1931's Dracula -- True cinematic masterpiece or overrated wasted opportunity?

G

Guestx

Guest
First off, I guess for anyone who needs it: SPOILER WARNING for an 85 year old film.

So last night I watched Dracula for the first time. Not the recent one with Luke Evans, but the famed 1931 version with Bela Lugosi. And I have to say, even taking into account the time in which it was made, it really is not a great film.

Admittedly, it came about during a weird time in Hollywood's history where they were transitioning away from silent films and toward talkies. And that no doubt accounts for some of the stylistic considerations, because the movie very much comes across, instead of as a movie truly from the sound era, as a silent film that just happened to have spoken dialogue. This reality is especially driven home by the fact that there is no score. Just no music anywhere beyond the opening credits.

But here's the thing: There were other movies made right around this time period, or just before or after, that were great films and told stories well. This just isn't really one of them.

The nuances of the plot are somewhat difficult to comprehend at times and, more egregiously, things that should happen on screen do not. We are often told about events happening but only occasionally actually shown them happening. Furthermore, the characterization of Dracula himself is really quite weak. I get that he's supposed to be dark and mysterious, but they could've done a much better job of building him up and letting us know who he is and why he does what he does.

It's not all negative, though. On the plus side, the movie is pretty gorgeously designed. I really appreciated the sets and matte paintings that were used to bring the world to life. And the performances themselves are quite good, especially Dwight Frye as Renfield.

One thing that's interesting is that apparently a Spanish-language version of the film was shot concurrently with the English-language version. The English-language actors and crew would shoot during the day and the Spanish-language actors and crew would use the sets during the night. The Spanish-language version is about 30 minutes longer and I've heard that it's superior overall.

So yeah, Dracula. Anyone seen it? Care to offer thoughts?


dracula.jpg
 
Last edited by a moderator:
I think you know what I have to say about it.

330px-Rashomon_poster_2.jpg
 
I haven't seen it for a very long time but I preferred the silent film Nosferatu from the 1920s by a fair margin.
 
I think you know what I have to say about it.

330px-Rashomon_poster_2.jpg


LOLLLLLL!!!

Hey man, I said a fortnight. This one's on my WATCH REALLY SOON list, I just got a few in the queue (due to a stack of DVDs I checked out from the library) ahead of it.
 
It's all about the Christopher lee dracula movies

Can I get a hell yeah?
 
It's been a long time since I've seen it, but I didn't like it very much. Frankenstein made the same year by the same studio is an all time favorite so I was excited to watch the other classic Universal monster movies, and Dracula completely killed my enthusiasm. I still haven't watched The Mummy or The Wolfman.

Bela Lugosi may be some kind of horror/b-movie legend, but I don't think he was a very good actor. There were a few effectively creepy set designs but that's all the positives I can remember.

@shadow_priest_x you must know a thing or two about Pre-Code Hollywood right?

edit: oh yeah, as Bisexual said, even though Nosferatu was an unauthorized adaptation of the Dracula novel, that was successfully sued by Bram Stoker's widow, it's a much better film than the actual authorized adaptation.

And since we've been introduced to Herzog and in the SMC, I guess I'll mention that Herzog and Klaus Kinski remade Nosferatu in the late 70s, which I thought was very good.
 
Last edited:
LOLLLLLL!!!

Hey man, I said a fortnight. This one's on my WATCH REALLY SOON list, I just got a few in the queue (due to a stack of DVDs I checked out from the library) ahead of it.

I will say this. I can appreciate some old films. They had to rely more on the fundamentals of making film, like a great script, and great dialogue, and great settings and angles because they don't have all this modern equipment and technology. Thing is though, Gary Oldman's Dracula was magnificent IMO. The dude oozed evil for that role.

th

th
 
It's been a long time since I've seen it, but I didn't like it very much. Frankenstein made the same year by the same studio is an all time favorite so I was excited to watch the other classic Universal monster movies, and Dracula completely killed my enthusiasm. I still haven't watched The Mummy or The Wolfman.

I've heard The Wolfman is good. I have only seen Dracula, Frankenstein and Bride of Frankenstein. Of those three, Bride has to be my favorite.


Bela Lugosi may be some kind of horror/b-movie legend, but I don't think he was a very good actor. There were a very effectively creepy set designs but that's all the positives I can remember.

Production design and Renfield are the two positives that I can really point to. And I thought Lugosi was okay, even if it seemed like he didn't really have much to work with. He at least had the look and a cool accent. But beyond that, honestly, the film is a bunch of meh.


@shadow_priest_x you must know a thing or two about Pre-Code Hollywood right?

Yeah, which brings up an interesting question. Technically the Hays Code went into effect in 1930, but according to my understanding it wasn't really eagerly enforced until around 1934. So were some of the stylistic choices here--Dracula never shown actually biting anyone, Dracula's death happening off screen--the result of the Hays Code? Or just poor choices?
 
I will say this. I can appreciate some old films. They had to rely more on the fundamentals of making film, like a great script, and great dialogue, and great settings and angles because they don't have all this modern equipment and technology. Thing is though, Gary Oldman's Dracula was magnificent IMO. The dude oozed evil for that role.

th

th


I've only seen clips from this one. Never actually sat down and watched it.

I should probably give it a look soon. And since we're on the topic of modern adaptations of classic horror tales, I also want to check out Kenneth Branagh's version of Frankenstein.
 
That is a suprisingly common opinion, actually.

You're still wrong though.:p


I'm going to say this. A person's opinion of Dracula 1931 dependent entirely on how much the word "dreamlike" appeals to them. Everything about the film, the thick atmosphere, the noiselessness, the serene pacing, the spare characterization, the "special effects" done entirely through suggestion and film-language (like the mind-control or transformation). Everything about this movie is about lulling you into a dormant, dreamy state-of-mind. You are not supposed to be "alert" while watching it, you are not suppose to watch it like a normal film. You are supposed to allow it to sucker you into it's world, and when your mind is in that state, it's quite mesmerizing.

Admittedly, it came about during a weird time in Hollywood's history where they were transitioning away from silent films and toward talkies. And that no doubt accounts for some of the stylistic considerations, because the movie very much comes across, instead of as a movie truly from the sound era, as a silent film that just happened to have spoken dialogue. This reality is especially driven home by the fact that there is no score. Just no music anywhere beyond the opening credits.

I would also like to point out that the movie was considered very erotic, which is obviously completely lost on modern viewing. Bela got quite a few ladies to swoon in his day.


But here's the thing: There were other movies made right around this time period, or just before or after, that were great films and told stories well. This just isn't really one of them.

So... what are your favorite 30's movies?

It's all about the Christopher lee dracula movies

Can I get a hell yeah?

Sexual-predator Dracula is the best Dracula!:D


Bela Lugosi may be some kind of horror/b-movie legend, but I don't think he was a very good actor. There were a very effectively creepy set designs but that's all the positives I can remember.

What the hell are you talking about? He was absolutely superb in Ed Wood!:p

But yeah, while I personally think he fit-like-a-glove in Dracula, Lugosi's thespian qualities weren't very extensive at all.
 
Last edited:
First off, I guess for anyone who needs it: SPOILER WARNING for an 85 year old film.

So last night I watched Dracula for the first time. Not the recent one with Luke Evans, but the famed 1931 version with Bela Lugosi. And I have to say, even taking into account the time in which it was made, it really is not a great film.

Admittedly, it came about during a weird time in Hollywood's history where they were transitioning away from silent films and toward talkies. And that no doubt accounts for some of the stylistic considerations, because the movie very much comes across, instead of as a movie truly from the sound era, as a silent film that just happened to have spoken dialogue. This reality is especially driven home by the fact that there is no score. Just no music anywhere beyond the opening credits.

But here's the thing: There were other movies made right around this time period, or just before or after, that were great films and told stories well. This just isn't really one of them.

The nuances of the plot are somewhat difficult to comprehend at times and, more egregiously, things that should happen on screen do not. We are often told about events happening but only occasionally actually shown them happening. Furthermore, the characterization of Dracula himself is really quite weak. I get that he's supposed to be dark and mysterious, but they could've done a much better job of building him up and letting us know who he is and why he does what he does.

It's not all negative, though. On the plus side, the movie is pretty gorgeously designed. I really appreciated the sets and matte paintings that were used to bring the world to life. And the performances themselves are quite good, especially Dwight Frye as Renfield.

One thing that's interesting is that apparently a Spanish-language version of the film was shot concurrently with the English-language version. The English-language actors and crew would shoot during the day and the Spanish-language actors and crew would use the sets during the night. The Spanish-language version is about 30 minutes longer and I've heard that it's superior overall.

So yeah, Dracula. Anyone seen it? Care to offer thoughts?


Dracula1931poster.jpg

Just thinking about this because you mention the spanish version -- gilbert gotfried amazing podcast talks about old movies and talked about dracula with the spanish stuff


Anyway, i am throwing up Byzantium as best vampire movie followed by fright night

I still haven't seen this movie though, the monster movies from this era don't really interest me

oh, and The Night Flyer is a great vampire movie with Richard Deez
 

Props for picking something from his Italian ventures;)

I also want to check out Kenneth Branagh's version of Frankenstein.

TheRutlessOne speaks the truth. But it's worth saying again. The movie is garbage.

I've only seen clips from this one. Never actually sat down and watched it.

It's Coppula having fun with the craft of film. If camera-trickery is of any interest to you then you'll love it. More craft than story though, and some of the performances is so flat that even I'm bothered by them.




I haven't seen it for a very long time but I preferred the silent film Nosferatu from the 1920s by a fair margin.

While the "horror" stuff in Nosferatu is absolutely superb. A lot of it is also feels very clumpy today. Like the hilariously extent to which the film goes about explaining about vampires (and how obvious it is that Orloc is one). And a lot of the Germany stuff isn't that good either, especially the chase when it fast-forwards, just doesn't work.
 
Last edited:
Yeah, which brings up an interesting question. Technically the Hays Code went into effect in 1930, but according to my understanding it wasn't really eagerly enforced until around 1934. So were some of the stylistic choices here--Dracula never shown actually biting anyone, Dracula's death happening off screen--the result of the Hays Code? Or just poor choices?
My guess is that the filmmakers made the decision not to push the envelope as much as they could have. It may have something to do with the immense controversy from a previous film by Tod Browning, Freaks.

I'm going to say this. A person's opinion of Dracula 1931 dependent entirely on how much the word "dreamlike" appeals to them. Everything about the film, the thick atmosphere, the noiselessness, the serene pacing, the spare characterization, the "special effects" done entirely through suggestion and film-language (like the mind-control or transformation). Everything about this movie is about lulling you into a dormant, dreamy state-of-mind. You are not supposed to be "alert" while watching it, you are not suppose to watch it like a normal film. You are supposed to allow it to sucker you into it's world, and when your mind is in that state, it's quite mesmerizing.
Interesting. I'll keep this mind for when I give it another watch.
So... what are your favorite 30's movies?
If I may answer a question not directed at me...

In no order

City Lights
Frankenstein
Freaks
The Old Dark House
Trouble in Paradise
Vampyr
Baby Face
L'Atalante
Snow White and the Seven Dwarfs
The Adventures of Robin Hood
Alexander Nevsky
Stagecoach
What the hell are you talking about? He was absolutely superb in Ed Wood!:p
tumblr_inline_mtakv3s0bt1qzahfh.gif

Byzantium as best vampire movie
tumblr_mntiolhySW1snpc3lo4_r1_500.gif
 
This is a suprisingly common opinion, actually.

You're still wrong though.:p

Yes, I searched for "Dracula 1931 overrated" and came up with a treasure trove of material.


I'm going to say this. A person's opinion of Dracula 1931 dependent entirely on how much the word "dreamlike" appeals to them. Everything about the film, the thick atmosphere, the noiselessness, the serene pacing, the spare characterization, the "special effects" done entirely through suggestion and film-language (like the mind-control or transformation). Everything about this movie is about lulling you into a dormant, dreamy state-of-mind. You are not supposed to be "alert" while watching it, you are not suppose to watch it like a normal film. You are supposed to allow it to sucker you into it's world, and when your mind is in that state, it's quite mesmerizing

Frankly, this sounds more like your own thoughts on the film rather than what the director intended. Also, it sounds like you're saying the film is better watched after you've reached a certain level of intoxication.

I thought the film could've benefited greatly from some better camera work and editing. Shots that really should've started wide and then cut to something closer up are just shot wide. You can really tell that it was adapted from a stage play because it was also largely shot like one as well.


So... what are your favorite 30's movies?

I was fine with Frankenstein, which was made the same year. And I like Bride of Frankenstein quite a bit, which was made just a few years later. Lately I've also been watching some of the Warner Oland Charlie Chan movies from the 30s.

I'd say everything I listed there is B-level entertainment, made on somewhat similar budgets and also aimed at the same audiences, and I'd also say it's all better than Dracula.
 
Back
Top