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I hate that I agree with you about nearly everything you just said because I'm a sucker for Tarantino... But fear he's riding his legacy directly into BJ Penn territory.
The film was absolutely empty and meaningless. And I struggled to find the larger theme... For a while, I thought perhaps it just went over my head. But after some reflection, I'm not so sure. It seemed almost manic at times... And left the viewer to do most of the work putting it all together, with very little payout at the end.
I'd be interested to know more about the plagiarism if you had time though, for sure. I'm a slight masochist in that way...
His first ever film "Reservoir Dogs" he straight ripped off Hong Kong flick "A city on fire" with Chow Yun-Fat.
Back in 1992 very few followed or knew foreign cinema. So when he released RD, he was lauded as the next big director. The "next big director" my ass.
Heck, even today (with google and imdb) very few know shit about foreign cinema.
https://whatculture.com/film/8-problems-with-reservoir-dogs-nobody-wants-to-admit?page=2
He is a nerd level cinephile and probably has encyclopedic knowledge of cinema. He is a talented plagiarist, it takes at least some talent to make a good copy.
I even say that sometimes his copy may arguably be better than the original.
Yet... his forays into "original" cinema lack any substance, i.e. "inglorious basturds",
"D is for Django", "Once upon a time", etc.
https://www.theguardian.com/film/2010/mar/10/quentin-tarantino-law-killbill
https://www.cheatsheet.com/entertainment/8-scenes-quentin-tarantino-stole-from-other-movies.html/
https://www.businessinsider.com/quentin-tarantino-movies-steals-cinema-homage-reference-2019-7