1. I wish
@chickenluver didn't leave the club so that I could have someone my own age to talk to
2. James Spader in this movie has about the same relationship to his leather jacket as Ryan Gosling has to his jacket in Drive.
3. Kim Richards is a babe. She consist of about 50% hair. She's a former child actor. She's the pigtails girl whom gets shoot and killed in the beginning of Assult on Precient 13. I guess doing that kind of shit will traumatizing you into growing up an making Tuff Turf.
4. This is such a cool -- if cheesy -- way of introducing the films theme. Spader has this poster of Albert Einstein on the wall. Obviously, the quote refeers to himself, feeling that he is of lofty potential yet facing opposition from those who cannot understand him (through violence with the Paul Mones or a lack of understanding from his mother). As the film begins, cochroaches are crawling over Einstein's visage. This communicates the theme of the film -- Spader is Einstein and the coachroaches are the vermin (Mones and his friends) trying to destroy him and sully his soul. Spader shoots them with his dart gun -- just as he dart-guns one of Mones henchmen in the face at the ending of the film.
I kind of think this theme got lost a little bit in the whole lovestory drama. The film also ambles into a class-drama -- but doesn't really expand upon it or integrate it into the whole Spader learning to become whom he wants to be theme. That's a thing I think the film could have done better. Like, maybe if Spader realized more that Kim Richards had grown up facing challanges that he never faced growing up with riches. You know, broaden his horizon and all that. Instead it leans more on the "tough to be rich" angle. Speaking off...
6. This is just a minor, general tidbit. But I've always found it hilarious how in American movies people are presented as poor or down-on-their-luck yet still living in freaking houses. Spader's dad now works as a cab driver yet their house has a freaking front lawn! And this is supposed to be a tough neighborhood! I know that basic housing-designs are very different in America -- with the abundance of land and all that -- but it always just seemed so hilarious to me. You'd be considered loaded if you had that where I'm from. Yet in movies like this they threat it like they're living in the projects or something.
7. This is a really, really fun film. Especially the first half. The second half tries to play it more as a serious drama which abandons it's characteristic strenghts. Plus some of the plotpoints don't really pan out.
It works so wonderfully because it unblinkingly plays into 80's-excess. The clothes are outlandish. The parties are over-the-top. Live-band playing is in a boom period. The conflicts are outlandish. Peoples actions and mannerims are not-quite theatric but something akin to it. The movie almost feels like it exists in an realm of unreality. It's one of those movies that feels like it takes place in a parallell universe that's very similar to ours but is different in some strange, iconic manners. I love films that do that. It really is a cumulative effect that creates a specific, charming ambiance.
8. Paul Mones coerces Kim Richard's into marrying him? And her pops makes the decision for her? What is this -- a chivalric epic romance?
9. Something about James Spader's voice makes him feel a lot older than he is.
10. Even the "crash the country club" scene is good in this movie. Those can be so cringy -- but here it was geniunelly charming. Again, it's playing in that realm of unreality which makes cringy shit like that work.
This would make an excellent double-feature with
Streets of Fire.
Classical child-actor burnout, maybe?