Solo Judo drills?

We could tell you to do some fancy footwork... but its not that realistic.
Aka Solo judo drills - kouchi ouchi gari - YouTube
The Japanese people would practices throws on the wall (people who went to japan and trained there will know what i mean).

It's always better to get a partner and do it you know?
 
Thank you guys for the awesome info! Judoka, great advice. My school schedule makes me miss our judo classes, but we have a sweetheart of a coach (paralympian to boot) that I'm sure would take the time to walk me through the movements so I'm not creating bad habits.
 
I'd like to ask a question about how you point your feet when practicing entries. JudokaUK, I'd really like to see what you've got to say on this since your explanations are so clear, but anyone who knows, please help. My feet are initially pointing roughly straight ahead toward my opponent. When stepping to the point of the triangle, let's say with my right foot, how far do you pivot the foot? Is it turned a little past 90 degrees, a little less, or what? When the left foot steps, do you pivot the pivot it all the way 180 degrees to your finishing position and then rotate the right afterwards, or step the left foot completely straight ahead and pivot on the balls of both your feet, or what? Is this dependent on which throw you are doing or what your opponent's motion is? Camarillo's book seems to suggest drilling it with the right foot turned a bit on its step, the left foot stepping straight (about 0 degrees, straight ahead) and then pivoting both, but is that not a general rule?
 
Thank you! Balto/Rod1/Judofolks, when doing tree/pole drills do you want the "lapels" more over your shoulder or around your upper bicep area?

Sorry, I ask a ton of questions.

Upper bicep, if its above the shoulder you have a lot less control over his upper body and its easier for him to simply step out of the seoi or go along.

Although i dont really like the belt on the pole thing, because the belt its not elastic and offers an unrealistic form of resistance its good to have that "snap back" when you are doing drills quickly but then you need to have the perfect distance.

Get rubber bands, far easier, and feel more right.

I do something like this when training alone. I also do some shadow work against the wall practicing uchimata and ouchi gari, kouchi gari.

Innertube Uchikomi - YouTube

Although if you really ask me, i think keeping in shape is far far more important than anything if you cant really go to practice, keeping the flexibility and upperbody strength necesary to practice judo well its going to do far more when you come back as you will be able to train properly without dying as opposed as doing some work on the side that while it helps with keeping correct technique on the long run it wont do nothing if you lose a few weeks when you come back due to lack of fitness.

EDIT

Also JudokaUK blog he keeps great, easy to learn and apply principles in there.
 
Although if you really ask me, i think keeping in shape is far far more important than anything if you cant really go to practice, keeping the flexibility and upperbody strength necesary to practice judo well its going to do far more when you come back as you will be able to train properly without dying as opposed as doing some work on the side that while it helps with keeping correct technique on the long run it wont do nothing if you lose a few weeks when you come back due to lack of fitness.

Rod, I agree wholeheartedly. I plan on do these--together with "guard pass" drills where I use a weight bench or a heavy bag as the partners' knees/torso--at the end of morning weights/cardio before class. My fitness is suffering right now, I feel small and flabby.
 
Thank you guys for the awesome info! Judoka, great advice. My school schedule makes me miss our judo classes, but we have a sweetheart of a coach (paralympian to boot) that I'm sure would take the time to walk me through the movements so I'm not creating bad habits.
You're welcome. You'll obviously pick up things quicker and retain then better than the average Josephine on the street, because of your high level of physical literacy, but learning the basics with competent supervision will obvious speed things up even more.

I'd advise the lego block method of learning i.e start off with the footwork, then independently learn the hand action and then bring the two together. I find this generates the best results for adult learners.

On the hand action front this might help:

http://www.sherdog.net/forums/f12/kuzushi-how-do-how-drill-1823001/

For shadow uchikomi/ resistance band uchikomi obviously substitute the shadow/band for the partner. Its all easily transferable.

Haha really? I thought they were some mediocre stuff. @_@
Occasionally they are hovering around a correct principle, but their Aikido influence invariably ends up meaning they give flawed training methods and don't actual apply the principle as it really works in the real world of Judo.


I'd like to ask a question about how you point your feet when practicing entries. JudokaUK, I'd really like to see what you've got to say on this since your explanations are so clear, but anyone who knows, please help. My feet are initially pointing roughly straight ahead toward my opponent. When stepping to the point of the triangle, let's say with my right foot, how far do you pivot the foot? Is it turned a little past 90 degrees, a little less, or what? When the left foot steps, do you pivot the pivot it all the way 180 degrees to your finishing position and then rotate the right afterwards, or step the left foot completely straight ahead and pivot on the balls of both your feet, or what? Is this dependent on which throw you are doing or what your opponent's motion is? Camarillo's book seems to suggest drilling it with the right foot turned a bit on its step, the left foot stepping straight (about 0 degrees, straight ahead) and then pivoting both, but is that not a general rule?
Heretical suggestion, but its not massively important...

I'm a big opponent of what I call 'Judo geometry' i.e put foot 1 at point X at an angle of 34 degrees to produce result Y.

Its a flawed way of looking at Judo and it only serves to confuse the beginner and hold them back.

Generally speaking you don't want to put your plant foot on the point of the triangle dead straight, like so:

triangle2.png


I was forced to produce the image with the foot dead straight, because the new paint wont let you rotate images by less than 90 degrees.

However, the precise degree of angle isn't important, whatever is comfortable is the best guide.

The pivot foot is placed like so:

tsurikomi9.png


If you adopt this position you will feel the torsion being built up in your hips. As its not a natural rest position for them. Your hips will want you to 'un wind'. With your feet in the correct position there is only one way your hips will naturally unwind you, which is in the direction of the throw so that you finish parallel to your partner facing away from them.

The important point remains not at what angle you place the pivot foot, but rather that you plant it on the ball of the foot and plant it firmly. Ensuring that happens will mean the rest happens naturally.

So, yeh, don't get drawn in and overly concerned with Judo geometry it will only lead you down the garden path.
 
Some generic things that really helped me were sport specific weight lifting and a lot of shadow uchi komi (Thanks to Coach Josh Artigue on that one). I do cable pulls with a gi through the strap to work grip and motion. I do sets with the pulley high and low to simulate different pulls. It forces me to make sure that I am moving correctly. High weight is not the goal, getting the pull and your movement to be smooth is. It has helped me on all my forward throws as well as my ability to keep a grip and break a grip.

For the shadow uchi komi, treat it just like shadow boxing, start out just working the form of the throw and working on getting the footwork, tai sabaki and hand movements in synch, then progress to adding motion, like my opponent is moving to the left or moving back, etc. Then work in combinations, if I am working on my seoi nage I might work the following, I attack with ko uchi, they step out and I throw seoi nage. Or if I am working on my sasae tsurikomi ashi I will attack with STA to uke's right they posture hard and I attack with STA to uke's left. Also think about the full range of motion, so when you work big throws, like o soto gari or uchi mata, you can go through the full range and build that muscle memory. We move from this directly to nage komi and the throws are MUCH smoother. There is no disconnect between "I am just entering" and "now I am throwing" doing it this way. I hope these help.
 
can you fall? it's worth practicing as much as the throws. i've fallen off of a motorcycle in flip-flops and shorts. i wouldn't even ride if i didn't do Judo. plus, when you're able to fall for someone else, you can practice throwing each other, and if it's someone good you'll develop a feel for where that throw hits and where/how you're throwing your partner. you'll also learn how to roll people through their own throws, and how to bail out of others.

thumbs up on the judo, by the way. you're gonna be a beast if you're controlling the matches from standing. just think of it as advanced guard passing :) good luck.
 
Fear not, my ego is big enough to make me comfortable giving advice to a world champion.

This is why you're awesome....

Doesn't hurt that you have the ability to put to words what I'd struggle to show someone in person.






This was a related video on one of the youtube links. No English subtitles, but you can probably tell what's going on. Just cutting a bike tire's inner tube is way better than simply using a belt.
 
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JUK, this is an e-hug.
No hugs please, we're British.

This is why you're awesome....
Never take yourself too seriously.

Doesn't hurt that you have the ability to put to words what I'd struggle to show someone in person.
Thanks. I put it down to having to bullshit my way through what Americans call a liberal arts education. It helps you learn how to create the illusion of insight and understanding.
 
One drill I liked to do a lot with bands back in the day that I don't think has been mentioned is osoto/ouchi gari dash steps. Basically you'd take the bands in your hands facing AWAY from the wall, walk out until you have a little tension (but not much, you need the bands to still have some give), and then practice taking exaggeratedly large, dashing steps to the left and right for osoto practice, and the little double step lunge for ouchi. Doing these drills really helped with my explosiveness on those throws, since you really have fling yourself in the correct position for them to work.

Also, in addition to seio nage type entries when facing the wall and turning, you can also practice tai otoshi that way. It really helps you get the feel of stepping to the outside for the tai otoshi.

And finally, facing the wall but backing far enough away that you have some tension in the bands, practice your footsweep hand/foot coordination by opening your hips and sweeping your foot in front of you ala-okuri ashi harai while pulling down on the bands to the sweeping foot side. It's very hard to sweep anyone good without the feet and hands working together.
 
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