Speaking my musical future plans into existence.

jeff7b9

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Update : November 14th 2024


As some of you may recall from my ketamine infusion therapy thread, or my shoulder surgery thread, my shoulder is a mangled mess. I had surgery #11 in August 2023 and #12 Jan 2024, which were to remove and replace shoulder replacement #2 with shoulder replacement #3... and during the removal, my humerus snapped in half when they took the metal out .


Well, it seems it broke again. Stress fracture. Doc says it is hard to 100% tell whether it is a new fracture because the break healed kind of fucked up, but the pain level tells me it is a fracture (or a tear but thus far nothing has come up on CT scans)

Anyway- that sort of fucked my plan to do the solo ukulele thing. Fucked it right in the face.

But the fun doesn't stop there. Even before that level of my shoulder falling apart, I tried to get back to teaching drums and you will not be shocked that my shoulder failed that task.

So... I can't

- play ukulele for more than a few minutes right now. I am hoping maybe I get that back one day.

- Can't play/teach drums

*guitar was already out.

Bass is out too now

But the real kick in the balls: I can't play piano with my right hand. Keys has always been my main instrument. That sucks. Not gonna lie, this has been a really fucking crippling blow to my attempt at a positive outlook.

Right before my shoulder feel apart, I auditioned for a wedding band too. Pays $200-500/gig and I am broke due to extended time out of work.

And I got the gig... though, they hired me as a 2 handed keyboard player, which ... yeah
we will come back to this

So, what CAN I do?

I can play harmonica.

I can play keys with my left hand.

i can sing.
(Low register though. Natural bass/baritone)


So I have been learning how to play harmonica and keys, attempting to do these together, at a performance level.

the challenge is I have to figure out how to use the harmonica to cover the melodic work I now can't do on keys.

I can so chords on organ, ep, piano, synth with my left hand. I am working out how to play everything with the correct inversions at all time that make it so that the melody has the chord under it, all in the left hand. I could do this with my right hand before but that is sort of a natural function of the right hand, it is a bit foreign for the left. But a welcome challenge and so far seems to be within my realm of capability with sufficient practice.

Side bar- the wedding band hired a guitarist too, and since they didn't want to bring both guitar and keys (essentially all of the chords and foundation of the song structures) at the same time, they brought guitar on first, giving me time to figure this out.

I need to be ready for a rehearsal in December, for which I can pick the (20) songs from their repertoire. (150-200ish)

This is good. I can set myself up for success. I also feel like I am getting a handle on the learning curve of this whole keys + harp (and backing vocals) thing.

So the songs I am learning now.. SHOULD prep my skill level for a few of the more difficult tracks I'll have to take on later . For example September by Earth Wind & Fire. Pretty slick chords with FAST horn parts all cranking st the same time.

Tonight I learned " Come on on Eileen" and by learned, I mean, learned to do it keys and harp, I knew the song already on keys.

I was going to break out the chromatic harp for this one, as it starts in F major, then goes to C Major then D major. But I didn't like my tone on the slide harp (not my thing, maybe a tool I will add eventually) and after learning all the notes and writing all the string parts out, I decided to attempt it all on the C harmonica. If by really really long shot anyone plays harmonica, that puts me in

12th position (F major on C harp)
1st position (C major, C harp, easy) and then
3rd position (D major on C harp)

While playing the piano. Which isn't Rachmoninoff, but it is cranking along at times with a bit of a rhythm and a riff to it, and like I said, 2 key changes.

So yeah, that's what I'm doing.

I'm playing in a rock band, doing bars and private events, I am prepping to work with the wedding band, they know the deal with harmonica and they are down as long as I can pull it off, which I will. It is gonna be a hell of lot of work but I will make it happen. And the result is going to catapult my harmonica playing to the stratosphere..

That is how I cope with having my best and most hard earned talent taken from me. I force myself to become ELITE level on harmonica... and I max out what I can do with my left hand on keys.

Playing these string and sax and synth parts on harmonica is FORCING me to step my game up to an elite level. I am now playing in 1st 2nd 3rd 4th and 12th positions on harmonica, since the various songs I am covering have necessitated it. My single notes notes, bends and scale runs are getting clean, fast and accurate and my tone is getting more and more consistent, and I am learning and rapidly improving with using the amp and at the proper times, playing harmonica thru my vocal mic. Sky is the limit and I have the time and the drive to do the work.

And maybe I get lucky and eventually I can build strength back up and heal my right arm, in which case that ability comes back on top of the new skils I am acquiring. Cool. I am doing a peripheral nerve stimulator (trial first then if it works surgery) which is supposed to block pain.

We will see.

I would still LOVE to do the solo acoustic thing.
But life threw me a little side mission here.
And I'm rolling with the punches as they come.



_____

original post
_________
This will be a "dear diary" type of post, feel free to burn and roast me as you see fit.

I have been practicing the art of speaking my plans into existence, specifically stating my plans publicly to create accountability for me to be bound to hold up my word. I did this in Mayberry with my shoulder replacement surgery 6 month update thread and stating my plans to get my body back to a relatively jacked muscular state like I was in prior to my most recent shoulder injury, so here goes...

I am going to pursue a solo cover band project, doing a mix of Grateful Dead, some Phish and probably a decent amount of the covers from my last band, as I already know all that material and have charts, lyrics & arrangements done already.

This will be my first time as "front man" which is something I am excited about. I plan on doing so with ukulele and vocals, ukulele being a new instrument to me but I am picking it up very quickly. I have been playing every day since the beginning of July and I have got around 30 songs which I can sing and play at this point, so far it seems like any song that I know on keys I can transfer to ukulele pretty quickly, many I can read it right off the chart and play in real time, especially as i now understand multiple barre chord shapes for major and minor triads.

So that's the plan. I hope to be gigging by winter.
I have several venues which I should be able to book gigs at, as know me from my last band where i handled most of the bookings.

After 20 years of gigging as a keyboard player and generally music director, trying to keep 4-8 other musicians and singers on the same page and splitting the check a bunch of different ways, I look forward to the challenge of a new instrument and of stepping out from behind the keys and taking center stage. I think I am ready. I need to train my voice to have the endurance to sing all night, but I have a lot of musician friends whom I can invite to shows for guest spots which will function as a vocal break as well as help with promotion (which traditionally has not been my strong suit).




I have already started creating youtube playlists to sing along/ play along with, and I sometimes put them in as background music for my workouts to give me more repetitions of hearing the songs to help memorize the lyrics and arrangements.

____________________________________________________

I need to figure out
A) a gameplan for how to deal with guitar solos.
B) gameplan for songs which are too high for my register

Options:

Harmonica. But I hate playing harmonica with the rack holder thing. I would need to have something to hold the harmonica up to a mic, probably on a gooseneck stand. I have seen something on Ebay which is a leather pouch which olds the harmonica directly to the microphone.

I'll have to work on playing the guitar solos correctly while playing uke, which will take a lot of work, (playing guitar solos "note for note" on harmonica is hard enough just playing harmonica!!) ... but i think that is within my reach.

I could start with songs like Soulshine where I already know the song, it has a recognizable solo that I think it all major pentatonic scale, and grind that out until I am consistently hitting both the strumming and the solo melody clean.

Off the top of my head, Ripple, Casey Jones, Going Down The Road Feeling Bad and Friend of the Devil, all have signature melody parts i could work out and practice on harp. And i think i am already familiar enough with these tunes to get the rhythm part on "autopilot" pretty quickly.


Loop pedal:
I have never used one before and have some concerns about getting clean timing on the loop, but i already see how I could capture the strumming of the verse and chorus prior to the solo while I am singing, then let the loop play the rhythm part while I play the solo on ukulele.
This is probably the ideal way to do it but it is expensive and requires me to master the loop pedal.

I guess theoretically I could also use the loop pedal to add harmonies to choruses that repeat, so that could be cool.

As i type this out I am realizing, this is the way to go, i just need to save up the money and put in the work of learning to operate the loop device.

Backing track- I really don't want to deal with that. I do know my way around pro tools and logic but I think this would just be too much of a pain in the ass.

Kazoo: so I could just sing the melody of the guitar solo into a mounted kazoo. I'm thinking maybe I run the kazoo thru a few pedals, maybe distortion, slap delay or reverb, possibly chorus. This I think would be the easiest solution.

Skip the solo. I see a lot of singer/rhythm guitarists do this. I'll call this a last resort. Or maybe a temporary bandaid as I build up the skills and gear to execute the solos effectively.

Keyboard. This would be the easiest in terms of practice because keys are my primary instrument, but I kind of don't want to have to drag big ass keyboards out for a solo show... though I guess then I'd have the option of using piano for accompaniment on some songs. And I guess this would give me some useful options in terms of sonic textures.
________

B) (vocal register)

I am thinking I will keep a 2nd uke on hand tuned down a whole step for songs which are a little too high for my natural baritone vocal range.
- this goes against a core principle of mine of NEVER switching keys from the original because I could always play the bass lines on keys so it didn't matter if a song was in Eb or D, keyboards have all the notes, this avoided issues for situations like a fill in musician, or having people practice a song in the oringal key with the record and then have to either detune (yuck) bring a 2nd guitar, etc... in a BAND that type of shit is annoying, solo all of the sudden these things are no big deal.



and in some cases i think i will just sing it down an octave. Particularly if i do any songs sung by female artists or 1980s male singers who are entirely out of the stratosphere of my annoyingly low vocal range.
_____________________________________


Oh yeah... and I want to finish the original funk album I started.





_________________



Anyway, I just wanted to put this out there and have it be a tool to hold myself accountable to and follow thru with my plan.
 
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Loop pedal:
I have never used one before and have some concerns about getting clean timing on the loop, but i already see how I could capture the strumming of the verse and chorus prior to the solo while I am singing, then let the loop play while I play the solo on ukulele. This is probably the ideal way to do it but it is expensive and requires me to master the loop pedal.

I guess theoretically I could also use the loop pedal to add harmonies to choruses that repeat, so that could be cool.

As i type this out I am realizing, this is the way to go, i just need to save up the money and put in the work of learning to operate the loop device.

Backing track- I really don't want to deal with that. I do know my way around pro tools and logic but I think this would just be too much of a pain in the ass.

You can definitely use a loop pedal to do harmonies on both guitars & vocals, even at the same time, though I have no idea how this is done.

Anneke Van Giersbergen does some nice work with a loop pedal and by the end of the song she's several layers deep on both guitars & vocals.

 
You can definitely use a loop pedal to do harmonies on both guitars & vocals, even at the same time, though I have no idea how this is done.

Anneke Van Giersbergen does some nice work with a loop pedal and by the end of the song she's several layers deep on both guitars & vocals.



Yeah, quite a lot of possibilities and some people have done beautiful things with loopstations.

Reggie Watts and Marc Rebillet both really push the boundaries of what those loop stations can do, as I am sure many others artists do.

I'm thinking the primary function I could use would be to catch the "rhythm guitar" part from under let's say a verse and a chorus to then use that as the foundation to solo over


V1
Ch
|: V2
Ch:|
Solo (over V2 + Ch chords)

^
That I think would be a trick I could use on a fairly.large percentage of Dead, Allman or Phish songs to create somewhat of a jam- ish vibe, even playing solo. Especially if I had keyboards on stage to layer in with different instruments/patches.


Or this trick:

a song that ends on a double chorus or extended chorus, loop the first one then add harmonies on subsequent choruses.

I could see justifying the expense of a loop station for that type of function at some point down the line after I already have income coming in.


I think my first stop is probably either kazoo or harmonica while continuing to play the chords underneath. That's within my current skillset, though I would need to do a decent amount of practice to make sure the strumming rhythm stays clean and the melodies are accurate, but I am willing to put in that work and I am sure those skills would pay solid dividends to have in my pocket moving forward.

I have many years of experience doing gigs where I was playing the bass lines with my left hand on keyboards + RH keyboard parts and vocals so my multitasking skills are at least starting with a pretty solid foundation.

I'm thinking a potential timeline

Summer:
work out a full night's worth of material ukulele + vocals

Fall:
-Work out the solos on either kazoo or harmonica while playing uke
-polish this up to performance level
- make sure TONE is solid whether that is done via pedals or amp presets
- figure out how to mount kazoo & harmonica in a way that I will be happy with to perform

Winter:
-Book first gigs and get working
-Research loop Stations


-Buy loop Station with money made gigging.
- practice with loop Station until it is consistently clean and incorporate it when ready.
 
So I'm in love with this

reminds me of this a little...



Thank you. That track is very cool.

Do you know a band called "Greyboy Allstars" ?

I would bet you would dig them based on that track. Karl Denson (Denison??) Is the brains of the band, fantastic sax player and he writes gorgeous funky jazzy tunes.

Yeah, that is sort of the sound I am going after.

I love instrumental funk. Stuff like the Meters, Tower of Power, which then lead me to bands like "Mighty Imperials" ( *their album "Thunder Chicken" is amazing btw) and "The New Mastersounds"

I'm listening to Mighty Imperials now, man, I gotta listen to them more and rob and steal ideas from their keyboard/organ player.

 
Thank you. That track is very cool.

Do you know a band called "Greyboy Allstars" ?

I would bet you would dig them based on that track. Karl Denson (Denison??) Is the brains of the band, fantastic sax player and he writes gorgeous funky jazzy tunes.

Yeah, that is sort of the sound I am going after.

I love instrumental funk. Stuff like the Meters, Tower of Power, which then lead me to bands like "Mighty Imperials" ( *their album "Thunder Chicken" is amazing btw) and "The New Mastersounds"

I'm listening to Mighty Imperials now, man, I gotta listen to them more and rob and steal ideas from their keyboard/organ player.


I've not heard of them, but I'm about to give a listen.

Since you already have access to my spotify, go find my instrumental playlist and have a listen. we're on the same wavelength I think.
 
Songs I can* sing/play. Just went thru my binder and ran everything to confirm I know these and can hit the notes.

Looks like I have about 50... that should be plenty to get me started. I have several "in the pipeline" that I should have ready soon, and I haven't yet gone thru the full catalog of my last band but we played over 200 songs over the years so I am sure there are quite a few in there either could pull out..

Althea
After Midnight
Back On The Train
Beer
Brown Eyed Women
Bertha
Casey Jones
Chocolate Salty Balls
Dick In A Box
Dirt (Phish)
Friend Of The Devil
Going Down The Road Feeling Bad
Franklin's Tower
Good Lovin
Hard To Handle
I'm Yours
I Want U 2 Want Me
Jealous Again **
Kill Devil Falls
Moving On Up
Nobody Left To Run With
November Rain
Proud Mary
Ramble On Rose
Remedy **
Rock n Roll pt 2
Rockin In The Free World
Sample In A Jar
She Talks To Angels**
Smoke 2 Joints
Soulshine **
Sugaree
Stuck In The Middle
Under The Bridge
Time
The Walk
Truckin
Wanted Dead or Alive
The Weight
With or Without You
Wolfman's Brother

** w/ downtuned uke

W guests (or solo)

Before He Cheats
Billionaire
Black Velvet
Bust A Move
Can't Take My Eyes off U
Down W Disease
Proud Mary
Son Of A Preacher
Shoop***

*** w/Loop pedal
 
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Jam band tunes without the solo's? Madness!

Seriously though, there certainly are songs by both Phish and the Grateful Dead that are perfectly fine songs without the extended jamming. And I think Ripple, Friend of the Devil and Casey Jones are good examples. And I think most people sitting in a bar would recognize those songs even if they weren't a fan. Maybe a bit harder with Phish as they've never really had any radio hits. On the other hand, they flirt with some bluegrass from time to time that would probably translate nicely with a ukulele.

Some of my favorite Phish studio tracks are The Mango Song, Glide, Fast Enough for You, Silent in the Morning, Bug, Brian and Robert, Wading in the Velvet Sea, among others.

Looking forward to hearing how this works out for you.
 
Jam band tunes without the solo's? Madness!

Seriously though, there certainly are songs by both Phish and the Grateful Dead that are perfectly fine songs without the extended jamming. And I think Ripple, Friend of the Devil and Casey Jones are good examples. And I think most people sitting in a bar would recognize those songs even if they weren't a fan. Maybe a bit harder with Phish as they've never really had any radio hits. On the other hand, they flirt with some bluegrass from time to time that would probably translate nicely with a ukulele.

Some of my favorite Phish studio tracks are The Mango Song, Glide, Fast Enough for You, Silent in the Morning, Bug, Brian and Robert, Wading in the Velvet Sea, among others.

Looking forward to hearing how this works out for you.
The solos will be there, I just need to figure out the best way to execute a scenario that requires me to be in 2 places at 1 time.

I did some research on loop pedals yesterday and the "Ditto" looper which is around $100 looks like a decent starting place, even if I only wind up using it for catching the rhythm part to then solo over on uke or keys.

When I get back home (currently at shore for the bulk of the next 3 weeks or so) I will experiment with mounting a kazoo with a mic and sending that thru fx or an amp w fx.

Right now I have my harmonicas and ukulele, but I don't want to risk fucking up my custom harmonicas with that fucking neck rack metal thing (which has dented/scratched some of my harps in the past). But I worked out the Soulshine lead (just harmonics, not simultaneous).

Thinking I will probably order one of these and create this mounted harmonica setup:

Screenshot_20240725_100559_eBay.jpg

I would agree that song selection will be key. And I think the starting place is songs that aren't overly reliant on extended jams. Friend of the Devil, Dirt, Farmhouse, Truckin.

*Wading In the Velvet Sea, which I have played on keyboard, I will probably implement when I get the looper hooked up to catch vocals (and ukulele) because I feel like that song really needs to have harmonies, and that wailing Tre guitar lead is pretty important. I'm not sure if that ditto looper can handle the layers that song would need, would be great if it can. The looping thing is new to me, that song will likely be one of the first I mess with though

then there will have to be some time dedicated to getting really locked in with playing uke and harmonica together.
Work I am happy to put in.

Current goal is to have it up and running by winter.
Currently having fun building up material and strengthening my voice and ukulele skills.
 
Jeff, I have one project I'm trying to accomplish by the end of the year. Once the training wheels are off that project and then I can start on my next one, which is recording equipment. I want to record my own stuff, mostly instrumental, but I'd be willing to collab once that's up and running.
 
Jeff, I have one project I'm trying to accomplish by the end of the year. Once the training wheels are off that project and then I can start on my next one, which is recording equipment. I want to record my own stuff, mostly instrumental, but I'd be willing to collab once that's up and running.
I'm down.

I have a buddy coming out for a recording session this weekend so I will need to get my studio up and running for that.

Hit me up.
 
Update:


Just wrapped up a 3 hour jam session. (Sat night)

Quick notes/takeaways:

A) I was actually HAPPY with my vocals which throughout most of my music journey I have been pretty self conscious about.

- when song selection/key suited my vocal register, it felt great. Lots of power. Felt like I was in control of pitch, tone for the most part was strong.

B) need to work on:

Picking my spots better with vocal distortion so I can still "croon" aka sing clean later in the night. Otherwise I will need to load up the back end of the night with stuff that will work raspy, which is the fallback. And no matter what I will stack up a song bank with DEEP reserves of stuff I can sing like that if needed. The Doors, blues, funk, certain rock songs

Belt voice was strong and powerful.

Felt great on

Sympathy for the devil
Proud Mary
Still Haven't Found What im looking for> Stand By Me
Santeria
"Whatta man" (Country)


C) need to get a loop pedal and start working on solos,

And

start getting pedal board in working order

_____
Gear I need:

A better ukulele with electronics

A loop pedal (and to master it)

Maybe an octave pedal for my voice for certain songs or sections

Tuner pedal or better quality clip on tuner

_______

From "What are you eating drinking for UFC 305" thread



jam session had

bassist + backing vox

2 drummers* (one who sings)

Female vocalist



I played mostly ukulele and I did most of the lead vocals, (Everyone else who sings also did mushrooms and they were pretty fucking strong)



For solos and jam sections I was doing mostly harmonica (I was the only real solo instrument.. bassist can solo, pretty damn good too, but how many bass solos are ya gonna do?)

some piano Solos

A few kazoo riffs



My voice held up better than I was expecting, first time I have attempted the vast majority of 3 hours of lead vocals at stage volume.

My voice is raspy And a little damaged, but not TOO bad. I was definitely leaning into Blues stuff later in the jam, songs where it would work for me to use a distorted vocal tone

I gotta keep working on my vocal technique.

I know there is a way for me to either:



a) get the ditorted vocal tone i want without damaging my voice

or

b) find the happy medium to how much I can ditort my voice without sacrificing the ability to sing with a clean tone.



I need to work on soloing on ukulele. That is my main takeaway from this session. And playing uke with a pick.



I broke a string playing "Sympathy For The Devil"
In a group that was not a big deal, solo this might have been a nightmare



My wife came down to sing on that one, Proud Mary and Son Of A Preacher.



My girl can sing.

She used to do theater and host karaoke.





That was fun as shit.







* (I have side by side kits because I give drum lessons)
 
Bump for update in OP.


Also, I am not sure if there will be sherdog in my future, or maybe this 2FA thing winds up as a break for me, we will see.

If this is the end of the dog for me- much love to all you fine folks and thanks for keeping me entertained over the years. Particularly during this rough stretch recovering and dealing with my shoulder injury.


I am taking it that the universe is guiding me that I need to really buckle down on my music skills and do everything in my power to secure myself a position in this wedding band. I don't intend to come up short in this challenge, but beyond that I can NOT come up short due to lack of effort and commitment on my part.

If I fail to be the Rick Allen* of the wedding band* scene, let it be the best version of myself failing in my highest gear with no regrets.

*if this is confusing, read the updated OP.


@StonedLemur @Poirierfan @Jackonfire @aerius @Other @BoxerMaurits @666


@JustBleed69 @William Huggins @mixmastermo @Kowboy On Sherdog
 
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