In November, 2011, some employees at the Clinton Foundation told Chelsea Clinton about an alarming situation in what she has called “my father’s world.” The concerns were complicated and Chelsea wasn’t sure which ones were true, but they orbited around one of her father’s senior aides at the Clinton Foundation, Doug Band, and a more junior one, Justin Cooper. Chelsea’s informants thought that Band and Cooper were leveraging their connections with Bill Clinton for their own profit, and Chelsea herself seemed to agree.
Chelsea Clinton, when roused, seems a formidable adversary, not just because she is connected but because she is a sharp observer of systems gone awry. (This, at least, is the version of her that comes through most clearly in the e-mails from Hillary Clinton’s circle which have been made public during the past year.) In a series of e-mails, she had alerted her parents and their closest advisers about the accusations, and the law firm Simpson Thacher & Bartlett began a corporate review of the Clinton Foundation. On November 16, 2011, Band, the main target of Chelsea’s outrage, wrote a twelve-page memo to defend himself.