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- Jan 15, 2007
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Got around to watching it a little late and generally I'll say I'm very impressed, certainly a far better film than I always suspected it might be. In some ways I can see how that reputation spread as it does feel more like a Kubrick film sandwiched into a more conventional(but still very effective) one.
It does still hold for me that like other Kubricks the film isn't aiming at some very specific conspiracy theory style message but something less specific obviously linking into the lead characters stories. The various little odds and ends to me just seem like comments on the sex industry, the risk of HIV, dodgy foreign sex trafficking and entrapment, etc than pieces to a puzzle. I mean you look at the conclusion of the film and to me it almost seems like Kubrick having a bit of a pop at the more conspiratorial readings of his films relating it to Cruises fantasy to sooth his bruised ego.
What you could say I spose is that this theme maybe isn't the weightiest possible? its certainly very common but if you compare it to the obviously Kubrick inspired Birth also staring Kidman looking at suppressed grief that does hit harder for me. The gender politics in the pot argument could also maybe be viewed as rather simplistic but perhaps deliberately so? having them both high talking like potheads philosophising. For Kurbrick as well it does actually seem like quite a positive message, I mean "we need to fuck" can sound a little blunt but what comes before does paint it as more than that.
In terms of the mechanics of it Cruise wasn't actually called to THAT much I'd say although he delivered when needed and Kidman was excellent. The general look of the film was certainly interesting to see Kubrick trying to shoot so conventionally rather than his typically harsh minimalism. Certainly I think he showed a good deal of ability here although perhaps deliberately limiting himself to provide an obvious jump between the rest of the film as the manor scene more in his typical style. I did enjoy the way this wasn't too jarring in that you have a gradually ramping up and down of the visuals rather than jumping straight from one style to another.
Interesting to consider I spose what was viewed as "sexy" or not, the attempted seduction of Kidman I think was definitely filmed in that fashion obviously playing it relative to her disconnection to Cruise . A lot of the nudity such as the OD was obviously looking to have a bit of a knock at sexual obsession showing in an a very unsexy fashion. As far as the mansion goes the main thing that came to kind of be was how Helmut Newton influenced it was, look at his work(not on a work PC obviously) like Sie Kommen or a lot of the Big Nudes and there very much in this style IMHO. Interesting I spose what you think this means to how the scene is viewed because really to me it doesn't show the women as powerless but actually very powerful, more like dominatrix's than helpless slaves.
It does still hold for me that like other Kubricks the film isn't aiming at some very specific conspiracy theory style message but something less specific obviously linking into the lead characters stories. The various little odds and ends to me just seem like comments on the sex industry, the risk of HIV, dodgy foreign sex trafficking and entrapment, etc than pieces to a puzzle. I mean you look at the conclusion of the film and to me it almost seems like Kubrick having a bit of a pop at the more conspiratorial readings of his films relating it to Cruises fantasy to sooth his bruised ego.
What you could say I spose is that this theme maybe isn't the weightiest possible? its certainly very common but if you compare it to the obviously Kubrick inspired Birth also staring Kidman looking at suppressed grief that does hit harder for me. The gender politics in the pot argument could also maybe be viewed as rather simplistic but perhaps deliberately so? having them both high talking like potheads philosophising. For Kurbrick as well it does actually seem like quite a positive message, I mean "we need to fuck" can sound a little blunt but what comes before does paint it as more than that.
In terms of the mechanics of it Cruise wasn't actually called to THAT much I'd say although he delivered when needed and Kidman was excellent. The general look of the film was certainly interesting to see Kubrick trying to shoot so conventionally rather than his typically harsh minimalism. Certainly I think he showed a good deal of ability here although perhaps deliberately limiting himself to provide an obvious jump between the rest of the film as the manor scene more in his typical style. I did enjoy the way this wasn't too jarring in that you have a gradually ramping up and down of the visuals rather than jumping straight from one style to another.
Interesting to consider I spose what was viewed as "sexy" or not, the attempted seduction of Kidman I think was definitely filmed in that fashion obviously playing it relative to her disconnection to Cruise . A lot of the nudity such as the OD was obviously looking to have a bit of a knock at sexual obsession showing in an a very unsexy fashion. As far as the mansion goes the main thing that came to kind of be was how Helmut Newton influenced it was, look at his work(not on a work PC obviously) like Sie Kommen or a lot of the Big Nudes and there very much in this style IMHO. Interesting I spose what you think this means to how the scene is viewed because really to me it doesn't show the women as powerless but actually very powerful, more like dominatrix's than helpless slaves.