Inglourious Basterds (2009) review

Half this movie was one of the best I had ever watched.
The other half of this movie is like giving yourself paper cuts under your fingernails.
 
I liked it a lot. I think the end where Landa switched sides in a way made a ton of sense. He didn't really care about the Nazi cause or exterminating the Jews. He was simply an opportunist. He was good at hunting Jews and did it as a job in a sense. Once he saw the writing on the wall he jumped at the next best opportunity to side with the winning team.

Yeah, he made it pretty clear that he was a good policeman/detective in his speech to Lapaditte in the opening scene. He didn't strike me as a dedicated Nazi ideologue but rather a good "hunter."

He also showed a very high level of confidence and self-admiration so him turning on the Nazi leadership for personal glory made sense.
 
There have been a number of threads about or related to this movie but just wanna give my two cents after finally watching it in full.

Even as a QT fan, when I first saw the trailer of this movie I thought it was cartoonish shit so I avoided it.

I have watched bits and pieces of it on TV but tuned out when I see something cringey. I liked the first part when the French farmer had to expose his secret, then that facepalm second part introducing the American cast.

The movie was very uneven in that the European cast far outperformed the American ones, it's like the cast belonged in separate movies. I like how QT was well researched and could put very articulate details to the dialogue and make it very compelling, only to kill that same mood when he shows "Quentin-isms" right after. He likes producing visceral and gory images even if it doesn't necessarily serve the narrative. He always makes the mistake of overemphasizing things in exposition, when some other filmmaker can do it more subtle and organic.

Samuel Jackson as a provider of exposition is a mistake, his voice was too recognizable. The use of music with electric guitars and amps were a mistake. Having a black man be a boyfriend of a French Jew was a mistake because that seemed like a statistic improbability for that setting. But then I realize, the title was purposely written as a mistake. So of course not everything should make sense! I was judging this movie wrong for so many years. Is Shosanna even an authentic French name? It doesn't even sound like an actual name for any nationality.

I have learned only recently is what "exploitation films" are as a genre. This film is supposed to feel like a B-movie. I realize this is what QT was emulating or paying tribute to, and even if I still find the execution clunky, I can appreciate it more now than I did when this movie was new.

The ending/resolution doesn't make any sense to me. Landa was a solid character and Christopher Waltz rightfully won numerous accolades for it but his motivation as the inflection point of the story is just puzzling. I have read threads on reddit which have different explanations for this and they make sense, but shouldn't the audience member figure out what a major plot point is without further research? Or was this a "Euro movie ending" Quentin was going for? I guess it was.

.............................

Brad Pitt was ok but not great. I think QT meant for him to be a caricature of a southern American military officer, just like Hitler was a caricature of himself.

Fassbender was fantastic. This might be his best performance in his career so far. Even if I don't speak German I could tell his accent was off which was a plot point in the movie. I think QT is a frickin' genius for incorporating this into the story. Having watched the Kill Bill movies recently, I learned Uma Thurman unexpectedly became pregnant while filming the movies, which inspired QT to rewrite the script and resulted it to being two movies. I think casting Fassbender as a bilingual Scotsman/Englishman, then realizing he can't authentically portray a Nazi spy was of the same motivation. But what Fassbender did seem like was an actual person from that era, he reminded me of Errol Flynn. I think Michael watched a lot of old timey cinema to get into the role.

And this again is why the film felt uneven, because the American actors seemed just like people you might get seated next to on a plane ride. I can buy Diana Kruger as a German actress double-agent from that time and place but not Eli Roth as a Jewish American born during the Great Depression. Adam Sandler was supposed to play him, which might've been better, if what the Nazi hunters were supposed to be were a bunch of dimwits who always had to trip over their feet to get the job done.

I 100% agree. The film is very uneven because QT is so bad on cohesive plots, that he has to make a mix mash of short stories and scenes. Inglorious Bastards has some very good scenes but it has nothing I would say comes across as a climax and resolution. I better director could have turned this into an epic film rather than a director jerking himself off. The premise is amazing. The execution was kind of lackluster. The opening and basement scenes were epic but the rest is very hum hum.


Who do I think would have been better to direct this script?

Guy Ritchie. This is a Guy Ritchie script if here was ever one. Over the top. Colorful characters. Gritty. Noir flavor.

Oliver Stone - I think this would have been interesting if done in the style of U-Turn or Natural Born Killers.
 
Last edited:
I 100% agree. The film is very uneven because QT is so bad on cohesive plots, that he has to make a mix mash of short stories and scenes. Inglorious Bastards has some very good scenes but it has nothing I would say comes across as a climax and resolution. I better director could have turned this into an epic film rather than a director jerking himself off. The premise is amazing. The execution was kind of lackluster. The opening and basement scenes were epic but the rest is very hum hum.


Who do I think would have been better to direct this script?

Guy Ritchie. This is a Guy Ritchie script if here was ever one. Over the top. Colorful characters. Gritty. Noir flavor.

Oliver Stone - I think this would have been interesting if done in the style of U-Turn or Natural Born Killers.

Brian DePalma stan here. QT is a way better writer than director. DePalma would have made anything QT writes into a better movie than what QT directs himself - except for maybe Pulp Fiction.
 
Last edited:
Some parts are great, others are just cringe.
first part with the nazi interrogator is phenomenal.
 
Yeah, he made it pretty clear that he was a good policeman/detective in his speech to Lapaditte in the opening scene. He didn't strike me as a dedicated Nazi ideologue but rather a good "hunter."

He also showed a very high level of confidence and self-admiration so him turning on the Nazi leadership for personal glory made sense.
I think you do see though he seems to really enjoy his anti-semtism at the start with Lapaditte, I think its just moreso that he loves it because it plays to his ego although honestly that was a lot of the appeal of fascism generally.

He just enjoys toying with people even when he's read them almost from the start, personally I think thats a lot of why he kills Von Hammersmark, he's going to betray nazi Germany himself BUT I think it just shows his psychopath monster coming out, he loved toying with peoples fear and the ultimate expression of that is strangling the biggest celebrity in Germany to death watching her face as he he does it.

His mistake at the end really I think is that he judges everyone by his own standards, he thinks he's offered Aldo a "good deal" where he gets to be a massive hero but doesnt realise Aldo cares much more about a sense of justice than he does that.
 
I haven't seen this one in a long while, but I remember how incredibly well shot it was. Left the theatre saying to my SO that you could pick any single frame from that entire movie and use it as a marketting still.
 
I think you do see though he seems to really enjoy his anti-semtism at the start with Lapaditte, I think its just moreso that he loves it because it plays to his ego although honestly that was a lot of the appeal of fascism generally.

He just enjoys toying with people even when he's read them almost from the start, personally I think thats a lot of why he kills Von Hammersmark, he's going to betray nazi Germany himself BUT I think it just shows his psychopath monster coming out, he loved toying with peoples fear and the ultimate expression of that is strangling the biggest celebrity in Germany to death watching her face as he he does it.

His mistake at the end really I think is that he judges everyone by his own standards, he thinks he's offered Aldo a "good deal" where he gets to be a massive hero but doesnt realise Aldo cares much more about a sense of justice than he does that.

Good points. He definitely showed a lot of psychopath/narcissist qualities. But I think this is another reason why he wasn't a Nazi ideologue. Narcissists are all about personal adulation and don't usually care for any group identity.

He also kinda suggested that he didn't buy into straight anti-Semitism while talking to Lapaditte. When describing Jews as rats he points out that they're unjustly, irrationally hated and that they're admirable in their ability to do anything to stay alive.
 
Like all QT movies the moment you really let it develop there is only surface nothing of substance
 
Don't let any of this distract you from the fact that Harvey Weinstein was an exec producer on this and likely ploughed every woman in it on the casting couch...
Diane Kruger might have been established enough to escape it but her career wasn't A level so probably not.

Food for thought.
 
He was an anti-Semite certainly, but Landa was driven by professional success and intellectual pride.

Here is an interesting video on Landa's motivations:

 
I didn’t care for most of Eli Roth’s performance, or his look. His hair was way too long for a soldier and he should have grown out his unibrow, the plucked brow and hair length feel anachronistic.
Didn’t think he had the intensity nor correct vibe for his baseball bat scene. I think Sandler would have done much better.

Also didn’t care to see Michael Myers’ stupid giddy face..
 
I didn’t care for most of Eli Roth’s performance, or his look. His hair was way too long for a soldier and he should have grown out his unibrow, the plucked brow and hair length feel anachronistic.
Didn’t think he had the intensity nor correct vibe for his baseball bat scene. I think Sandler would have done much better.

Also didn’t care to see Michael Myers’ stupid giddy face..
To me, the only memorable scene he had was when he screamed "fuck a duck", because the story meant for disbelief at that point.
 
He was an anti-Semite certainly, but Landa was driven by professional success and intellectual pride.

Here is an interesting video on Landa's motivations:


I think these are cool but hate the dull monotone voice. I can only take so much of that and these videos can be pretty long
 
He just enjoys toying with people even when he's read them almost from the start, personally I think thats a lot of why he kills Von Hammersmark, he's going to betray nazi Germany himself BUT I think it just shows his psychopath monster coming out, he loved toying with peoples fear and the ultimate expression of that is strangling the biggest celebrity in Germany to death watching her face as he he does it.
I always thought that he hated her because she really thought he'd be stupid enough to fall for her ruse.
 
Good points. He definitely showed a lot of psychopath/narcissist qualities. But I think this is another reason why he wasn't a Nazi ideologue. Narcissists are all about personal adulation and don't usually care for any group identity.

He also kinda suggested that he didn't buy into straight anti-Semitism while talking to Lapaditte. When describing Jews as rats he points out that they're unjustly, irrationally hated and that they're admirable in their ability to do anything to stay alive.
To me the opening seems almost worse, it shows that he's not just following the party line BUT he seems pretty dam anti-Semitic with the squirrel/rat comment and talk about "abandoning dignity", again seems like it feeds nicely into his psychopathy viewing Jews as weak lesser humans beneath him to be toyed with.
 


I liked this breakdown of the basement scene’s cinematic language.
 
Back
Top