequels are good Elseworld movies but a bad DCEU movie with a silly love triangle and a “Save Martha” moment.

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IN SUMMARY: Incredulously, the Snyder Cut kinda made me appreciate how the theatrical version trimmed a lot of the useless fat to make a reasonable 2-hour movie. I can now clearly see where they improved some things with the changes and how some of the new scenes did not work in the theatrical version. Using with what they had, the theatrical film could have benefited with an additional 15 to 20 minutes to its 120 minutes run time to flesh out the characters, especially Cyborg. Snyder’s two biggest strength are the graphics because everything in the Snyder Cut looked so crisp and gorgeous like they came out of a painting and the other one is the action scenes which is better staged and better paced.

Going forward, I hope Warner Bros. holds steadfast and do not proceed with Zack Snyder’s Justice League plans. Batman v Superman should have been enough warning that he is not a good fit for the DCEU. He is brilliant visual filmmaker but his edgelord style will just twist the beloved characters and classic comic book stories to something negative. But this is WB we are talking about, this studio has made a lot of boneheaded decisions for many years now. So anything is possible.

Let me say one last thing about why Snyder and WB failed in building their DC movie universe (aside from the common reasons of lack of leadership, greediness and rushing to catch up with MCU) is that Snyder has become a hack when it comes to comic book movies after making Watchmen and seems to be in a one-track mind to try to deconstruct everything in his superhero movies. Deconstruction stories are fine and good (some of the great DC and Marvel comic book stories out there are Elseworld or alternate future stories) but you have to establish something mainstream first before trying to pull them apart. And that’s why majority of the audience consciously and unconsciously reject Snyder’s movies. Snyder is just 10-15 years too early for the DCEU.

RATING: Still thinking about it.










Update: June 14, 2018

Dragonlord’s Review of INCREDIBLES 2
(No Spoilers)

Bottom Line: Incredibles 2 offers enough charm and action to be entertaining but the lackluster story makes this anticipated sequel a disappointing follow-up to one of the best Pixar/superhero movie ever made.

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The Incredibles (2004) is not only one of Pixar’s best films ever concocted, it is also one of the greatest superhero movies ever made, not to mention the best (unofficial) Fantastic Four adaptation ever created. Fans have been eagerly anticipating a sequel for more than a decade. After 14 years, it’s finally here… and fails to live up to expectations.

The main problem is the story. It’s just not good enough. The role reversal plot is uninspiring and a common theme easily found in an episode of a kids television show. Mr. Incredible, a character built for action, is sidelined for most of the film and the Mr. Mom routine wasn’t that enjoyable. Violet and especially Dash could have used more character development and growth but unfortunately a huge chunk of the screen time was diverted to Jack-Jack, whom I found to be unlikable a few times.

One of the reasons that made the first film so great was it had a terrific villain in Syndrome. This sequel has Screenslaver, a ho-hum shadowy villain that hypnotizes people through television screens. The showdown between Elastigirl and Screenslaver at his lair was depicted well though and a tad scary for a family film.

Some of the action was too fast-paced for its own good and could have been done a bit slower to properly build more tension.

The film is also guilty of being repetitive and going to the well too many times with the runaway locomotive scenarios.

The Incredibles is clearly inspired by the Fantastic Four as they share many elements on their designs. Why couldn’t Incredibles 2 continued what they started and just adapt

Rating: 7/10
 
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