CLOVERFIELD Sequel in the Works

Dragonlordxxxxx

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CLOVERFIELD Sequel in the Works with The Batman TV Spinoff Showrunner

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Cloverfield, the J. J. Abrams-produced horror hit released in 2008 that launched filmmaker Matt Reeves on the path of genre auteur, is getting a sequel.

Abrams’ Bad Robot banner and Paramount Pictures have tapped rising British scribe Joe Barton to pen the script for the project, which, unlike its predecessor, will not be in the found footage format, according to sources.

Abrams will produce along with Bad Robot head of film, Hannah Minghella. Reeves is not involved in the project.

Cloverfield was a monster movie, shot in the then-popular found footage style to reflect the growing ubiquity of video cameras. It followed a group of 20-something New Yorkers as they try to navigate the city during an attack by a giant monster. The movie was made under-the-radar and used a viral marketing campaign to tease out interest. The tactic worked: The movie, made for $25 million, had a massive opening weekend of $40 million and went on to gross $172 million worldwide.

It begat a "Cloverfield universe" which saw two more modestly-budgeted movies, 10 Cloverfield Lane and The Cloverfield Paradox, released in 2016 and 2018, respectively. Those movies were originally developed as separate movies but were folded under a Cloverfield banner tying them to a linked story with science fiction and monster themes. When Paradox disappointed critcally after being sold off to Netflix and with Abrams’ attention seemingly focused on his deal with WarnerMedia, it was presumed that the Cloverfield franchise was laid to rest. (But no brand in Hollywood ever truly dies, right?)

Details of the take are being kept hidden under Central Park.

Barton created and wrote the East-meets-West crime drama Giri/Haji BBC Two/Netflix. But he recently made headlines when he stepped in as showrunner for HBO Max’s Batman-themed Gotham City Police Department crime show after Terence Winter, the previous showrunner, departed over creative differences.

In the can for Barton is Invasion, an alien invasion movie that stars Riz Ahmed and Octavia Spencer that will debut on Amazon.

https://www.hollywoodreporter.com/h...s-with-batman-tv-spinoff-showrunner-exclusive
 
The biggest plus of the first one was the unexpected brilliance of it, including the ending. The camera work was one of the best parts of a really great movie.

Not sure how I feel about a sequel.
 
I hope they bring TJ Miller back for this one, they should do a Gorburger crossover
the-gorburger-show-2.jpg
 
Loved Cloverfield, especially Lizzy Caplan. I totally bought in to all the hype with the teasers and trying to figure out what the thing that splashed into the water was and rewatching the home videos for clues and shit. Turned out to be a bunch of nothing. Still would like a continuation, just because the monster seems unstoppable
 
I wish they'd put him in the Godzilla universe so Godzilla could push his shit in
 
I’ve enjoyed all the movies in this series, to varying degrees, so I will probably watch; though I must say, I’ve seen families on The Jerry Springer Show with a tighter connective bond than this supposed franchise. They really have absolutely jack shit to do with each other, it’s the most crass bullshit attempt at branding ever.
 
CLOVERFIELD Sequel in the Works with The Batman TV Spinoff Showrunner

q7E4NP8.jpg


Cloverfield, the J. J. Abrams-produced horror hit released in 2008 that launched filmmaker Matt Reeves on the path of genre auteur, is getting a sequel.

Abrams’ Bad Robot banner and Paramount Pictures have tapped rising British scribe Joe Barton to pen the script for the project, which, unlike its predecessor, will not be in the found footage format, according to sources.

Abrams will produce along with Bad Robot head of film, Hannah Minghella. Reeves is not involved in the project.

Cloverfield was a monster movie, shot in the then-popular found footage style to reflect the growing ubiquity of video cameras. It followed a group of 20-something New Yorkers as they try to navigate the city during an attack by a giant monster. The movie was made under-the-radar and used a viral marketing campaign to tease out interest. The tactic worked: The movie, made for $25 million, had a massive opening weekend of $40 million and went on to gross $172 million worldwide.

It begat a "Cloverfield universe" which saw two more modestly-budgeted movies, 10 Cloverfield Lane and The Cloverfield Paradox, released in 2016 and 2018, respectively. Those movies were originally developed as separate movies but were folded under a Cloverfield banner tying them to a linked story with science fiction and monster themes. When Paradox disappointed critcally after being sold off to Netflix and with Abrams’ attention seemingly focused on his deal with WarnerMedia, it was presumed that the Cloverfield franchise was laid to rest. (But no brand in Hollywood ever truly dies, right?)

Details of the take are being kept hidden under Central Park.

Barton created and wrote the East-meets-West crime drama Giri/Haji BBC Two/Netflix. But he recently made headlines when he stepped in as showrunner for HBO Max’s Batman-themed Gotham City Police Department crime show after Terence Winter, the previous showrunner, departed over creative differences.

In the can for Barton is Invasion, an alien invasion movie that stars Riz Ahmed and Octavia Spencer that will debut on Amazon.

https://www.hollywoodreporter.com/h...s-with-batman-tv-spinoff-showrunner-exclusive
I might be the only one that enjoyed all three films.

Bring it on.
 
CLOVERFIELD Sequel in the Works with The Batman TV Spinoff Showrunner

q7E4NP8.jpg


Cloverfield, the J. J. Abrams-produced horror hit released in 2008 that launched filmmaker Matt Reeves on the path of genre auteur, is getting a sequel.

Abrams’ Bad Robot banner and Paramount Pictures have tapped rising British scribe Joe Barton to pen the script for the project, which, unlike its predecessor, will not be in the found footage format, according to sources.

Abrams will produce along with Bad Robot head of film, Hannah Minghella. Reeves is not involved in the project.

Cloverfield was a monster movie, shot in the then-popular found footage style to reflect the growing ubiquity of video cameras. It followed a group of 20-something New Yorkers as they try to navigate the city during an attack by a giant monster. The movie was made under-the-radar and used a viral marketing campaign to tease out interest. The tactic worked: The movie, made for $25 million, had a massive opening weekend of $40 million and went on to gross $172 million worldwide.

It begat a "Cloverfield universe" which saw two more modestly-budgeted movies, 10 Cloverfield Lane and The Cloverfield Paradox, released in 2016 and 2018, respectively. Those movies were originally developed as separate movies but were folded under a Cloverfield banner tying them to a linked story with science fiction and monster themes. When Paradox disappointed critcally after being sold off to Netflix and with Abrams’ attention seemingly focused on his deal with WarnerMedia, it was presumed that the Cloverfield franchise was laid to rest. (But no brand in Hollywood ever truly dies, right?)

Details of the take are being kept hidden under Central Park.

Barton created and wrote the East-meets-West crime drama Giri/Haji BBC Two/Netflix. But he recently made headlines when he stepped in as showrunner for HBO Max’s Batman-themed Gotham City Police Department crime show after Terence Winter, the previous showrunner, departed over creative differences.

In the can for Barton is Invasion, an alien invasion movie that stars Riz Ahmed and Octavia Spencer that will debut on Amazon.

https://www.hollywoodreporter.com/h...s-with-batman-tv-spinoff-showrunner-exclusive
Now if we can an American Godzilla sequel in the works.

Or maybe have them fight.
 
I’ve enjoyed all the movies in this series, to varying degrees, so I will probably watch; though I must say, I’ve seen families on The Jerry Springer Show with a tighter connective bond than this supposed franchise. They really have absolutely jack shit to do with each other, it’s the most crass bullshit attempt at branding ever.
I’ve heard cloverfield paradox was bad. Should I watch it?
 
Don't you hate when Hollywood rushes a sequel out?

It's only been 13 years for Christ sake!
 
The biggest plus of the first one was the unexpected brilliance of it, including the ending. The camera work was one of the best parts of a really great movie.

Not sure how I feel about a sequel.
It was a decent idea but following around some dipshit 22 year olds and listening to their insipid conversation definitely hurt this movie.
 
Let them fight!

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That’s some wickedly pointed elbows, would not bang!
Seriously I am looking forward to the next one. I liked the first one in spite of not being a fan of the “found footage” genre. 10 Cloverfield Lane was a pleasant surprise, and the ending opened up some possibilities.
 
For real this time? Or another boring thriller with just the name cloverfield in it?
 
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