Movies Christopher Nolan's THE ODYSSEY (First Blockbuster Movie Shot Entirely on IMAX Film Cameras, post #127)

Ugh, Tom Holland and Zendaya? Keep these annoying new "it" kids out of Nolan's movies. And no way he's making a vampire period piece. That's the kind of bullshit that a secretive dude like him would use as cover for whatever he's really making.
what do you think it could be?

I am a Stan for Greek mythos stuff and the Odyssey is a great setting for a science fiction type movie

a stupid war that coats both ides too much and the lower soldiers get screwed over and their journey back changes them forever. they return to their homeland changed people in a place that is different from when they left .

and I will say TH is not a terrible casting for a?Ulysses type a crafty intelligent general overshadowed by larger heros but survives and thrives due to luck and strategy and has to step up after all he bad shit happens
 
At cost of being repetitive, Odyssey is about bunch of greeks sailing for years under the mediterranean sun
V
Everybody is a northern looking pale fuck <lol>


Then the only not pale will be 50cent or something lol
 
Update: May 15, 2025

Christopher Nolan's THE ODYSSEY is the First Blockbuster Movie To Be Shot Entirely on Imax Film Cameras

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Christopher Nolan‘s The Odyssey, the Oppenheimer director’s epic take on the classic Greek myth, will shoot entirely on Imax film cameras, a first for a commercial feature.

Nolan is a fan of the big-screen format, which he’s used on Dunkirk, Interstellar, the Dark Knight movies and Tenet, as well as extensively on Oppenheimer. But shooting an entire feature film on the famously big, loud and unwieldy Imax film cameras (unlike the lighter, quieter digital Imax cameras, used in recent films such as Thunderbolts* and the upcoming Superman) was unworkable.

Until now.

After the success of Oppenheimer, which earned more than $190 million on Imax screens, some 20 percent of its total gross, Nolan challenged the company to improve its cameras, to make them lighter and quieter, and to solve issues with scanning and processing the cameras’ 70 mm film stock, to allow him to easily watch dailies as he shot.

“Chris called me up and said, ‘If you can figure out how to solve the problems, I will make [Odyssey] 100 percent in Imax.’ And that’s what we’re doing,” said Imax CEO Rich Gelfond, speaking at the company’s annual press lunch in Cannes on Thursday. “He forced us to rethink that side of our business, our film recorders, our film cameras.”

The new Imax cameras are reportedly 30 percent quieter — so those infamous muffled dialogue scenes in Nolan films could be a thing of the past — and substantially lighter. Gelfond said new film scanning and processing techniques will allow a faster turnaround for dailies.

The new film cameras are reserved for Nolan for now, but after he wraps The Odyssey, Imax will begin renting them out to other directors.

There should be plenty of demand. Gelfond talked up the “record number” of films releasing in 2025 that shot at least some scenes with Imax cameras or “filmed for Imax” using Imax-approved cameras, including Ryan Coogler’s Sinners, Tom Cruise starrer Mission: Impossible – The Final Reckoning, which had its Imax debut in Cannes on Wednesday night, and Joseph Kosinski’s upcoming racing movie Formula One, starring Brad Pitt.

Narnia, Greta Gerwig’s upcoming fantasy film, will be shot for Imax, though Gelford said it was not yet clear if the Barbie director would be using Imax cameras for some of the scenes. Netflix has signed a global deal with Imax, giving them a 28-day exclusive theatrical window for Narnia before the film is released on the streamer.

 
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