When we first meet the Robinsons in the series pilot, they’re playing a harmless game of Go Fish aboard the Jupiter II. However, we soon realize things are amiss. They’re all in their spacesuits, there’s no gravity, and hell has been unleashed right outside their door. Dozens of identical ships are caught in a firestorm, with their colony space station under attack by an unknown threat (which doesn’t stay unknown for long). The Robinsons soon collide with the wreckage and find themselves crashing down onto the planet below. They’re lost, aren’t they?
Well, they may be lost, but they’re not alone. In this version of the story, the Robinsons are part of a colony, and there are plenty of other surviving families on the planet—some you’ll like, others you’ll wish could be pushed out of an airlock. However, the first couple of episodes are the strongest, as they focus entirely on the Robinson family after they crash-land on the planet and are forced to do whatever it takes to survive. It’s terrifying, intense, and unpredictable—with the added bonus of giving us a rapid-fire introduction to this new Robinson family.
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While Will Robinson shines, however, Lost in Space’s other most iconic character, Dr. Smith (played by Parker Posey), doesn’t. This is not an acting problem—Posey brings her A-game to everything she’s in—it’s the writing. I’m not going to give away Dr. Smith’s origin story, but suffice to say it’s very different from the original series and movie, and it doesn’t mesh with her behavior. She’s often making choices that don’t make sense and require us to fill in a lot of gaps to justify, yet they magically end up working in her favor anyway. And for what end? Not much, really, just your basic run-of-the-mill “I want to live” storyline. This would’ve been okay if we’d gotten more camp, but Posey mostly plays it straight... at least until the very end, which not surprisingly was the moment I started liking her a bit more.