Let's talk about David Fincher

Trainspotting, 28 Days Later, Sunshine, Slumdog, Trance - the guy is so versatile it's almost insane. His use of music is second to none. I don't think anyone builds up to magic movie moments quite like Boyle does. He deserved an oscar nom for Steve Jobs, but whatevs the oscars are a fkn sham anyway.

Out of that list in your first sentence I've seen 28 Days Later, Slumdog and Sunshine and honestly I wasn't overly impressed with any of them. I mean, don't get me wrong, I'm not saying they're BAD movies. But they just didn't have that special something that really holds my attention.

I agree about Steve Jobs, though. Definitely one of the best movies of the year and should've been nominated. I would put it ahead of every single Best Picture nominee that I've seen, which would include The Big Short, Mad Max, The Martian and Spotlight.
 
Out of that list in your first sentence I've seen 28 Days Later, Slumdog and Sunshine and honestly I wasn't overly impressed with any of them. I mean, don't get me wrong, I'm not saying they're BAD movies. But they just didn't have that special something that really holds my attention.

I agree about Steve Jobs, though. Definitely one of the best movies of the year and should've been nominated. I would put it ahead of every single Best Picture nominee that I've seen, which would include The Big Short, Mad Max, The Martian and Spotlight.
Maybe his style just doesn't jive with your personal taste. Regardless, Trainspotting is requisite watching. You can't be a movie fan and not watch it. Trance is also very underrated. Super trippy. Plus u see Rosario Dawson's hooha.
 
Fincher is fucking awesome,My faves in order;

The Game
Se7en
Fight Club
Gone Girl
Zodiac
Social Network

I can sit and watch them all back to back without getting bored.
 
Well, Se7en was good. Don't know anything about the man.
 
David Fincher is one of the great stylistic directors of the last few decades. His films are generally very dark, with an almost sanitized industrial look to them. Like Silence of the Lambs before it, Se7en (1995) was extremely influential on the serial killer movies of the preceding decade. I would go so far as to say that Saw, and by extension, the rest of the torture porn genre wouldn't have existed without it.

Fight Club (1999) was also an extremely influential movie on the following decade. That movie, along with the matrix carved out a look and a style that movies would imitate for years to come. Dark, ruinous, city-scapes populated by meticulously groomed miscreants in expensive leather and sunglasses; Like robbing an empty mall at night and taking the most stylish and expensive items. While I don't think Fight Club holds up on a story level (stupid twist-ending, dumb philosophy that seemed invented by a twelve year old), this can't really be blamed on Fincher because it's based on a Chuck Palinuck book. However, it's the imagery of the movie that really stands out. It's probably one of the best movies to look to for a an example of turn of the century American cinema. Also, Brad Pitt and Edward Norton really excel in their roles despite the inherent ridiculousness of their situation.

Being someone who finished middle school around the same time that Fight Club came out, I can attest that it was one of the most popular high school movies to like, and in many ways, the themes he explores in those early movies really resonated with me. The turn of the century was a time of technological boom and financial excess with an undercurrent of existential dread. The internet was still new and scary, and watching his movies always remind me of those times.


I endorse this. Silence of the Lambs and Se7en are both classics I will still watch once a year.

http://forums.sherdog.com/threads/se7en-1995-movie-discussion.3142623/
 
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Good director, visually non-adventurous. All his films look similar. Reminds me of the drab look of early Cronenberg, but Cronenberg had more variety in that period and didn't so much rely on the same color palettes as he just used similar tools and locations throughout his early career.
I also never get the feeling he's straying from his specific style.
 
Good director, visually non-adventurous. All his films look similar. Reminds me of the drab look of early Cronenberg, but Cronenberg had more variety in that period and didn't so much rely on the same color palettes as he just used similar tools and locations throughout his early career.
I also never get the feeling he's straying from his specific style.

Oddly enough, the most unique visual style he brought, in my opinion, is the film where he had the least control - Alien 3 - where everything seemed to be shot from a fairly low angle.

Same drained colors we saw in movies like Seven, but I don't know if I've seen any movie shot so consistently with the camera that low.
 
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Out of that list in your first sentence I've seen 28 Days Later, Slumdog and Sunshine and honestly I wasn't overly impressed with any of them. I mean, don't get me wrong, I'm not saying they're BAD movies. But they just didn't have that special something that really holds my attention.

I agree about Steve Jobs, though. Definitely one of the best movies of the year and should've been nominated. I would put it ahead of every single Best Picture nominee that I've seen, which would include The Big Short, Mad Max, The Martian and Spotlight.

I thought 28 Days Later was a masterpiece. He shot that movie mainly with consumer grade cameras - real pieces of crap by professional standards - but just through ingenuity managed to make a movie that created a billion dollar zombie industry.

Before 28 Days Later (and I guess the Dawn of the Dead remake), zombies were more tired and played out than Batman was after George Clooney's bat nipples. Now, if I throw a rock, chances are, I will hit a zombie movie.
 
I agree, an amazing director who makes nothing less than very good films.
Alien 3 being the exception.

Se7en is probably my favourite film of all time.
 
Trainspotting, 28 Days Later, Sunshine, Slumdog, Trance - the guy is so versatile it's almost insane. His use of music is second to none. I don't think anyone builds up to magic movie moments quite like Boyle does. He deserved an oscar nom for Steve Jobs, but whatevs the oscars are a fkn sham anyway.

The Beach is underrated imo too.

And Boyle and all the original cast are working on Trainspotting 2. I'm definitely seeing that.
 
The Beach is underrated imo too.

And Boyle and all the original cast are working on Trainspotting 2. I'm definitely seeing that.
Sho is. This scene makes you want to take a fly honey out to a hidden Thai island, do a bunch of drugs, then have sex in the ocean surrounded by bioluminscent plankton.

 
Loved both Tattoos. Swedish actor was ugly though. Good actor though
 
I thought 28 Days Later was a masterpiece. He shot that movie mainly with consumer grade cameras - real pieces of crap by professional standards - but just through ingenuity managed to make a movie that created a billion dollar zombie industry.

Before 28 Days Later (and I guess the Dawn of the Dead remake), zombies were more tired and played out than Batman was after George Clooney's bat nipples. Now, if I throw a rock, chances are, I will hit a zombie movie.
It really is a historic film in that it was one of the first commercial releases that was shot purely on digital. My favorite zombie movie by far.
 
That's funny you say that. When I first heard that he was making a movie about Facebook, I THOUGHT it would be pointless. But then when I saw it, and found out it was really about all this conflict surrounding Zuckberg, I realized what an interesting story there was there. In fact, I thought it was so interesting that after seeing the movie I read the book it was based on (The Accidental Billionaires).

Yeah I loved that movie. I didn't watch it for a while because I figured it would be stupid but I fell in love with that movie right from the beginning. Great opening scene and dialogue.
 
Zodiac is great, Alien 3 lol(even with all the backstory and rewrites that Fincher had to endure).
 
Oh yeah and a hearty LOL @ Boyle, mostly all rubbish besides the 1st half of 28 days later, once they get to the military compound it gets almost as bad as Walking Dead.
 
I thought 28 Days Later was a masterpiece. He shot that movie mainly with consumer grade cameras - real pieces of crap by professional standards - but just through ingenuity managed to make a movie that created a billion dollar zombie industry.

Before 28 Days Later (and I guess the Dawn of the Dead remake), zombies were more tired and played out than Batman was after George Clooney's bat nipples. Now, if I throw a rock, chances are, I will hit a zombie movie.


Like I said before, I'm not saying any of Boyle's movies are BAD movies, just that they don't tend to do much for ME for some reason. As for 28 Days later, I saw it when it came out and I thought it was good and interesting, but for whatever reason not good and interesting in a way that's ever made me want to revisit it.

A lot of it, really, probably has to do with the fact that zombies are just not very interesting to me. In fact, the only zombie movies that, off the top of my head, I can think of that I'd have any interest in watching again are the Dawn of the Dead remake and Shaun of the Dead. Even at their peak I was pretty much not giving a shit about the zombie genre and now that it's way past played out, I actively avoid all that shit.

In fact, for me the most interesting thing about 28 Days later is, as you mentioned, it was shot on MiniDV cameras. Especially as an aspiring filmmaker at the time, this was pretty inspirational for me. Though you exaggerate slightly in saying they were "consumer grade" cameras, like it was shot on something you'd buy at Walmart for $400. It was shot on the Canon XL-1, which if I remember right was over $2000 at the time.



canon-xl1_3_LRG.jpg
 
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