You think the closing montage of Bamboozled is racist? It's kind of hard to process how thick-skulled that is. It's skewering a racist history within entertainment, specifically of cinema. I'm guessing you've never seen the film.
Your OP doesn't really make it clear that the core idea of the thread is to present "two sides of the coins" ideas. You included a Summer of Sam montage, FFS. Forgive me for mistaking the thread, due to the thread title and the three videos from the OP, to be mainly preoccupied with the work of Spike Lee.
FYI, the final montage of Bamboozled is a rant. It's a rant in montage form. It's seething with scorn. But, at the same time, as Spike Lee talked about on his DVD commentary, and in interviews in the years that followed, it was also about him getting over his anger at black actors who participated in that culture. He said as he'd gotten older, wiser, and began to understand how hard life can be, the decisions it can force a person to make, the more he began to understand why all those actors did what they did. They were surviving.
In that sense, too, the montage also shows two sides of a coin, but not the 'here's a Brooklyn Italian saying racist things about a black guy after a Brooklyn black guy says racist things about an Italian' kind of coin. You can feel it in the music. On the one hand, he doesn't spare his contempt for the white actors and the appalling racism that was accepted so nonchalantly at the times they made those clips. But he also shows the black actors and actresses, and you can feel his sense of subsiding judgement. There is a palpable empathy in the offering of a record of the tragedy. He still sees the oppressor as an other, but he comes to recognize people he previously might have condemned as "collaborators" to be like himself. He realizes they contributed to a culture of endurance, and he appreciates that it thanks to their resilience that he enjoys the greater freedom has has enjoyed as an artist to speak the truth.
