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FORESHADOWING!!!
Slater with the Kubrick Stare!
I didn't get much of a Nicholson impression from Slater. I'm not sure who he reminds me of actually. There is this nasal quality to the way he talks and pronounces things.
I think that is done to emphazise the monotony of Veronica's world -- as well as it being self-perpetuating (one Heather replacing the next).
So... Heather number one had a lot more depth than people gave her credit for?
That was a bit weird. Firstly, the very concept of a tranquilizer-bullet that causes blood is quite outlandish to begin with. I suppose we are to intone that Veronica is so unfamiliar with firearms that she would belive that in the first place. Also, it's a weird lie from Slater. What if they don't die instantaniously? His cover would be blown right there and then.
Yeah her being a psychopath like JD is just hogwash. There is a bit of disparity in just how mellow she seems towards the deaths (even after learning that they were not accedental). However, the very film is about her rejecting the sort of nilisistic psychopathy that JD represents -- acting more humanistic at the films end.
That's one of those lines that I want to use some day.
I think that's how I'll explain the dissaperance of the next two members that'll quit the Movie Club.
That was really funny. I think the funniest part though was when the cops found the miniral water and went like "yep, gay suicides."
Eh, you still find gay jokes in modern cinema.
And it's not like those two guys were supposed to be sympathetic. They were the villians after all. It's different from one of those comedy films where it's the protagonists who engage in the "eww, gay," scenes
Mostly I thought about how they used this style of center-framing in the Master shoots.
One character dominating the middle and other characters at their flanks. The film used it at several points to establish their master shoots. I'm sure this technique has a name I just can't recall what it is.
While most of framing was fairly unflashy -- they design was not. Those are some gaudy, techno-color clothing.
What do you mean? I'm not all-to-familiar with framing termonology. Is it that her face isn't centered? I actually tend to like that kind of framing. It brings more attention to the body than the face.
Plenty of people did that back in the day as well -- so it was a hindrance back then as well.
Well -- since I can only post on Saturdays these days -- most of the things I've talked about saying have already been said by other posters. And I feel it's a bit tedious to just repeat what others have said. So I'll end up having a lot less to write.
But with the_muntjac incapicitated I'll have to do a lot more heavy lifting
Well she's still a kid. Kids change a lot through the years. Especially when it comes to confidence. A lot of kids give up a lot to be popular -- only to find said populairty tedious and unfufilling later in life.
How loaded must your parents be to have a croquet court set up in the backyard? Surrounded by classical statues and shit?
Well, there is a difference between believing in Heaven and following the logical conclusions of said belief. They have faith in that they'll end up in heaven, but not enough faith so that it overpowers the concerns they have in the here and now.
Well, from a theological perspective, it is abundantly clear in Christian dogma that life is meant to be lived. You're supposed to go through life in grace. If you're trying to "game" the situation that way -- being all meta about it -- then you're kind of missing the point, that life is meant to be lived.
The end-goal of life isn't about going to heaven (or sending other people there) -- it's about living a good, just life. Shit that's like the entire point of the Book of Job. It is not correct to be good just because God will reward you -- you are supposed to be good because being good is a virtue in-and-of-itself.
* Daniel Waters originally wanted Stanley Kubrick to direct, citing that "He's the only one that can get away with a 3 hour movie."
Slater with the Kubrick Stare!
* Christian Slater has stated that his performance was heavily inspired by Jack Nicholson. He claims that he wrote a letter to Nicholson asking him to watch the film but did not receive an answer.
I didn't get much of a Nicholson impression from Slater. I'm not sure who he reminds me of actually. There is this nasal quality to the way he talks and pronounces things.
For example, when Veronica is talking with her parents outside, she has some pate, tells her father he is an idiot, then says I gotta motor if I'm going to make it to that party. Later in the film she has some pate, tells her father he is an idiot for smoking, and then says she has to motor.
We also see reoccurring themes like when one Heather dies, another takes her place and even the nerd in the cafeteria spews milk through his nose 2 times.
I think that is done to emphazise the monotony of Veronica's world -- as well as it being self-perpetuating (one Heather replacing the next).
Another thing I noticed during this viewing was the cliffs notes on Heather's coffee table that she fell on when she died. It was Cliff's Notes for a novel called The Bell Jar.
I've time stamped it here but the copy is not clear enough to read it. You can see two items on the table at 3:37.
So... Heather number one had a lot more depth than people gave her credit for?
it seems that she really did believe that she was using magic bullets.
That was a bit weird. Firstly, the very concept of a tranquilizer-bullet that causes blood is quite outlandish to begin with. I suppose we are to intone that Veronica is so unfamiliar with firearms that she would belive that in the first place. Also, it's a weird lie from Slater. What if they don't die instantaniously? His cover would be blown right there and then.
Last night I read some comments on MovieChat about the film, and people were talking about how Veronica didn't deserve to end up as a hero in the film, because she was just as psychopathic as JD. I don't agree that this was the case, and she does have an arc in the film. By the end she's learned the error of her ways.
Yeah her being a psychopath like JD is just hogwash. There is a bit of disparity in just how mellow she seems towards the deaths (even after learning that they were not accedental). However, the very film is about her rejecting the sort of nilisistic psychopathy that JD represents -- acting more humanistic at the films end.
"Kurt and Ram killed themselves in a repressed homosexual suicide pact!"
That's one of those lines that I want to use some day.
I think that's how I'll explain the dissaperance of the next two members that'll quit the Movie Club.
"I love my dead gay son!" That shit is hilarious, as is the image of the two dudes in their caskets in football attire.
That was really funny. I think the funniest part though was when the cops found the miniral water and went like "yep, gay suicides."
And then there's the "I like to suck big dicks" scene. And that leads me into a discussion of whether or not this movie would've even been made today. With the modern outcry over homophobia, I'm just not sure it would.
Eh, you still find gay jokes in modern cinema.
And it's not like those two guys were supposed to be sympathetic. They were the villians after all. It's different from one of those comedy films where it's the protagonists who engage in the "eww, gay," scenes
. While much of the movie was pretty straightforward in terms of its look
Mostly I thought about how they used this style of center-framing in the Master shoots.
One character dominating the middle and other characters at their flanks. The film used it at several points to establish their master shoots. I'm sure this technique has a name I just can't recall what it is.
terms of its look
While most of framing was fairly unflashy -- they design was not. Those are some gaudy, techno-color clothing.
(Though admittedly, it bothers the shit out of me that she's not centered.)
What do you mean? I'm not all-to-familiar with framing termonology. Is it that her face isn't centered? I actually tend to like that kind of framing. It brings more attention to the body than the face.
but also because all the school shootings might make many people look askance at it
Plenty of people did that back in the day as well -- so it was a hindrance back then as well.
Feels like old times. I can't remember the last time you put that much into one of your write-ups.
Well -- since I can only post on Saturdays these days -- most of the things I've talked about saying have already been said by other posters. And I feel it's a bit tedious to just repeat what others have said. So I'll end up having a lot less to write.
But with the_muntjac incapicitated I'll have to do a lot more heavy lifting
One thing I never fully understood was exactly WHY she wanted to hang with the cool kids, and why she kept insisting even as it was making her miserable. I mean, from the moment that we're dropped into the film she is already bitching about the Heathers and talking about how she wishes Heather #1 would die . . . but she keeps playing the game. Instead of just walking away, she keeps on doing what she thinks she needs to do to become one of the group.
Well she's still a kid. Kids change a lot through the years. Especially when it comes to confidence. A lot of kids give up a lot to be popular -- only to find said populairty tedious and unfufilling later in life.
Croquet
How loaded must your parents be to have a croquet court set up in the backyard? Surrounded by classical statues and shit?
but most religious people do and yet even religious people almost always seem determined to cling to this life to the bitter end.
Well, there is a difference between believing in Heaven and following the logical conclusions of said belief. They have faith in that they'll end up in heaven, but not enough faith so that it overpowers the concerns they have in the here and now.
And you of course could make the argument that not everyone believes in heaven, and okay sure, but most religious people do and yet even religious people almost always seem determined to cling to this life to the bitter end. It doesn't make a ton of sense, and imagine if somehow we actually proved that heaven existed and that everyone gets to go there--that really would cast a different shadow upon acts like suicide and murder.
All this is to say that I felt like JD's behavior represents a belief in heaven taken to its furthest logical conclusion, which is not something I've ever actually seen a movie deal with before. It's very weird that this was suddenly thrown into the plot though, because there had been no indication before that that JD held any serious religious or spiritual beliefs.
Well, from a theological perspective, it is abundantly clear in Christian dogma that life is meant to be lived. You're supposed to go through life in grace. If you're trying to "game" the situation that way -- being all meta about it -- then you're kind of missing the point, that life is meant to be lived.
The end-goal of life isn't about going to heaven (or sending other people there) -- it's about living a good, just life. Shit that's like the entire point of the Book of Job. It is not correct to be good just because God will reward you -- you are supposed to be good because being good is a virtue in-and-of-itself.