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Sounds pretty good to me. Definitely hear where Petrucci got a lot of stuff from. Impressive technique for the time period, but I don't think he'd hold up to what's propped up since in shred.
Holdsworth is more ''transcendental'' than he is a virtuoso. It just so happened that his instrument was the guitar. If you ask me, that's why I don't listen to shred anymore. A lot of it is just solving the problems of the instrument. Many things like arpeggios or scalar passages are trivial on a different instrument (like the piano) but if you can sweep or slant pick you can be a ''god,'' or at least that used to be the case. Any serious pianist is expected to be able to do this
If it's not that the music is so wonderful, but it's just that it's particularly challenging on that instrument I just didn't see the point in listening to it anymore. For example, I don't listen to this piece anymore either lol