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Yeah, I felt this way with Only God Forgives. I was kind of grasping the subtexts but failed to see it woven throughout the narrative. An explanation later was enlightening, but then, its a failed experiment, isn't it?
I think it depends on whether or not the director intended for the film to be interpreted individually by each viewer--as Refn has claimed for his films--or if he intended it to be interpreted only one way, as Aronofsky seems to have done here. Take another one of Refn's films, Valhalla Rising. While there is a defined series of the events that occurs in the film, it's hard to say exactly what the film is about. But Refn says that he intended that, and that while he was making the film he knew it would have to be interpreted.