But it is still a pretty strong anecdote. I see no reason not to believe her. The only question is: what does it tell us? Literature agents really have no interest in being sexist as they typically will be driven by money. If they believe something sells, they will try to get the stuff published.
In this case, as I said before, my guess would be that the gender / genre combination seemed wrong or difficult to place. Like a male 50 Shades of Grey. Yes, that is also a sexist way of looking at things, but it would not be inherently sexism but money that is the driving factor.
Sorry, I meant that one should be skeptical of this telling us anything of importance, not skeptical of the truth of the story. I have no reason to think the woman is lying, I just don't think she's discovered anything of relevance.
I cannot remember if she mentions what her book's about but, as you say, the importance of her gender (if any) may only have been in how it aligns with her target audience, or the content of the book itself. But even that is probably giving this story too much significance.
I don't know if it's a strong anecdote or not, and don't want to get into a debate about that. At the end of the day not only does it make for a bad study on gender bias in publishing, but if this were coming from a friend of mine, aspiring to be a writer, I'd **** an eyebrow at the actual implications of the tale.
This was her second novel. Her first had failed to make the agency runs and the doubts about her ability as a writer, something she had obviously staked a lot of her own worth on, were setting in. Not only that, but while she is waiting for the response from her prospective agents (no doubt, bracing herself for rejection) she's reading studies on unconscious bias and seeking to apply those studies to her own experiences. Unconscious bias indeed.
She's performing her experiment while having a personal, vested interest in the results of that experiment.
She even tells us how agents obviously have more faith in her male alter ego's ability to write a novel as "
big" as the one she is writing.
By the end of her story, she lets us know that she stopped sending out queries, edited her work (generally this is the best first step in dealing with rejection... not trying to figure out what everyone else is doing wrong) and had success finding representation.
The best part of it all is that her current agent
sought her out based on another piece of her writing altogether - one that was published under her own name. If she was sought out by an agent (not at all common) for something she published under the name "Catherine" and she came out of the experience thinking that agents are sexist, she's safe to ignore.
She is also vague on how long she continued her experiment after she gathered her numbers. She mentions that there is an overlap between the agents her male and female alter egos approached. Surely she wasn't trying to approach the same agents with the same story, written by two different people?
I would also be curious as to how she scouts out the agents she approaches, something she makes no mention of. She sent fifty queries as herself, and fifty as George. Why didn't she send out 100 queries all as herself in the first place? Did she dig up the fifty 'George' queries quickly, skimming a database of agents in the relevant genre and mailing the ones with the most interesting names? If so, maybe she's just very bad at placing her work with agents and so the group she picked at random gave her better odds of success than the ones she filtered herself.
That would fit with her first novel's failure, and her eventual representation by someone that had to actively seek her out.
There are simply too many things we don't know, and speculation wouldn't tell us anything. The author's clear subjectivity makes her anecdote of limited significance.